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Previous issue date: 2017-03-27 / Este trabalho investiga a par?dia sat?rica ao jornalismo produzida pelo site de humor
Sensacionalista, e como esse ve?culo de m?dia par?dico desenvolve, de maneira c?mica,
cr?ticas ? m?dia. A par?dia sat?rica promovida por sites de not?cias fict?cias, como o
Sensacionalista, subverte valores e dogmas do jornalismo. Nesse movimento, os
ve?culos par?dicos questionam o trabalho da m?dia, a atua??o de seus profissionais, seus
produtos, processos, l?gicas e rotinas. O conte?do cr?tico disseminado comicamente
promove, ainda que de forma moment?nea, reflex?es cr?ticas no leitor. As desnot?cias
funcionam, ent?o, dentro do sistema social cr?tico-interpretativo, proposto por Braga
(2006), como uma alternativa ?s cr?ticas de m?dia mais elaboradas, aprofundadas, s?rias
e desenvolvidas por especialistas em cr?tica para um p?blico de iniciados. O
embasamento te?rico inclui estudos sobre humor, comicidade e riso de Bergson, Propp,
Alberti, Minois e Bakhtin; sobre not?cias fict?cias e par?dia jornal?stica de Oliveira,
Gerson e Dornelles, Silveira, Barbosa de Sousa e Santiago, Figueira e Santos; e sobre
cr?tica midi?tica de Dines, Traquina, Bertrand, Marcondes Filho, Braga, Motta,
Hamilton, Silva e Paulino, Loures e Christofoletti. Adota-se como metodologia a
an?lise de conte?do, proposta por Bardin (2008), aplicada a um corpus de 101
publica??es com conte?do cr?tico acerca da m?dia, num recorte de oito meses (1? de
janeiro de 2016 a 31 de agosto de 2016). / This work investigates the satirical parody of the journalism produced by the humor
website known as Sensacionalista, and how this parody media vehicle comically
develops criticism of the media. The satirical parody promoted by fictional news sites,
such as Sensacionalista, subverts values and dogmas of journalism. In this movement,
parody vehicles question the work of the media, the performance of its professionals, its
products, processes, logic and routines. Critically disseminated content comically
promotes, even momentaneously, critical reflections on the reader. The unnews work
within the critical-interpretive social system, proposed by Braga (2006), as an
alternative to more elaborate, in-depth, serious and criticized media critics for an
audience made of initiates. The theoretical basis includes studies on humor, comedy and
laughter, by Bergson, Propp, Alberti, Minois and Bakhtin; on fictional news and
journalistic parody, by Oliveira, Gerson and Dornelles, Silveira, Barbosa de Sousa and
Santiago, Figueira and Santos; and on media critique, by Dines, Traquina, Bertrand,
Marcondes Filho, Braga, Motta, Hamilton, Silva and Paulino, Loures and Christofoletti.
The analysis of content proposed by Bardin (2008), applied to a corpus of 101
publications with critical content about the media, in a peiord of eight months (January
1st, 2016 to August 31st, 2016) is adopted as the methodology.
Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/23724 |
Date | 27 March 2017 |
Creators | Rocha, Arthur de Oliveira |
Contributors | 23755350220, http://lattes.cnpq.br/8254589050604215, Lacerda, Juciano de Sousa, 98271547453, http://lattes.cnpq.br/9310055597414010, Costa, Luciana Miranda, 07396061822, http://lattes.cnpq.br/1310961057480638, Veloso, Maria do Socorro Furtado |
Publisher | PROGRAMA DE P?S-GRADUA??O EM ESTUDOS DA M?DIA, UFRN, Brasil |
Source Sets | IBICT Brazilian ETDs |
Language | Portuguese |
Detected Language | English |
Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
Rights | info:eu-repo/semantics/openAccess |
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