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Genandendal-meubels as materiele manifestasie van die Morawiese pietisme

Thesis (MA (History))--University of Stellenbosch, 2007. / Genadendal furniture was made in the small Moravian mission settlement of Genadendal
(situated in the Overberg area of the Western Cape) during the late 18th and early 19th
centuries. Genadendal furniture not only illustrates the impact that the immigration of
Europeans had on the development of a unique Old Cape furniture tradition, it also
emphasises the influence that a specific world view or philosophy of life had on the
design and manufacture of furniture.
The origins of the old Unitas Fratrum can be traced back to the late 14th century in
ancient Moravia and Bohemia (today part of the Czech Republic). This mission society
came to South Africa due to the missionary zeal of the Renewed Moravian Church, which
was renewed mostly through the efforts of the German Earl Nicolaus von Zinzindorf. As
exponent of Radical Pietism this society accepted the task of worldwide missionary work.
By the end of the 18th century there were already more than 18 Moravian mission
stations scattered all over the world.
One of the most prominent characteristics of the Moravian church was the importance
attached to the fellowship of the faithful, and the social organisation resulting from it.
Everything in the Moravian community was done to signify the equality of all people
before God, expressed by standardised dress, traditions and social organisation. They
functioned as independent, self-sufficient communities. Various trades and workshops
were established in these communities to further the ideal of self-sufficiency. The
missionaries from Europe were all qualified artisans, and they trained members of their
communities in the various trades. The pervading spirit of independence equipped these
artisan missionaries extremely well to transplant the Moravian furniture styles and
traditions to South Africa.
Genadendal furniture bears silent witness to the Moravian obsession with simplicity and
quality. This furniture style with its simple, straight lines formed part of the Neo-Classical
style popular at the Cape at the time.

Identiferoai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:sun/oai:scholar.sun.ac.za:10019.1/2393
Date03 1900
CreatorsRabe, Jo-Marie
ContributorsBurden, M., University of Stellenbosch. Faculty of Arts and Social Sciences. Dept. of History.
PublisherStellenbosch : University of Stellenbosch
Source SetsSouth African National ETD Portal
LanguageAfrikaans
Detected LanguageEnglish
TypeThesis
RightsUniversity of Stellenbosch

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