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Previous issue date: 2017-11-30 / Este trabalho ? resultado de uma pesquisa interventiva desenvolvida no programa de P?s-Gradua??o em Artes C?nicas/UFRN, e tem car?ter qualitativo. Apresenta uma possibilidade de proposta dramat?rgica para pesquisadores interessados em trabalhar com textos n?o teatrais, neste caso, a literatura de cordel, utilizada como matriz criativa para a constru??o da cena teatral. A fonte da presente pesquisa ? a poesia popular do cordelista e historiador mossoroense Ant?nio Francisco, explorada durante o processo de adapta??o de folhetos de cord?is em pe?as de teatro. Nossa tentativa de contribui??o aqui talvez se encontre nos di?logos processuais, nos detalhes relatados, nas experi?ncias comprovadas pelas apresenta??es p?blicas da adapta??o da pe?a e nos resultados que surgem e se renovam ao longo delas. Entendemos que cada processo criativo possui sua pr?pria singularidade. Os instrumentos e estrat?gias s?o semelhantes, mas n?o id?nticos. Como objeto de investiga??o, nos basearemos na montagem dos espet?culos ?Dois Cabras Num Cordel S??, 2010, e ?Oscabra?, 2017, feitas pela Ciamargem de Teatro, de Natal, nas quais utilizamos os cord?is do livro do poeta Ant?nio Francisco: ?Dez Cord?is Num Cordel S??, 2002. / This work is the result of an interventional research by the Graduate Program of Performing Arts / UFRN. It has a qualitative nature. It presents a possibility of a dramaturgical proposal for researchers interested in working with non-theatrical texts. More specifically, cordel literature, used as a creative matrix for the construction of the theatrical scene. The source of this research is the popular poetry of the cordel writer and historian Ant?nio Francisco from the city of Mossoro. It was explored during the process of adapting cordel leaflets in plays. Our attempt to contribute here may be found in the procedural dialogues, in the details reported, in the experiences acquired through the public presentations with the adapted of the play, as well as in the results and renewing that we arrived throughout the process and conclusions of the presentations. We understand that each creative process has its own individuality. The tools and strategies are similar, but not identical. As an object of practical investigation, we will base ourselves on the assembly of the plays ?Dois Cabras em um Cordel S? ', 2010, and 'Oscabra ', 2017, made by Cia margem de Teatro, in which we use the Cordel from the book written by the poet Antonio Francisco: ?Ten Cord?is In a Cordel S? ', 2002.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/24884 |
| Date | 30 November 2017 |
| Creators | Sales, Luciano In?cio da Silva |
| Contributors | 17897969894, Ara?jo, Jos? S?vio Oliveira de, 24525057572, Catal?o, Larissa de Oliveira Neves, 28964672895, Carri?o, Andr? |
| Publisher | PROGRAMA DE P?S-GRADUA??O EM ARTES C?NICAS, UFRN, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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