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Previous issue date: 2016-02-25 / CAPEs / Este trabalho consiste no estudo dos romances Slash (1985), da escritora okanagan Jeannette
Armstrong, e Mean Spirit (1990), da chickasaw Linda Hogan, e busca examinar de que forma
as autoras ficcionalizaram, nas suas obras, certos acontecimentos da história dos povos
ameríndios no século XX, como os que envolveram a militância política que se fortaleceu a
partir dos anos 60 na América do Norte e os assassinatos de membros da nação Osage na
década de 1920. Para tanto, recorri ao conceito de metaficção historiográfica proposto por
Linda Hutcheon (1988, 1989) e aos estudos em memória de Anh Hua (2005), Maurice
Halbwachs (2006), Márcio Seligmann-Silva (2008), Marianne Hirsch (2008) e Aleida
Assmann (2011). Considerando as obras de Armstrong e Hogan como espaços de enunciação
de uma resistência cultural que vai além dos limites tribais, optei por adotar uma perspectiva
cosmopolita tal qual sustentada por Arnold Krupat (2002), e que se apoia nas teorias póscoloniais
segundo Mary Louise Pratt (1999), Homi Bhabha (2013), Ella Shohat (1996), Stuart
Hall (2003), Kwame Anthony Appiah (1997) e Liane Schneider (2002, 2008). Ademais,
foram de suma importância os diálogos com alguns nomes da crítica indígena como Graça
Graúna (2013), Michael Dorris (1979), Craig S. Womack (1999), Louis Owens (1922), Simon
Ortiz (2001), Winona Stevenson (1998), Paula Gunn Allen (1992) e Robert Warrior (2014).
Intentei, assim, verificar como a resistência ameríndia toma corpo na escrita de Armstrong e
Hogan, que constroem narrativas artisticamente complexas e de imensa relevância política. / This work consists of the study of Slash (1985), by Okanagan writer Jeannette Armstrong,
and Mean Spirit (1990), by Chickasaw Linda Hogan, and it aims to examine the way in which
the writers have fictionalized, in their books, certain events of the history of the American
Indian peoples in the twentieth century, such as those concerning the militancy that gained
strength in the 60s and the Osage murders that took place in the 20s. With that in mind, I have
resorted to the concept of historiographic metafiction, proposed by Linda Hutcheon (1988,
1989) and to the memory studies by Anh Hua (2005), Maurice Halbwachs (2006), Márcio
Seligmann-Silva (2008), Marianne Hirsch (2008) and Aleida Assmann (2011). Considering
the works of Armstrong and Hogan as sites of enunciation of a type of cultural resistance that
goes beyond tribal limits, I have chosen to adopt a cosmopolitan perspective such as sustained
by Arnold Krupat (2002) and which leans on the postcolonial theories by Mary Louise Pratt
(1999), Homi Bhabha (2013), Ella Shohat (1996), Stuart Hall (2003), Kwame Anthony
Appiah (1997) and Liane Schneider (2002, 2008). Moreover, dialogues with the following
authors of Native criticism were of the utmost importance: Graça Graúna (2013), Michael
Dorris (1979), Craig S. Womack (1999), Louis Owens (1922), Simon Ortiz (2001), Winona
Stevenson (1998), Paula Gunn Allen (1992) and Robert Warrior (2014). Thus, I have
attempted to verify how the Amerindian resistance takes form in the writings of Armstrong
and Hogan, who build narratives artistically complex and of an immense political relevance.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufpe.br:123456789/17603 |
| Date | 25 February 2016 |
| Creators | VIEIRA, Maria Luiza |
| Contributors | http://lattes.cnpq.br/7241596526013043, WALTER, Roland Gerhard Mike |
| Publisher | Universidade Federal de Pernambuco, Programa de Pos Graduacao em Letras, UFPE, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Breton |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFPE, instname:Universidade Federal de Pernambuco, instacron:UFPE |
| Rights | Attribution-NonCommercial-NoDerivs 3.0 Brazil, http://creativecommons.org/licenses/by-nc-nd/3.0/br/, info:eu-repo/semantics/openAccess |
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