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Mel no asfalto: percep??es do neutro nos contos de Caio Fernando Abreu

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Previous issue date: 2014-10-06 / A uma leitura mais atenta, o texto de Caio Fernando Abreu se apresenta m?ltiplo. Seja por uma indistin??o gen?rica que problematiza a categoriza??o de sua obra em uma inst?ncia de g?nero apenas, seja por opera??es que suspendem alguns outros sentidos temporariamente. Dessa forma, este trabalho se prop?e a encontrar esses espa?os de suspens?o, em conson?ncia com o curso ministrado no Coll?ge de France pelo escritor franc?s Roland Barthes em 1977-1978, intitulado O Neutro. Al?m disso, a an?lise comparativa teorizada por Ute Heidmann ajudar? a entender como a suspens?o da configura??o do g?nero textual propicia as zonas neutras que Barthes identificou. A an?lise se prop?e a entender a estrutura??o do texto em uma perspectiva intrincada que leve em considera??o tanto aspectos tem?ticos, quanto discursivos e estruturais. / The
work of
Caio
Fernando
Abreu
has a very
vast and impressive
thematic
horizon
,
which is
usually
the core
of the papers on
the work of this author
.
This
paper
proposes
to
understand
this characteristic
of a
more
intricate
point of
view
:
perceive and analyze
how
the work of the
author
builds
itself
thematically
,
but mainly
textually
.
I
n other words
,
as the text
enacts
his
own
writing
.
From this it
is noticeable
how the text
of
Abreu
plays
with some
senses
through
textual
constructions that
do not impose
directly
sense
to
the reader
.
Thus, the research
sees
in
the chosen
corpus
,
the
collection
Os drag?es n?o conhecem o para?so
(
2014
), the neutral
as
proposed
by the French
essayist
Roland
Barthes
(2003
a
).
This
neutral is
understood by
Barthes
as a possibility to suspend
the paradigms
that constitute the
sense, what
exactly
justifies the
noticeable
game
in the work of
Abreu
.
This
game
, to
Roland
Barthes
,
is precisely
the
literature.
If
the paradigm
involves
transforming
the language
,
and
all
language
expressions,
in
a way to
propagate
ideologies
,
the literature does not
escape this
fate
.
In order
to
escape this fate
, you must
fight
the language
internally
;
we must
play wit
h
the language
.
The neutral
is the
possibility
of the game.
Thus
,
the study sought
neutral
in
Caio
Fernando
Abreu
short stories
,
presenting it
and
analyzing it
through "
figures" which,
for
Barthes
,
is a
way of perceiving
the neut
ral
through texts
,
but
not
in a
prescriptive
manner.
It was proposed
,
in the analysis
,
then understand
the
"
Subjectivities
", the
"
Default
",
the "
Body
"
and
"
Disease
"
,
for example,
as possibilities
of the game
.
Finally
,
in many
Abreu?s work
instances
,
the neutral
is
achieved
by
textual
operations that are not
in themselves
neutral
,
but which
achieve a
"
neutral
effect
",
which explains
the game
, the literature,
in
the texts
of
Caio
Fernando
Abreu
.

Identiferoai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/20269
Date06 October 2014
CreatorsSilva, Arthur Vin?cius Dantas da
Contributors52327159687, http://lattes.cnpq.br/5996363930384781, Silva, M?rcio Renato Pinheiro da, 79099610149, http://lattes.cnpq.br/9005549728374577, Pino, Cl?udia Consuelo Amigo, 21599690870, http://lattes.cnpq.br/9951062554475527, Barbosa, M?rcio Ven?cio
PublisherUniversidade Federal do Rio Grande do Norte, PROGRAMA DE P?S-GRADUA??O EM ESTUDOS DA LINGUAGEM, UFRN, Brasil
Source SetsIBICT Brazilian ETDs
LanguagePortuguese
Detected LanguageEnglish
Typeinfo:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis
Sourcereponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN
Rightsinfo:eu-repo/semantics/openAccess

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