Many historians have presented the narrative of Canada’s Second World War experience as a “good” war. Individuals and communities came together in patriotism and a common purpose to furnish the national war effort with military manpower, labour, financial contributions, and voluntary efforts. As the dark years of the Great Depression gave way to unprecedented levels of industrial and economic growth, falling unemployment rates, increased urbanization, and a wealth of social programs, Canada’s future was bright. However, this optimistic picture is not representative of Canada as a whole. Some regions fared better than others, and industrial Cape Breton was one of those that benefited the least from the opportunities presented by the war. Glace Bay, Cape Breton’s largest mining town and long-time hotbed of industrial strife and labour radicalism, serves as an ideal case study of the region’s largely unprofitable and unchanging wartime experience. Long plagued by poverty, poor living conditions, and underdeveloped industry, and desperately seeking to break free of its destitution, Glace Bay tried and failed to take advantage of wartime opportunities for industrial diversification and local improvement.

Despite considerable research on the British North American colonies and their political relationship with Britain before 1776, little is known about the administration of Nova Scotia from the perspective of Lord Halifax’s Board of Trade in London. The image that emerges from the literature is that Nova Scotia was of marginal importance to British officials, who neglected its administration. This study reintegrates Nova Scotia into the British Imperial historiography through the study of the “official mind,” to challenge this theory of neglect on three fronts: 1) civil government in Nova Scotia became an important issue during the War of the Austrian Succession; 2) The form of civil government created there after 1749 was an experiment in centralized colonial administration; 3) This experimental model of government was highly effective. This study adds nuance to our understanding of British attempts to centralize control over their overseas colonies before the American Revolution.

Seamfulness is a narrative-based and arts-informed inquiry into young women's "depression" as pedagogy. Unfolding in rural Nova Scotia, this research is rooted in my experience of depression as the most transformative event in my life story. While memoirists tell me I am not alone, there is currently a lack of research on personal understandings of depression, particularly for young adult women. Through storytelling sessions and self-publishing workshops, I explored four young Nova Scotian women's depression as a productive site for growth. Participants include four young women, including myself, who experienced depression in their early 20s, and have not had a major depressive episode for at least three years. Aged 29 to 40, we claim Métis, Scottish, Acadian, and British ancestries, and were raised and lived in rural Nova Scotian communities during this time. At the seams of adult education, disability studies, and art, I ask: How do young women narrate experiences of "depression" as education? How do handmade, self-published booklets (or “zines”) allow for exploring this topic as embodied, emotional and critical transformative learning? To address these questions, I employ arts-informed strategies and feminist, adult education, mental health, and disability studies literatures to investigate the critical and transformative learning accomplished by young women who experience depression. Through a feminist poststructuralist lens and using qualitative and arts-informed methods, I situate depression as valuable learning, labour, and gift on behalf of the societies and communities in which women live. I argue that just as zines are powerful forms for third space pedagogy, depression itself is a third space subjectivity that gives rise to the "disorienting dilemma" at the heart of transformative learning. I close with "Loose Ends," an exploration of depression as an unanswered question. This thesis engages visual and verbal strategies to disrupt epistemic and aesethetic conventions for academic texts. By foregrounding participant zines and stories, I privilege participant voices as the basis for framing their experience, rather than as material to reinforce or contest academic theories.

The ad hoc Offshore Accords signed between the Martin Government, and each Newfoundland and Nova Scotia have fundamentally altered the landscape of regional redistribution in Canada. The fallout from the Accords has had an immediate impact on the functioning of the Equalization Program and the political factors that inform debate over future reforms. This thesis examines the factors that led to the February 2005 Offshore Accords. It also examines the case of Saskatchewan's treatment under the Equalization Program

