本創作以攝影作為創作形式，紀錄了台灣愉虐社群「皮繩愉虐邦」中的一群放血實踐者，其所進行的一次放血實踐活動，以及平日生活的場景。本創作的目的在於，以攝影呈現放血實踐者的另類身體感探索，彰顯非主流身體之美之外，並透過有策略地傳佈此類影像，或許能夠挑戰社會對個人身體的規訓，進而拓展社會中多元性別氣質、情慾實踐、身體樣貌並存等議題的言論空間。
本創作論述中，提供了歷史上關於放血的文獻記載、台灣愉虐社群介紹、放血實踐者之描述，與放血活動之田野觀察等關於本創作紀錄之主題的描述；也探討了身體感與身體規訓之文獻探討、攝影之理論研究、攝影傳遞真實的反思，以及觀眾抗拒心理等與本創作相關議題的文獻資料；最後，本論述紀錄了創作執行過程、創作呈現的規劃與成果，以及觀眾的回饋意見。 / This series of documentary photography of a group of “bloodletting” practitioner’s daily life and an event of bloodletting aim at the manifestation of an alternative beauty of human body, and a different way to explore “corporéité.” The thesis includes the review of the writings about “corporéité” and “l’image du corps” by Merleau-Ponty and the studies about the discipline of the body by Foucault, and the discussion about the connotation in photography. In addition, preparation and execution for two exhibitions of the photography works, and feedbacks from exhibition visitors are also included in the dissertation.
| Identifer | oai:union.ndltd.org:CHENGCHI/G0096453007 |
| Creators | 雍志中, Yung, Chih Chung |
| Publisher | 國立政治大學 |
| Source Sets | National Chengchi University Libraries |
| Language | 中文 |
| Detected Language | English |
| Type | text |
| Rights | Copyright © nccu library on behalf of the copyright holders |
Page generated in 0.0018 seconds