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Previous issue date: 2015-01-29 / This research aims reflecting about the artistic hip-hop productions and performances groups in Feira de Santana. Hip-hop is understood today, as the articulation of four teams / artistic elements that are part of the creative essence of the movement, they are: the disk jockey, the master of ceremonies, the break dancer and the graffiti artist, we can still consider a fifth team that is one relating to political activism. In the context of the city, we see the increasing presence of two of these elements, these are graffiti and rap?s manifestations. Over the past decade the hip-hop has been working in the cultural scene of Feira de Santana with the presence of two participative groups, the H2F association and the crew of graffiti artists NDF. These, in turn, have changed the relationship of subjects in the city, building artistic interventions and creating new spaces for dialogue and articulations. We find in Feirense scene, the emergence of independent cultural projects built by the hip-hop groups, which are organized to keep up culturally "alive" in the artistic context of the city. These groups demonstrate a preocupation to provide training (discussion) between their participants and lay hold of the effort and collective support for the dissemination of productions of rap groups, graffiti and break, and for the financing and organization of events, such as making shows , task forces, lectures and speeches. Considering hip-hop?s importance as a movement able to modify the models of creative participation and provide visibility peripheral culture, we try to understand, how was the hip-hop?s emergence and diffusion in the city of Feira de Santana, analyzing how they are organized groups in the construction of production and how young people fall into the hip-hop culture, as well as what the meanings are attributed to artistic practices within the social dimension Feira de Santana of hip-hop. It was used the qualitative research methodology, collections and observations being employed, using social networks and specialized websites as source of information and participants? identification. As collection instruments semi-structured interviews were conducted, photographs and notes in notebook. Speeches and photographs? analysis is based on the ethnographic method. / A pesquisa busca estabelecer uma reflex?o acerca das produ??es art?sticas e performances dos grupos de rap e grafite em Feira de Santana. O hip-hop ? compreendido na atualidade, como a articula??o de quatro elementos art?sticos, que fazem parte da ess?ncia criativa do movimento, s?o eles: o disk jockey, o mestre de cerim?nia, o dan?arino de break e o grafiteiro, podemos ainda considerar, em alguns grupos, uma quinta forma??o referente ao ativismo pol?tico. Nos ?ltimos dez anos o hip-hop vem ganhando espa?o na cena cultural de Feira de Santana com a presen?a de dois grupos participativos, a associa??o H2F e a crew de grafiteiros NDF. Esses, por sua vez, t?m modificado as rela??es dos sujeitos com a cidade, construindo interven??es art?sticas e criando novos espa?os de di?logos e articula??es. Encontramos na cena feirense a emerg?ncia de a??es culturais independentes, constru?das pelos grupos de hip-hop que se articulam para manterem-se culturalmente ?vivos? no contexto art?stico da cidade. Esses grupos demonstram uma preocupa??o em proporcionar forma??o (discuss?o) entre seus participantes e lan?am m?o do esfor?o e apoio coletivo para a divulga??o das produ??es dos grupos de rap e grafite, e para o financiamento e organiza??o dos eventos, como a realiza??o de shows, mutir?es, palestras e interven??es.Considerando a import?ncia do hip-hop enquanto um movimento capaz de modificar os modelos de participa??o criativa e proporcionar visibilidade a cultura perif?rica, busca-se compreender, como se deu o surgimento e a difus?o do hip-hop na cidade de Feira de Santana, analisando como se organizam os grupos na constru??o das produ??es e de que forma os jovens se inserem na cultura hip-hop, bem como quais os sentidos e significados s?o atribu?dos ?s pr?ticas art?sticas dentro da dimens?o social do hip-hop de Feira de Santana. Na metodologia foi utilizada a pesquisa qualitativa, sendo empregadas coletas e observa??es, usando as redes sociais e sites especializados como fonte de informa??o e identifica??o dos participantes. Como instrumentos de coleta foram realizadas entrevistas semi-estruturadas, fotografias e anota??es em caderno de notas. A an?lise das falas e fotografias ? baseada no m?todo etnogr?fico.
| Identifer | oai:union.ndltd.org:IBICT/oai:tede2.uefs.br:8080:tede/168 |
| Date | 29 January 2015 |
| Creators | Silva, Renata Carvalho da |
| Contributors | Zorzo, Francisco Ant?nio |
| Publisher | Universidade Estadual de Feira de Santana, Mestrado Acad?mico em Desenho Cultura e Interatividade, UEFS, Brasil, DEPARTAMENTO DE LETRAS E ARTES |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Biblioteca Digital de Teses e Dissertações da UEFS, instname:Universidade Estadual de Feira de Santana, instacron:UEFS |
| Rights | info:eu-repo/semantics/openAccess |
| Relation | -5889204697732054862, 600, 600, 600, 6451293484473876986, -2403007199550237984 |
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