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Previous issue date: 2016-07-28 / Este trabalho tem como objetivo analisar a segunda obra da trilogia novecentista de Hilda Hilst, Contos d?esc?rnio. Textos grotescos (1990), tendo a pornografia como categoria de an?lise. O presente estudo, a partir de te?ricos como Lynn Hunt (1999) e Susan Sontag (1987), reflete sobre o car?ter da pornografia enquanto g?nero art?stico-liter?rio, partindo da reflex?o sobre o seu hist?rico de transforma??o ao longo de seu surgimento e questionando as defini??es reducionistas que acabam por tratar pornografia e arte como elementos antit?ticos. Alterca??es a respeito da oposi??o entre erotismo e pornografia, enquanto g?neros liter?rios distintos, tamb?m ser?o feitas, evidenciando os problemas conceituais e de estrutura envolvendo tal antinomia. Aqui as incongru?ncias apontadas por parte da cr?tica na est?tica de Hilst, quando se tratando de escrita pornogr?fica, s?o vistas sob uma perspectiva de inova??o. A an?lise, portanto, se dar? atrav?s da observa??o feita sobre a maneira como Hilda dialoga por meio de sua escrita com elementos composicionais da pornografia, levando em considera??o a historicidade do g?nero. As contribui??es de Maingueneau (2010) a respeito do discurso pornogr?fico se fazem de extrema import?ncia para o desenvolvimento anal?tico desta pesquisa. / This work aims to analyze the second book of the nineties? trilogy written by Hilda Hilst, Contos d?esc?rnio. Textos grotescos (1990), using pornography as its analytical category. The study makes use of theorists such as Lynn Hunt (1999) and Susan Sontag (1987), in order to reflect on the aspects that make pornography an artistic-literary genre, considering its historical transformations along the way and questioning reductionist definitions that end up dealing with pornography and art as antithetical elements. The work brings a discussion about the opposition between eroticism and pornography as distinct literary genres, showing the structural and conceptual problems involving such antinomy. Here the inconsistencies that the critics point out in the aesthetics of Hilst, when it comes to pornographic writing, are seen from an innovative perspective. The analysis will happen through the observation on the way Hilda converses, through her writing, with the compositional elements of pornography, taking into account the historicity of the genre. The ideas of Maingueneau (2010) about the pornographic discourse are of utmost importance for the analytical development of this research.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/21648 |
| Date | 28 July 2016 |
| Creators | Gomes, Rita de K?ssia de Aquino |
| Contributors | 00068397461, http://lattes.cnpq.br/7328556088478313, Medeiros J?nior, Antonio Fernandes de, 20210256400, http://lattes.cnpq.br/5180658924051594, Teixeira, Mona Lisa Bezerra, 83786961468, http://lattes.cnpq.br/6380528171617940, Ara?jo, Rosanne Bezerra de |
| Publisher | PROGRAMA DE P?S-GRADUA??O EM ESTUDOS DA LINGUAGEM, UFRN, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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