Submitted by Caroline Xavier (caroline.xavier@pucrs.br) on 2017-04-17T15:05:05Z
No. of bitstreams: 1
TES_CAMILA_ALEXANDRINI_COMPLETO.pdf: 5581732 bytes, checksum: f7972ec53065bafdc24d9136d6817b0b (MD5) / Made available in DSpace on 2017-04-17T15:05:05Z (GMT). No. of bitstreams: 1
TES_CAMILA_ALEXANDRINI_COMPLETO.pdf: 5581732 bytes, checksum: f7972ec53065bafdc24d9136d6817b0b (MD5)
Previous issue date: 2017-01-06 / This doctoral research titled Word-Performance has been developed out of the following areas: contemporary research on literature and performance. The dialogue between these two fields of analysis has proven to be exciting and promising, given that interdisciplinary research offers an unusual character to the literary. Many literary theorists use the word performance, or performative and performativity, as a concept to indicate the conduct, performance and behavior of certain literary, social, political forms. However, the performance here is first proposed as an investment to the availability of other spaces to what we call literature and therefore allow it to be understood, read and also developed via other theoretical methods. In this sense, from the relationship between the theory of literature and the other arts, because the performance is configured on the border between the performing, the visual and literary arts, has sought not only a dialogue with various theoretical contributions, but also provide another understanding of the literary text to the community academic as well as readers. Actually, a few years ago, even before the advent of technology, the literary text has reinvented itself through other media. In fact, what this study seeks to demonstrate is that the performance itself was always permitted to the reader, since the literature provokes more than just knowing something, it encourages us to go beyond the text itself, whether through singular marks in the course of reading, through the desire of understanding and responding to what is written, or by our own artistic action that comes from it. From this relationship a vast field of literary research and analysis is drawn, from which this thesis has been engaged in presenting a significant and qualified approach to contemporary research on literature. Beyond the complex and exciting contact with other arts, literature has much to reveal to researchers and readers. / A palavra escapa. Aprendemos com o destino de toda palavra, isto ?, escapar, que para escrever talvez n?o seja exatamente necess?rio ir mais r?pido e, l? em frente, capturar as palavras. Antes talvez seja preciso deixar que elas cumpram seu ir e vir constante. Aprendo, sempre que diante de uma palavra, onde quer que ela esteja, que, para ler, lan?am-se iscas e nada mais. H? anos observo as palavras; por vezes, anoto-as no anseio de captur?-las, mas isso tudo ? em v?o ? elas sempre escapam. N?o pretendo ser original ao perceber que, nas fugas de cada palavra, uma performance ? ensaiada, a qual se repete a cada novo olhar sobre ela. Quem sabe o que eu precise fazer agora ? continuar observando, para que os espa?os de liberdade do dizer se mantenham em movimento e ativos atrav?s do meu olhar. No entanto, se para se configurar performance a palavra precisa ser experienciada, cabe tamb?m a mim, na situa??o em que estou, primeiramente reconhecer tal movimento das palavras, mesmo aquelas que aparecem momentaneamente silenciosas na p?gina. Desejo fazer a palavra saltar e escapar das margens para que eu possa dizer: literatura ? performance, sempre foi. Parece-me que a superf?cie e os di?logos por meio dos quais a literatura se organiza s?o esse come?o que anseio desde o in?cio da pesquisa, a fim de articular em meu trabalho que a literatura provoca desejo porque performa. palavra-performance. palavra-pluma. palavra-polvo. palavra despalavrada. palavra-povo. palavra-pele. palavra-pus. palavra-palatal. palavra-perd?o. palavra-paranoia. palavra-paix?o. palavra-pasmo. palavra-passante. pa-larva. palavar. pavalar... N?o h? resumo em mat?ria de palavra, n?o h? projeto, h? uma tentativa de pr?-jeto, algo que se esfor?a para lan?ar-se, mas, ainda assim, escapa. Por isso, esta ? minha tese, ant?(-)tese, minha pr?(-)tese, sobre a qual tenho tentado escrever: a performance das palavras, sobretudo, as minhas, sejam elas entendidas como te?ricas ou n?o.
| Identifer | oai:union.ndltd.org:IBICT/oai:tede2.pucrs.br:tede/7237 |
| Date | 06 January 2017 |
| Creators | Alexandrini, Camila |
| Contributors | Barberena, Ricardo Araujo |
| Publisher | Pontif?cia Universidade Cat?lica do Rio Grande do Sul, Programa de P?s-Gradua??o em Letras, PUCRS, Brasil, Escola de Humanidades |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/doctoralThesis |
| Format | application/pdf |
| Source | reponame:Biblioteca Digital de Teses e Dissertações da PUC_RS, instname:Pontifícia Universidade Católica do Rio Grande do Sul, instacron:PUC_RS |
| Rights | info:eu-repo/semantics/openAccess |
| Relation | 8447345070736321569, 600, 600, 600, -6557531471218110192, -5409419262886498088 |
Page generated in 0.0032 seconds