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Previous issue date: 2008-03-27 / The speeches about the body in interface with the technology, that fulfill the contemporary discussions, have been a stage of innumerable ethical, epistemological, aesthetic and ontological reflections. These happened bodies of the biotechnological scene also invade the dance, making several possible dialogues, making old concepts instable, opening way to revealing explorations and bringing with it implications and reflections. In this context, this research has as objective to discuss relations between body and technology in the dance; to understand the aesthetic configurations of the monster in the dance as possibility to question the body; to establish relations between the monstrous body in the dance and the conceptions of body in the Physical Education. We believe to be able to contribute for the reflection in the field of the Physical Education, since the work visualizes to extend the field of the discussions on aesthetic body and, as
well as evidencing dialogues between different areas of the knowledge, as the Art and the Physical Education. From the point of view of the method, the work follows orientation of the Phenomenology for an aesthetic image
appreciation of the videos in the choreographies In'perfeito and Viol?ncia of Cena 11, Dance Group that has marked new aesthetic configurations in the brazilian dance. Thus, we took for us the reflections on the "significant scenes" proposed by Bicudo (2000), to appreciate the dance of Cena 11. We emphasize that, after the identification of the Significant Scenes, it was necessary to approach these scenes from close senses, from which we
detach the appearance, the space and the gesture. We evidence that, the bodies revealed by the group Cena 11, show an aesthetic that it interlaces the beauty, the ugly and the grotesque. An aesthetic of the unharmony, capable to transgress the oppositions, dialoguing with multiple antagonisms and that it amplifies the apollonian aesthetic linear rules, so predominant in the history of the dance and the Physical Education. We identify some indicatives that take us to the problematizations on an affective and anarchic body, when questioning the tyranny of the perfect corporality; the naturalization of the pain; the closed gesture in a finished and unique
grammar; the standardization of feminine and masculine roles and the negation of the feeling. From these indicatives, we discuss the aesthetic of
the deformed bodies of Cena 11, approaching it of the conceptions of body in the Physical Education, sometimes criticizing the rationalists and naturalistic views, sometimes dialoguing with more recent perspectives studied by
researchers of this area of knowledge, which point to a reflection on the body under the optics of the sensible / Os discursos sobre o corpo em interface com a tecnologia, que permeiam as discuss?es contempor?neas, t?m sido palco de in?meras reflex?es ?ticas, epistemol?gicas, est?ticas e ontol?gicas. Esses corpos advindos do cen?rio biotecnol?gico tamb?m invadem a dan?a,
possibilitando di?logos diversos, desestabilizando velhos conceitos, abrindo caminho a explora??es desveladoras e trazendo consigo implica??es e reflex?es. Nesse contexto, esta pesquisa tem como objetivo discutir rela??es entre corpo e tecnologia na dan?a; compreender as
configura??es est?ticas do monstro na dan?a como possibilidade de questionar o corpo; estabelecer rela??es entre o corpo monstruoso na dan?a e as concep??es de corpo na Educa??o F?sica. Acreditamos poder contribuir para a reflex?o no campo da Educa??o F?sica, visto que
o trabalho visualiza ampliar o campo das discuss?es sobre corpo e est?tica, bem como evidenciar di?logos entre diferentes ?reas do conhecimento, como a Arte e a Educa??o F?sica. Do ponto de vista do m?todo, o trabalho segue orienta??o da Fenomenologia para uma
aprecia??o est?tica de imagens dos v?deos das coreografias In?perfeito e Viol?ncia do Cena 11, grupo de dan?a que tem marcado novas configura??es est?ticas na dan?a brasileira. Assim nos apropriamos das reflex?es sobre as cenas significativas propostas por Bicudo (2000), para
apreciar a dan?a do Cena 11. Enfatizamos que, ap?s a identifica??o das Cenas Significativas, buscou-se aproximar essas cenas a partir de sentidos pr?ximos, das quais destacamos a apar?ncia, o espa?o e o gesto.
Constatamos que os corpos revelados pelo grupo Cena 11 evidenciam uma est?tica que entrela?a o belo, o feio e o grotesco. Uma est?tica das desmedidas, capaz de transgredir as oposi??es, dialogando com m?ltiplos antagonismos e que amplifica os preceitos lineares e as est?ticas apol?neas t?o predominantes na hist?ria da dan?a e da Educa??o F?sica. Identificamos alguns indicativos que nos levam ?s problematiza??es sobre um corpo afetivo e anarquista, ao questionarem a tirania da corporalidade perfeita; a naturaliza??o da dor; a gestualidade fechada em uma gram?tica ?nica e acabada; a padroniza??o de pap?is
femininos e masculinos e a nega??o do sentir. A partir desses indicativos, discutimos a est?tica dos corpos deformados do Cena 11, aproximando-a das concep??es de corpo na Educa??o F?sica, ora criticando as vis?es racionalistas e naturalistas, ora dialogando com perspectivas mais recentes pronunciadas por pesquisadores dessa ?rea de conhecimento,
as quais apontam para uma reflex?o sobre o corpo sob a ?tica do sens?vel
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/14253 |
| Date | 27 March 2008 |
| Creators | Bezerra, Laise Tavares Padilha |
| Contributors | CPF:56613067415, http://lattes.cnpq.br/5255588024266396, Lemos, Elaine Melo de Brito Costa, CPF:78595312400, http://lattes.cnpq.br/6585812032940319, Tib?rcio, Larissa Kelly de Oliveira Marques, CPF:59778172404, http://lattes.cnpq.br/2272256149121710, Dantas, Alexsandro Galeno Ara?jo, CPF:59670886449, http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4703941Y0, Porpino, Karenine de Oliveira |
| Publisher | Universidade Federal do Rio Grande do Norte, Programa de P?s-Gradua??o em Educa??o, UFRN, BR, Educa??o |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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