This master’s thesis investigates generative AI-art through the lens of actor network theory. By focusing on the role of images in datasets as a material that effects both AI-models and artworks, the decisively non-human agencies generative AI-models can be said to possess, and the traces and associations that generative AI-models imbue artworks with, this thesis aims to investigate art that has been created with GAN-models as well as contemporary text-to-image diffusion-models, by way of similar premises. Forgoing common discussions and questions regarding the status of AI-art as art that inundate many a reasoning regarding this topic, this thesis instead investigates the use of generative AI to make images and art with an understanding of it as a multifaceted practice that can be observed and experienced in a variety of ways. General topics such as the way images are used to train AI-models, the blurry connections between trained images and generated images, the way AI-models can be used and interacted with by using prompts as well as different kinds of interfaces and AI-Image-generators, are investigated, followed by the analysis of a number of artworks for which generative AI has been used. Throughout this study generative AI-art emerges as a both novel and oftentimes contested artform that is defined by direct and indirect connection to other media, a varied understanding of what it is that the artificial intelligence appears to do, and a use of the AI-artwork as a means to comment the mediums emerging characteristics.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:uu-517420 |
| Date | January 2023 |
| Creators | Persson, Cornelius |
| Publisher | Uppsala universitet, Konstvetenskapliga institutionen |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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