Through a case-study of the project Kingorama by Hamid Rachmanian, this essay examines how the Iranian epic Shahnameh by Abol Qasem Ferdowsi is manifested outside Iran today and how it can be viewed as a cultural memory in motion. Questions concerning Iranian identity and the transcultural movement of memory are explored through a theoretical framework consisting of Astrid Erll’s “travelling memory” and of history as something which can be ‘used’ or ‘constructed’ through remediation and performativity. The essay also applies a methodological framework within which Iranian identity is understood through five historical dimensions, from pre-islamic Iran to modern Iran. The results of the study show that the Kingorama-project embraces a multilayered understanding of Iranian identity and that it mediates a shift where Shahnameh is not seen foremost as a national epic, but as being of universal importance.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:lnu-109562 |
| Date | January 2021 |
| Creators | Bastani, Simone |
| Publisher | Linnéuniversitetet, Institutionen för kulturvetenskaper (KV) |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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