Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-02-20T23:56:41Z
No. of bitstreams: 1
MariaIlkaSilvaPimenta_DISSERT.pdf: 9111662 bytes, checksum: 7a97fad3e2632fec4380d5c74d3cadac (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-03-03T19:44:51Z (GMT) No. of bitstreams: 1
MariaIlkaSilvaPimenta_DISSERT.pdf: 9111662 bytes, checksum: 7a97fad3e2632fec4380d5c74d3cadac (MD5) / Made available in DSpace on 2017-03-03T19:44:51Z (GMT). No. of bitstreams: 1
MariaIlkaSilvaPimenta_DISSERT.pdf: 9111662 bytes, checksum: 7a97fad3e2632fec4380d5c74d3cadac (MD5)
Previous issue date: 2016-08-30 / O presente estudo objetiva refletir sobre as constru??es identit?rias acerca do sert?o do Serid? nas obras dos artistas potiguares Iran Dantas, Assis Marinho e Assis Costa (1980-2000). As obras ser?o analisadas a partir da vis?o empregada na Hist?ria Social da Arte, a qual faz uma rela??o entre o artista, a obra e a sociedade tendo como contribui??o os pressupostos te?ricos metodol?gicos de Michael Baxandall, T. J. Clark, Enrico Castelnuovo e Jorge Coli. Al?m de utilizar-se de Stuart Hall, Albuquerque J?nior e Muirakytan K. de Mac?do na discuss?o sobre identidade cultural e regional. Procura-se problematizar os ?cones representativos desse espa?o marcado por uma constru??o hist?rica, tramada nas m?ltiplas dimens?es do vivido humano e do cotidiano impregnado de um imagin?rio coletivo, que criam um sentimento de pertencimento ao lugar, fundando uma identidade espacial. Nessa perspectiva, o intuito ? tecer um enredo que possa contextualizar essa arte produzida no interior do Estado do Rio Grande do Norte. No primeiro cap?tulo a partir dos artistas Newton Navarro e Dorian Gray Caldas, abordaremos uma reflex?o sobre suas obras na condi??o de uma iconografia constru?da para identificar o Estado, sedimentando um sentimento identit?rio, particularmente, para a cidade de Natal que tamb?m define o Serid?. A iconografia desses dois nomes se constitui como um acervo pict?rico para os artistas seridoenses, como Iran Dantas, Assis Marinho e Assis Costa, cuja as obras ? investigada nos dois cap?tulos seguintes e elaboram um conjunto de imagens produzindo uma forma de ver seu espa?o regional. O estudo prop?e costurar os fios da tessitura pict?rica dos referidos artistas vendo-se a arte como uma produ??o humana articulada com uma constru??o imag?tico-discursiva. Pode-se afirmar que o sentimento de identidade seridoense ? constru?do por um discurso regionalista e reafirmado na produ??o pict?rica dos artistas, que possuem suas singularidades est?ticas e culturais. / This study aims to reflect on the identity constructions about Serid? as portrayed in works of Potiguar artists Iran Dantas, Assis Marinho and Assis Costa (1960-2010). The works will be analyzed from vision applied in Social History of Art, which is a relationship between the artist, the work and society, based on the methodological theoretical assumptions of Michael Baxandall, T. J. Clark, Enrico Castelnuovo and Jorge Coli. In addition to referring to Stuart Hall, Albuquerque Junior and Muirakytan K. Mac?do in the discussion of cultural and regional identity. We aim to question the representative icons in this space marked by a historical construction characterized by the multiple dimensions of human experience and daily life pervaded of a collective imagination, creating a sense of belonging to the place, establishing a spatial identity. In this perspective, the aim is to develop an outline that can contextualize the art produced in the interior of Rio Grande do Norte. Starting out with the artists Newton Navarro and Dorian Gray Caldas, we discuss a reflection on their works provided, which constitute an iconography built to identify the state, solidifying some sense of identity, particularly towards the city of Natal. Thus, the iconography of these two painters provides a pictorial reference repository to Seridoense artists such as Iran Dantas, Assis Marinho and Assis Costa, who produce a set of images creating a way to see this regional space. In practical terms, the study proposes sew the threads of these artists? pictorial fabric, full of historicity, seeing art as a human and historical production, pervades with an imagetic-discursive construction. One can say that the sense of Serid? identity is built on a regionalist discourse and reaffirmed in the pictorial production of the artists who have their aesthetic and cultural singularities. In addition, we emphasize the understanding of individual and creative universe for each of them in developing their art.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/22124 |
| Date | 30 August 2016 |
| Creators | Pimenta, Maria Ilka Silva |
| Contributors | 88101592334, http://lattes.cnpq.br/8893350729538284, Vieira, Daniel de Souza Le?o, 02637234458, http://lattes.cnpq.br/9871989139201546, Oliveira, Margarida Maria Dias de, 28214218420, http://lattes.cnpq.br/5565266295414497, Santiago J?nior, Francisco das Chagas Fernandes |
| Publisher | PROGRAMA DE P?S-GRADUA??O EM HIST?RIA, UFRN, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.0029 seconds