This thesis explores the challenges of evolving a Theatre of Truth in the context of the immediate zeitgeist. The questions I address are the role of feminist theatre in a world dominated by global media and corporate omnipotence; the conflation of theatre and Realpolitick; the limitations of postmodern thought and critical theory, and the struggle not only of the marginalized, but of all of us to create an activist theatre in perilous times. After examining my response to directing a production of Mud by Maria Irene Fornes, this project will also suggest that a theatre of specialized singular interests, such as feminism, racism, or gender-based concerns, is no longer sufficient to impact the audience of today. Instead, the work suggests that a fresh, revised look at theory, feminism, and "reality," as well as an attempt to unravel the psyche of the hegemonic political and social forces are necessary to reconceive a theatre that serves the new world. Building on the artistry of several contemporary playwrights, this thesis explores a theatre of Truth in action and looks at possibilities to open new avenues to empathy, transformation and liberation.
| Identifer | oai:union.ndltd.org:vcu.edu/oai:scholarscompass.vcu.edu:etd-1880 |
| Date | 01 January 2006 |
| Creators | Hayes, Susan |
| Publisher | VCU Scholars Compass |
| Source Sets | Virginia Commonwealth University |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Theses and Dissertations |
| Rights | © The Author |
Page generated in 0.0021 seconds