"Jag är ju allt, egentligen." : En kritisk studie av könstillhörighetens relevans för framställningen av Mai Zetterling som auteur / “I’m everything, really.” : A critical study of the relevance of gender specificity in dealings with Mai Zetterling as an auteur

Description

This essay deals with the idea of women as the ”the other sex” within the field of authorship, and aims to bring to together feminist, film and auteur theory with analysis of historic documentations of reception as well as context for academic treatments of Mai Zetterling as an auteur/director. This, in attempt to, through intertwined discussion, catch a glimpse of better understanding how gender specificity may have influenced and continue to influnce perceptions of auteurs of female gender and their works, yet keeping focus on the case of Mai Zetterling and hers in specific.

Links & Downloads

1. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-157154

Tags

Mai Zetterling

feminism

auteur theory

gender

canon

film theory

film history

Swedish film

film criticism

film journalism

Mai Zetterling

feminism

auteurteori

genus

kanon

filmteori

filmhistoria

svensk film

filmkritik

filmjournalistik

Studies on Film

Filmvetenskap

Additional Fields

Identifer	oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:su-157154
Date	January 2015
Creators	Tomani, Ebba
Publisher	Stockholms universitet, Filmvetenskap
Source Sets	DiVA Archive at Upsalla University
Language	Swedish
Detected Language	English
Type	Student thesis, info:eu-repo/semantics/bachelorThesis, text
Format	application/pdf
Rights	info:eu-repo/semantics/openAccess