[pt] O presente estudo tem como objetivo analisar a maneira pela qual a cidade e o cotidiano do Rio de Janeiro da década de 50 são representados por Nelson Rodrigues nas crônicas de A vida como ela é e de Pouco amor não é amor publicadas, respectivamente, no jornal Última Hora e no Jornal da Semana - FLAN, e em três tragédias cariocas: A falecida (1953), Os sete gatinhos (1958) e Boca de ouro (1959). Considerando-se que as peças de Nelson se aproximam do trágico grego apenas no que diz respeito a determinados temas e elementos, uma vez que o gênero trágico sofreu transformações ao longo dos séculos, levando a discussões acerca da possibilidade de uma tragédia moderna, este estudo procura, em um primeiro momento, investigar o conceito de tragédia na escrita rodrigueana e o modo como ele pode ser entendido nas peças situadas no Rio de Janeiro, diferenciando-se das peças míticas e psicológicas. Parte-se da premissa que a partir de A vida como ela é e de Pouco amor não é amor Nelson transitou das tragédias universais para as tragédias cariocas. Além da abordagem de temas recorrentes em sua obra como amor, morte, sexo, traição, jogo e imprensa, o autor experimentava, nessas crônicas, novos personagens e conflitos, valendo-se de uma linguagem coloquial, mais próxima à fala cotidiana carioca. Dessa forma, após uma análise dessa nova escrita rodrigueana, busca-se investigar como o espaço urbano carioca - zona sul, zona norte, centro e subúrbio - não serve apenas como cenário, mas delineia situações e conflitos dos personagens nas três tragédias cariocas estudadas. / [en] The aim of this investigation is to analyse the way in which the city and the daily life of 1950 s Rio de Janeiro are represented by Nelson Rodrigues in A vida como ela é and Pouco amor não é amor, published in the 1950 s in the newspapers Última Hora and Jornal da Semana - FLAN, respectively, and in three Carioca tragedies: A falecida (1953), Os sete gatinhos (1958) and Boca de ouro (1959). Considering that Rodrigues s plays can only be related to Greek tragic drama with regard to certain themes and elements, since the tragic genre underwent changes throughout centuries, leading to discussions on the possibility of a modern tragedy, this investigation first attempts to examine the concept of tragedy in Rodrigues s writing and the way in which it can be perceived in the plays located in Rio, differently from his mythical and psychological plays. It is assumed that since Rodrigues s short stories from A vida como ela é and Pouco amor não é amor, the writer moved from universal tragedies to Carioca tragedies. Besides the approach to recurring themes in his work such as love, death, sex, betrayal, game and the press, the writer experimented with new characters and conflicts in these short stories, using a more colloquial language closer to daily carioca speech. Thus, after an analysis of this new Rodriguean writing, an investigation is carried out into how the Carioca urban area - south zone, north zone, downtown and suburbs – is not only suitable as a setting, but also outlines situations and conflicts of characters in the three Carioca tragedies studied.

The student will compile a thesis about the period of dogmatic socialist realism in czech architecture in 1950s. The student will start with a definition of this style, will try to reconstruct a theoretical resources and fundamental parts of socialist realism and then determine the pre-stages in the architecture before the second world war. The attention will be focused on influnces and imports from The Soviet Union including the journeys of czechoslovakia architects there between 1920s-1930s and in 1950s. Own architecture production of dogmatic socialist realism in Czechoslovakia will be shown on chosen buildings in Prague (hotel Jalta, hotel International…). From this selection the student will determine its specifications and if it is possible to infer them based on the comparsion with the other buildings in Czechoslovakia. Keywords architecture, socialist realism, Prague, 1950s, ideology, The Soviet Union, historicism

Diploma thesis deals with an application of Force-Torque control in connection with industrial robot for direct guiding in space. It contains a summary of different kinds of FT control and various conceptions of robot-sensor connection and a description of Schunk FTC-50. The practical part is focused on the problem of setting-up the communication and setting-up of all devices used in this work, robot movement control to a desired position and compensation of forces and torques in relation to direct guiding in space.

Alois Jirásek (1851 - 1930) was an important Czech writer and author of many historical novels and plays. Jirásek's work has always been very popular. After World War II and the onset of communism in Czechoslovakia Jirasek was promoted to the chief authority in interpreting Czech history. The thesis aims to deal with the second life of Alois Jirásek in the 1950's in the context of filmmaking. This thesis will primarily focus on the films Temno (Darkness, 1950), Psohlavci (The Dog Heads, 1955), Jan Hus (1954), Jan Žižka (1955), Proti všem (Against All, 1956) and Ztracenci (Lost Children, 1956).

1z1 Abstract: In this thesis, on selected examples of everyday life, I deal with the issue of reso- cialization of former political prisoners from the 1950s after their return from prison. On selected biographical narratives, I point to personal ways of reintegra- tion into society, whose main ideology was the cause of their persecution. From their memories I choose the basic sphereas of life such as family, personal and social life, employment and the issue of rehabilitation not only at the personal but also at the social level. A special chapter is also devoted to the descendants of former political prisoners, whose memories illustrate the view of everyday life after their imprisonment and the subsequent return of their parents and thus re- veal the real impact of persecution activities of the communist regime in Czecho- slovakia.

