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Thinking Bodies and Sensational Minds: Affect and Embodiment in Contemporary Art

The human subject is profoundly interdependent, in relation to other people and to the surrounding environment, both “natural” and technological. Western dualistic thinking creates bounded and oppositional categories and generates a conception of human subjects as autonomous, self-sufficient beings that are transparent to themselves and in control of self, other, and world. This contributes to the ongoing inequalities in society and supports normative hegemony. This dissertation argues that it is imperative to insist on the intersubjective, permeable, and contingent qualities of existence. While this project is preceded by a great deal of theoretical criticism of Western metaphysical dualism, we must still continually work to break down the binaries of mind and body, self and other, rational and emotional, culture and nature. We need not just to critique the binaries but to generate new ways of thinking. I propose that art can act as a catalyst for thinking the new. Art can queer the boundaries. It is impossible to separate out the mind from the sensual body in the production or reception of art. Art demonstrates how the sensual and affected/affecting body is integral to the thinking subject, not an impurity or distraction that needs to be controlled.

Identiferoai:union.ndltd.org:vcu.edu/oai:scholarscompass.vcu.edu:etd-1608
Date06 May 2014
CreatorsBurke, Sandra
PublisherVCU Scholars Compass
Source SetsVirginia Commonwealth University
Detected LanguageEnglish
Typetext
Formatapplication/pdf
SourceTheses and Dissertations
Rights© The Author

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