In this essay I analyse the constructions of gender in the series The Phantom by Lee Falk. I apply David Tjeders readings of the bourgouise masculinity, its sensitive character and great risk of falling into unmanliness, when discussing The Phantom’s masculine development. I have analysed three adventures of The Phantom from the years 1937, 1977 and 1996, all authored by original creator Lee Falk. I argue that The Phantom increases his use of violence, therefore risking a loss of character. The stories re-establishes his masculinity by portraying the villains more monstrously. My thesis is that The Phantom's need to maintain a bourgeouis masculinity ceases as the popular culture has developed new masculine ideals.
Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:sh-22473 |
Date | January 2013 |
Creators | Hjelm Sandqvist, Carl |
Publisher | Södertörns högskola, Institutionen för kultur och lärande |
Source Sets | DiVA Archive at Upsalla University |
Language | Swedish |
Detected Language | English |
Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
Format | application/pdf |
Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.0027 seconds