The need and longing to connect to another is a fundamental desire of the human heart, enforcing a sense of movement toward social and personal security and, moreover, the future. Yet it is paradoxical that, where people are the most closely crowded together, feelings of alienation and loneliness are often the greatest. We live in times of busy isolation, on streets where we dont know our neighbours, in societies where our lives are lived behind closed doors. As the global village grows, our personal worlds shrink, both by circumstance and by choice. Our innate, gregarious nature faces its greatest challenge, or ultimate defeat.<p> The story of my hometown, New Waterford, is a substantial element in the story of my life as well as my art. The woodcuts and many of the paintings in the exhibition, Slag, are documentations of this place, its inhabitants and their way of life. It is a town with a unique character resulting from the circumstances surrounding its relationship to coalmininga town that is withering away now that the mines are gone. Other paintings in the exhibition depict people and spaces from other places that I have lived. Though the environments change, there are similarities in the pathos of the human subjects that remain constant. In my work, whether I am depicting the inhabitants of a hollowed out town or the solitary subway commuter, they are united as those things that have been lost or left behind in the name of progressthe leftovers and waste: the slag.

The ad hoc Offshore Accords signed between the Martin Government, and each Newfoundland and Nova Scotia have fundamentally altered the landscape of regional redistribution in Canada. The fallout from the Accords has had an immediate impact on the functioning of the Equalization Program and the political factors that inform debate over future reforms. This thesis examines the factors that led to the February 2005 Offshore Accords. It also examines the case of Saskatchewan's treatment under the Equalization Program

The need and longing to connect to another is a fundamental desire of the human heart, enforcing a sense of movement toward social and personal security and, moreover, the future. Yet it is paradoxical that, where people are the most closely crowded together, feelings of alienation and loneliness are often the greatest. We live in times of busy isolation, on streets where we dont know our neighbours, in societies where our lives are lived behind closed doors. As the global village grows, our personal worlds shrink, both by circumstance and by choice. Our innate, gregarious nature faces its greatest challenge, or ultimate defeat.<p> The story of my hometown, New Waterford, is a substantial element in the story of my life as well as my art. The woodcuts and many of the paintings in the exhibition, Slag, are documentations of this place, its inhabitants and their way of life. It is a town with a unique character resulting from the circumstances surrounding its relationship to coalmininga town that is withering away now that the mines are gone. Other paintings in the exhibition depict people and spaces from other places that I have lived. Though the environments change, there are similarities in the pathos of the human subjects that remain constant. In my work, whether I am depicting the inhabitants of a hollowed out town or the solitary subway commuter, they are united as those things that have been lost or left behind in the name of progressthe leftovers and waste: the slag.

<p>Föreliggande studies syfte var att undersöka behandlingseffekten av ett Internetbaserat självhjälpsprogram med e-poststöd, för personer med olika typer av ångestproblematik. Ett ytterligare syfte var att undersöka behandlingsresultaten när deltagaren själv fick förfoga över behandlingens upplägg och innehåll. Huvudkomponenten i behandlingen utgjordes av sammanlagt 16 moduler hämtade från tidigare Internetbehandlingar riktade mot social fobi, paniksyndrom, generaliserat ångestsyndrom samt depression.</p><p>Behandlingsgruppen utgjordes av 27 individer som varit kontrollgrupp i en tidigare behandlingsstudie. För samtliga deltagare pågick behandlingen tio veckor. Beroendevariabler utgjordes av självskattningsformulären Clinical Outcome in Routine Evaluation – Outcome Measure, Beck Anxiety Inventory, Montgomery Åsberg Depression Rating Scale – Self Rated, Quality Of Life Inventory, resultat på SCID-intervjuer samt kodning av totala symtom. Beroende t-test visade att behandlingsgruppen förbättrades signifikant på samtliga beroendevariabler, vilket innebär att denna KBT-behandling har lett till minskad grad av ångest, nedstämdhet samt ökat välmående, funktion och livskvalitet för deltagarna. Genomsnittlig effektstorlek inom gruppen var Cohens d=0.88.</p>

Thesis (M.A.), Memorial University of Newfoundland, 2000. / Restricted until June 2001. Bibliography: leaves 154-169.

Thesis--Université de Paris. / Includes bibliographical references (p. [249]-255).