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Literatura e cultura: narrar a identidade religiosa em Viva o povo brasileiro de Jo?o Ubaldo Ribeiro

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Previous issue date: 2015-04-06 / This thesis sought to understand and analyze the narratives and representations regarding the ritualistic cult egwugwu nanny in Itaparica / BA Island from the literary Long live the Brazilian people (1984) of itaparicano Jo?o Ubaldo Ribeiro. Assuming that the theme of religiosity, this work is related to identity projects based on memory and oral aimed to reflect on the forms of African descent resistance at keeping alive the religious basis of their ancestors and how the feeling of belonging a particular religion becomes a key factor in the construction of cultural identity. The study is based on the reflection of dialogical relations between memory and orality, ritual egwugwu and performance practices carried out in Afro-Brazilian religions. Categories such as ancestry, oral, performance and ritual were triggered as reading operators, in line with the theoretical, critical and historical postulates of Literature scholars of African and Afro-Brazilian cultures. In the particular case of this work, one of the many outstanding contributions is by proposing a model of understanding and
analysis of the dynamics of public performances of Candombl?. Thus, the research allowed to present a new look about the religions of African origin and their practices showing how Jo?o Ubaldo Ribeiro to transcribe these facts, it highlights something essential that is respect and appreciation for these religions who still suffer prejudice and discrimination. / A presente disserta??o procurou compreender e analisar as narrativas e representa??es a respeito do culto ritual?stico de bab? egwugwu na Ilha de Itaparica/BA a partir da obra liter?ria Viva o povo brasileiro (1984) do itaparicano Jo?o Ubaldo Ribeiro. Partindo do pressuposto de que a tem?tica da religiosidade, nessa obra, est? relacionada com projetos identit?rios baseados na mem?ria e oralidade objetivou-se refletir sobre as formas de resist?ncia do afrodescendente em manter vivas as bases religiosas de seus antepassados e como o sentimento de pertencimento a determinada religi?o torna-se fator fundamental na constru??o da identidade cultural. O estudo se assenta na reflex?o das rela??es dial?gicas entre mem?ria e oralidade, ritual?stica egwugwu e pr?ticas perform?ticas realizadas nas religi?es afrobrasileiras. Categorias como: ancestralidade, oralidade, performance e ritual?stica foram acionadas como operadores de leitura, em conson?ncia com os postulados te?ricos, cr?ticos e hist?ricos de estudiosos da Literatura, das culturas africanas e afrobrasileiras. No caso particular desse trabalho, uma das in?meras contribui??es relevantes se d? pela proposta de um modelo de entendimento e
an?lise da din?mica das performances p?blicas do Candombl?. Assim, a pesquisa permitiu apresentar um novo olhar acerca das religi?es de matriz africana e suas pr?ticas mostrando como Jo?o Ubaldo Ribeiro, ao transcrever tais fatos, coloca em evid?ncia algo essencial que ? o respeito e valoriza??o por tais religi?es que ainda sofrem preconceito e descrimina??o.

Identiferoai:union.ndltd.org:IBICT/oai:tede2.uefs.br:8080:tede/476
Date06 April 2015
CreatorsSilva, Ros?ngela Santos
ContributorsPinho, Ade?talo Manoel
PublisherUniversidade Estadual de Feira de Santana, Mestrado Acad?mico em Estudos Liter?rios, UEFS, Brasil, DEPARTAMENTO DE LETRAS E ARTES
Source SetsIBICT Brazilian ETDs
LanguagePortuguese
Detected LanguageEnglish
Typeinfo:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis
Formatapplication/pdf
Sourcereponame:Biblioteca Digital de Teses e Dissertações da UEFS, instname:Universidade Estadual de Feira de Santana, instacron:UEFS
Rightsinfo:eu-repo/semantics/openAccess
Relation-3771841011363199247, 600, 600, 600, 6451293484473876986, -8661505006790692741

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