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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 7 of 7 (0.023 seconds)Spelling suggestions: "subject:"shahnameh"" "subject:"chahnameh""
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The Sistani cycle of epicsGazerani, Ameneh 21 September 2007 (has links)
No description available.
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Ferdowsis Shahnameh manifesterad : En studie av historiebruk, minne och transkulturella rörelser i Hamid Rachmanians projekt Kingorama / Ferdowsi’s Shahnameh Manifested : A Study of the Use of History, Memory and Transcultural Movement in Hamid Rachmanian’s Project KingoramaBastani, Simone January 2021 (has links)
Through a case-study of the project Kingorama by Hamid Rachmanian, this essay examines how the Iranian epic Shahnameh by Abol Qasem Ferdowsi is manifested outside Iran today and how it can be viewed as a cultural memory in motion. Questions concerning Iranian identity and the transcultural movement of memory are explored through a theoretical framework consisting of Astrid Erll’s “travelling memory” and of history as something which can be ‘used’ or ‘constructed’ through remediation and performativity. The essay also applies a methodological framework within which Iranian identity is understood through five historical dimensions, from pre-islamic Iran to modern Iran. The results of the study show that the Kingorama-project embraces a multilayered understanding of Iranian identity and that it mediates a shift where Shahnameh is not seen foremost as a national epic, but as being of universal importance.
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THE ARCHITECTURE OF POETRY: THE IRANIAN EMBASSY IN WASHINGTON, D.CNAMEI, MERCEDEH 28 June 2007 (has links)
No description available.
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Zal and Simorgh from Shahnameh (Book of Kings) a Design and Fabrication Film Project in Stop Motion PuppetryTaghizadeh Hemayati, Maryam 28 November 2023 (has links) (PDF)
This thesis is a reflection of the design, fabrication, and production of the Zal and Simorgh story in Shahnameh in puppet and stop motion. It is an original performance piece of my concept, design, and fabrication and it was presented to the public in August 2023.
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An historiographical study of Abu Hanifa Ahmad ibn Dawud ibn Wanand al-Dinawari's Kitab al-Ahbar al-Tiwal (especially of that part dealing with the Sasanian kings)Jackson Bonner, Michael Richard January 2014 (has links)
This thesis is a study of the pre-Islamic passages of Abū Ḥanīfa Aḥmad ibn Dāwūd ibn Wanand Dīnawarī's Kitāb al-Aḫbār al-Ṭiwāl. This is to say that it stops at the beginning of the Arab conquest of Iran. It is intended for scholars of Late Antiquity. Special emphasis is placed on Dīnawarī's exposition of the rule of the Sasanian dynasty and questions relating to the mysterious Ḫudāynāma tradition which are intimately connected with it. Beginning with a discussion of Dīnawarī and his work, the thesis moves into a discussion of indigenous Iranian historiography. Speculation on the sources of Kitāb al-Aḫbār al-Ṭiwāl follows, and the historiographical investigation of the most substantial portion of Kitāb al-Aḫbār al-Ṭiwāl's notices on the Sasanian dynasty comes next. The conclusion summarises the findings of the thesis. The final section (an appendix) is a translation of the relevant part of Kitāb al-Aḫbār al-Ṭiwāl running from the beginning of that text to the reign of Šīrūya. This thesis was written with one main question in mind: what does Dīnawarī's Kitāb al-Aḫbār al-Ṭiwāl have to say about pre-Islamic Iranian history? A host of other questions arose immediately: who was Dīnawarī; when did he live; what did he do; how was his work perceived by others; where did Dīnawarī get his information and how did he present it; is Dīnawarī's information reliable? These questions are addressed one by one in my thesis.
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The Medieval Reception of Firdausī's Shāhnāma: The Ardashīr Cycle as a Mirror for PrincesAskari, Nasrin 02 August 2013 (has links)
Based on a broad survey of the reception of Firdausī’s Shāhnāma in medieval times, this dissertation argues that Firdausī’s oeuvre was primarily perceived as a book of wisdom and advice for kings and courtly élites. The medieval reception of the Shāhnāma is clearly manifested in the comments of medieval authors about Firdausī and his work, and in their use of the Shāhnāma in the composition of their own works. The production of ikhtiyārāt-i Shāhnāmas (selections from the Shāhnāma) in medieval times and the remarkable attention of the authors of mirrors for princes to Firdausī’s opus are particularly illuminating in this regard.
The survey is complemented by a close textual reading of the Ardashīr cycle in the Shāhnāma in comparison with other medieval historical accounts about Ardashīr, in order to illustrate how history in the Shāhnāma is reduced to only a framework for the presentation of ideas and ideals of kingship. Based on ancient Persian beliefs regarding the ideal state of the world, I argue that Ardashīr in the Shāhnāma is represented as a Saviour of the world. Within this context, I offer new interpretations of the symbolic tale of Ardashīr’s fight against a giant worm, and explain why the idea of the union of kingship and religion, a major topic in almost all medieval Persian mirrors for princes, has often been attributed to Ardashīr. Finally, I compare the Ardashīr cycle in the Shāhnāma with nine medieval Persian mirrors for princes to demonstrate that the ethico-political concepts contained in them, as well as the portrayal of Ardashīr, remain more or less the same in all these works.
Study of the Shāhnāma as a mirror for princes, as this study shows, not only reveals the meaning of its symbolic tales, but also sheds light on the pre-Islamic roots of some of the ethico-political concepts presented in the medieval Perso-Islamic literature of wisdom and advice for kings and courtiers.
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The Medieval Reception of Firdausī's Shāhnāma: The Ardashīr Cycle as a Mirror for PrincesAskari, Nasrin 02 August 2013 (has links)
Based on a broad survey of the reception of Firdausī’s Shāhnāma in medieval times, this dissertation argues that Firdausī’s oeuvre was primarily perceived as a book of wisdom and advice for kings and courtly élites. The medieval reception of the Shāhnāma is clearly manifested in the comments of medieval authors about Firdausī and his work, and in their use of the Shāhnāma in the composition of their own works. The production of ikhtiyārāt-i Shāhnāmas (selections from the Shāhnāma) in medieval times and the remarkable attention of the authors of mirrors for princes to Firdausī’s opus are particularly illuminating in this regard.
The survey is complemented by a close textual reading of the Ardashīr cycle in the Shāhnāma in comparison with other medieval historical accounts about Ardashīr, in order to illustrate how history in the Shāhnāma is reduced to only a framework for the presentation of ideas and ideals of kingship. Based on ancient Persian beliefs regarding the ideal state of the world, I argue that Ardashīr in the Shāhnāma is represented as a Saviour of the world. Within this context, I offer new interpretations of the symbolic tale of Ardashīr’s fight against a giant worm, and explain why the idea of the union of kingship and religion, a major topic in almost all medieval Persian mirrors for princes, has often been attributed to Ardashīr. Finally, I compare the Ardashīr cycle in the Shāhnāma with nine medieval Persian mirrors for princes to demonstrate that the ethico-political concepts contained in them, as well as the portrayal of Ardashīr, remain more or less the same in all these works.
Study of the Shāhnāma as a mirror for princes, as this study shows, not only reveals the meaning of its symbolic tales, but also sheds light on the pre-Islamic roots of some of the ethico-political concepts presented in the medieval Perso-Islamic literature of wisdom and advice for kings and courtiers.
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