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"Jag är ju allt, egentligen." : En kritisk studie av könstillhörighetens relevans för framställningen av Mai Zetterling som auteur / “I’m everything, really.” : A critical study of the relevance of gender specificity in dealings with Mai Zetterling as an auteur

This essay deals with the idea of women as the ”the other sex” within the field of authorship, and aims to bring to together feminist, film and auteur theory with analysis of historic documentations of reception as well as context for academic treatments of Mai Zetterling as an auteur/director. This, in attempt to, through intertwined discussion, catch a glimpse of better understanding how gender specificity may have influenced and continue to influnce perceptions of auteurs of female gender and their works, yet keeping focus on the case of Mai Zetterling and hers in specific.

Identiferoai:union.ndltd.org:UPSALLA1/oai:DiVA.org:su-157154
Date January 2015
CreatorsTomani, Ebba
PublisherStockholms universitet, Filmvetenskap
Source SetsDiVA Archive at Upsalla University
LanguageSwedish
Detected LanguageEnglish
TypeStudent thesis, info:eu-repo/semantics/bachelorThesis, text
Formatapplication/pdf
Rightsinfo:eu-repo/semantics/openAccess

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