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Previous issue date: 2016-08-31 / Esta dissertação apresenta a etnobiografia de um fotopintor cearense contemporâneo, Mestre Julio Santos. Ao acompanhar o cotidiano de Mestre Julio, considerado grande artista da cidade de Fortaleza, foi possível conhecer sua vida e o trabalho que, diante de todas as dificuldades, tenta manter vivo, em pleno século XXI. A problemática insere-se, portanto, no quadro mais amplo das profundas transformações que marcaram o século XX, tanto no que concerne ao mundo do trabalho, quanto ao das imagens, tomando-se como ponto de fuga, este personagem – seu trabalho, a recepção e o consumo de suas obras. Entende-se o processo de abandono deste ofício ou sua transformação, enquanto uma ruptura espaço-temporal no mundo do trabalho, que implica em (re)configuração das práticas e representações sociais. Sendo assim, essa pesquisa vem propor, ainda, o estudo do caráter temporal da experiência humana e de suas repercussões nas práticas e saberes que Mestre Julio tece em sua relação com o seu trabalho, assim como a sua reconfiguração diante do surgimento da fotografia digital e dos meios de manipulação da imagem, a fim de se restabelecer na continuidade da dinâmica social. / KUSMA, Vinícius Silveira. “Photography, paint, photo painting and the (re) signification of dreams”: An ethnobiography of Master Julio Santos. 2016. Dissertation (Master Degree in Anthropology, concentration area of Social and Cultural Anthropology) – Post Graduation Program in Anthropology, Institute of Human Sciences, Federal University de Pelotas, Pelotas, 2016. This dissertation presents the ethno biography of a cearense contemporary photo painter, Master Julio Santos. By following the daily life of Master Julio, considered a great artist from the city of Fortaleza, it was possible to know his life and the work that, given all the difficulties, he tries to keep alive in the twenty-first century. The problematic becomes inserted therefore in the wider board of the profound transformations that have marked the twentieth century, both as regards the world of work, as the images, taking as a escape point this character - his work, the reception and the consumption of his works. It is understood the abandonment process of this craft or its transformation as a spatio-temporal rupture in the working world, which implies (re)configuration of social practices and representations. In doing so, this research proposes also a study of the temporal character of human experience and its repercussion on practices and knowledge that Master Julio spins in his relationship with his work, as well as its reconfiguration before the outbreak of digital photography and the image manipulation means, in order to re-establish the continuity of social dynamics.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufpel.edu.br:prefix/3188 |
| Date | 31 August 2016 |
| Creators | Kusma, Vinícius Silveira |
| Contributors | http://lattes.cnpq.br/8774264386533161, Magni, Cláudia Turra |
| Publisher | Universidade Federal de Pelotas, Programa de Pós-Graduação em Antropologia, UFPel, Brasil, Instituto de Ciências Humanas |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | Portuguese |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFPEL, instname:Universidade Federal de Pelotas, instacron:UFPEL |
| Rights | An error occurred getting the license - uri., info:eu-repo/semantics/openAccess |
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