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Previous issue date: 2018-09-28 / This thesis proposes a tripartite approach to dialogism for the analysis of three novels by Jos? Saramago (1922-2010), namely, A jangada de pedra, O Evangelho segundo Jesus Cristo and Ensaio sobre a cegueira, which were selected by the reason that they approach political, religious and social issues, respectively. Based on the theories of Mikhail Bakhtin (1895-1975), whose intellectual production lasted for about sixty years ? which may justify the use of the term dialogue in different contexts and with distinct concepts ?, this study is guided by three possible meanings within dialogism: the dialogue in the theory of language, the dialogue in the novel and the dialogue in the genre memory. Without ignoring the vast critical reviews of the Portuguese writer?s work, this thesis intends to answer a question: how are dialogic relationships established in Saramago's novels? Searching for an answer, a second, more complex question arises: is it possible that the dialogic relationships in the narrative structure of Saramago?s characters and narrator represent his process of literary creation? The hypothesis is that the artistic form of the writer represents, besides a tendency, a renewal of the genre itself. This study is, therefore, divided into three parts: the first is dedicated to the dialogue at the level of language, regarding the ideological sense of the linguistic sign and the different types of the reported speech; the second part approaches the dialogue in the novel, focusing on the plurilingual and polyphonic features of the discourse in the novel; and the third part, in the sphere of the memory of the genre, investigates aspects of carnival literature and chronotopic structures that constitute the narratives. It is added to this study the ideas of researchers such as Michael Holquist, Gary Saul Morson, Caryl Emerson and, from Brazil, Irene Machado, Beth Brait, Carlos Alberto Faraco, and Cristov?o Tezza, among others who seek to understand and systematize Bakhtin?s concepts. It is expected that a study that examines Saramago's writing can contribute both to a reflection on his creative process and also to a (re)reading of Bakhtin's dialogic principle in Literature. / Esta tese prop?e uma abordagem tripartida do dialogismo para a an?lise de tr?s romances de Jos? Saramago (1922?2010), quais sejam, A jangada de pedra, O Evangelho segundo Jesus Cristo e Ensaio sobre a cegueira, selecionados por tratarem, respectivamente, temas de cunho pol?tico, religioso e social. ? luz das teorias de Mikhail Bakhtin (1895?1975), cuja produ??o intelectual se prolongou por cerca de sessenta anos ? o que pode justificar o uso do termo di?logo em contextos e com conceitos distintos ?, este estudo ? orientado por tr?s poss?veis acep??es dentro da teoria do dialogismo: o di?logo na teoria da linguagem, o di?logo no romance e o di?logo na mem?ria dos g?neros. Sem fazer t?bula rasa da vasta fortuna cr?tica do escritor portugu?s, esta tese pretende responder a uma quest?o: como as rela??es dial?gicas se constituem nos romances de Saramago? Na busca por uma resposta, surge uma segunda quest?o, mais complexa, ? ? poss?vel que as rela??es dial?gicas na tessitura do discurso das personagens e do narrador saramaguiano representem uma teoria do processo de cria??o liter?ria? A hip?tese norteadora ? a de que a forma art?stica do escritor, precisamente a prosa polif?nica, constitua, para al?m de uma tend?ncia, uma renova??o pr?pria do g?nero. Este trabalho, portanto, est? organizado em tr?s partes: a primeira dedica-se ao di?logo no n?vel da linguagem, no que tange ao sentido ideol?gico do signo lingu?stico e aos diferentes tipos de discurso citado; a segunda parte aborda o di?logo no romance, o que corresponde ? heterogl?ssia e ? polifonia no discurso romanesco; e a terceira parte, na esfera da mem?ria dos g?neros, investiga aspectos da literatura carnavalesca e das estruturas cronot?picas que constituem as narrativas. Acrescenta-se ? leitura das teorias bakhtinianas, considera??es de pesquisadores como, Michael Holquist, Gary Saul Morson, Caryl Emerson e, do Brasil, Irene Machado, Beth Brait, Carlos Alberto Faraco, Cristov?o Tezza, entre outros que buscam compreender e sistematizar as concep??es do te?rico russo. Estima-se que um trabalho que atente para a an?lise da escrita de Saramago possa contribuir tanto para um estudo de seu processo criativo quanto para uma (re)leitura do princ?pio dial?gico de Bakhtin nos dom?nios da Teoria da Literatura.
| Identifer | oai:union.ndltd.org:IBICT/oai:tede2.pucrs.br:tede/8362 |
| Date | 28 September 2018 |
| Creators | Wertheimer, Ana Maria Coelho Silva |
| Contributors | Kohlrausch, Regina |
| Publisher | Pontif?cia Universidade Cat?lica do Rio Grande do Sul, Programa de P?s-Gradua??o em Letras, PUCRS, Brasil, Escola de Humanidades |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/doctoralThesis |
| Format | application/pdf |
| Source | reponame:Biblioteca Digital de Teses e Dissertações da PUC_RS, instname:Pontifícia Universidade Católica do Rio Grande do Sul, instacron:PUC_RS |
| Rights | info:eu-repo/semantics/openAccess |
| Relation | 407477848473845987, 500, 500, 500, -6557531471218110192, -5409419262886498088 |
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