Nymphomaniac represents yet another complex art-movie by director Lars von Trier. The reception amongst film critics is seemingly incoherent about whether the film reproduces misogynist values or if the film could be perceived as feminist. This thesis aims to explore how Laura Mulvey’s theory of the male gaze still applies and provides tools for examination together with the intersectional approach, to decode and identify patriarchal conventions. As whiteness is inextricably linked to patriarchal structure it is discussed throughout this thesis and in a separate chapter. Hence this thesis suggests an intersectional feminist critical analysis to be the most adequate method to examine this movie and to fully comprehend how different elements of power coexist to suppress women and racialized people within the context of Nymphomaniac. This thesis concludes that von Trier does not only embrace the male gaze, he also occasionally rejects it.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:lnu-107083 |
| Date | January 2020 |
| Creators | Tadic, Maria |
| Publisher | Linnéuniversitetet, Institutionen för film och litteratur (IFL) |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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