本研究嘗試透過傅柯系譜學的架構，從台灣哈日迷思到數位傳播生態，由歷史、符號、語言等三面向檢視線上遊戲「殺Online」延燒之童顏巨乳現象蘊藏的性別文化與符號意義，從內隱到外顯、從他者到再現，跳出性別二元對立之窠臼，反覆辯證此一女體性象徵符號如何在父權巧妙操控下，孕育滋長壯大卻又悄然銷聲匿跡，以及其與國家機器、社會菁英「論述、權力、知識」間之微妙接合（articulation，闡述與扣連）關係。 / Genealogy as the framework to Foucault, from Taiwan Japanophile myth to digital television environment, using history, symbols, language, three for viewing online game "kill Online" big phenomenon spread of 「Baby Face -Big Breast」 hidden meaning of the gender culture of the times, from the implicit to explicit, from the other to representation, beyond gender dualism of mold, and repeated the dialectical nature of body of women in the patriarchal symbol how clever manipulation, breeding grow stronger but quietly disappeared, and its state apparatus, social elite "discourse, power, knowledge," the delicate bonding between articulation and buckle set relationships.
| Identifer | oai:union.ndltd.org:CHENGCHI/G0097941009 |
| Creators | 楊曼芬, Man-Feng Yang |
| Publisher | 國立政治大學 |
| Source Sets | National Chengchi University Libraries |
| Language | 中文 |
| Detected Language | English |
| Type | text |
| Rights | Copyright © nccu library on behalf of the copyright holders |
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