This diploma thesis deals with one phase of Josef Smrkovský's life between 1945-1963. After WW II and his engagement in the Prague Uprising, he was an eminent communist politician who possessed considerable power in the agrarian policy. However, he was arrested in 1951, became a victim of political trials and was sentenced to jail. He was later released due to the order of a rehabilitation committee, but he was not fully rehabilitated. The thesis examines and compares primary sources on Smrkovský's trial, describing methods of the State Secret Police such as surveillance, interrogations and both physical and psychological violence. Reports of Smrkovský's cellmates are also commented on. The thesis concludes with the analysis of rehabilitation committees and the effort of Smrkovský to clear himself. He re-entered political life at the beginning of the sixties. KEYWORDS Josef Smrkovský, politics, persecution, the fifties, The Communist Party of Czechoslovakia, State Secret Police, rehabilitation

Uppsatsen undersöker utvecklingsnivåerna hos eleverna som läser C-kurs på studieväg 1 och studieväg 3. Studien utgår ifrån Pienemanns processbarhetsteori och analyserar vilka strukturer inom morfologin och syntaxen som eleverna procesar. Analysen görs utifrån uppkomstkriteriet och 50-procentkriteriet. Studiens resultat visar att eleverna i båda grupperna följer inlärningsordningen inom processbarhetsteorin och att det inte är så stor skillnad mellan båda grupperna när det gäller utvecklingsnivåerna. Den morfologiska analysen visar att eleverna på studieväg 3 har kommit längre i sin språkutveckling än eleverna på studieväg 1. Analysen av utvecklingsnivåerna inom syntaxen har inte visat någon större skillnad mellan grupperna.

This diploma thesis deals with family memory of 1950s Czechoslovak political prisoners. Its two major questions are: Is there a well preserved story in an actual family memory of a family ancestor who was politically persecuted and imprisoned in the period after 1948 and is his story preserved without significant shifts from reality? Given topic is being analyzed throughout a story of three particular families - those of Bedřich Fučík, Ladislav Jehlička and Karel Procházka. These three political prisoners died already, therefore were the subject of examination records of three generations of their descendents. Primary sources for this thesis are thus personal interviews with these family members. Both archive sources and original texts written byl Bedřich Fučík and Ladislav Jehlička were also used. Individual interviews have shown that a story of their ancestor is well perserved in family memory, but every particular family or narrator have their own specificities. Some narrators have shown major shifts from reality, whereas others have not. Key words political prisoners, 1950s, family memory, communist regime, oral history

Anlass der Arbeit war die Stagnation der Entwicklung einzelner Kinder in Psychomotorikgruppen (PMG). Die Fragestellung lautet: Wie kann die Familientherapie Kindern mit psychischen, motorischen und sozialen Auffälligkeiten helfen, wenn die psychomotorische Förderung nicht greift" Wie kann sie bewegungsorientiert umgewandelt werden entsprechend dem Entwicklungsstand jüngerer Kinder, die sich noch im primären Spracherwerb befinden und sich daher in gesprächsorientierten Therapieformen nicht adäquat einbringen können" Ausgangssituation ist: Zwar beginnt man die Bedeutung von Körperlichkeit in der Kommunikation für die Dynamik familiärer Systeme zu erkennen, beschränkt sich jedoch auf theoretische Postulate. Hier anknüpfend entwickelt die Verfasserin für die spezifischen Fälle eine angemessene Therapieform mit theoretischer Begründung und praktischer Erprobung. Zentrale Grundlagen sind: Verbale und nonverbale Kommunikation, Spannungsfelder der Therapie, systemischer Perspektivenwechsel in der Psychomotorik, Mehr-Ebenen-Konzept der Therapie. Hinter der PMFT steht die Sichtweise: Mensch sein vollzieht sich im Leib-Sein. Menschliche Beziehungen sind hochkomplex und nicht vorher bestimmbar. Die PMFT soll die Entwicklungs-Problemlösungsmöglichkeiten der Kinder und Familien erweitern. Die PMFT findet in einer Turnhalle statt. Sie verknüpft Verfahren wie das erlebniszentrierte psychomotorische Arbeiten im Bewegungsspiel, die Reflexion der Spielphase und das zeitlich abgesetzte Videotraining. Vier Fall-Studien werden ausführlich untersucht. Das neue Setting erwies sich als geeignet für Familien mit jüngeren Kindern. In der PMG stagnierende Kinder (Anlass der Arbeit), konnten die PMFT für sich nutzen. Jüngere Kinder während des primären Spracherwerbs mobilisierten mit ihren Familien Fähigkeiten zur Problemlösung. Bei einigen Familien ergab sich eine deutliche Verbesserung von Familienfunktionen.

In 2019 a virus emerged from the city of Wuhan, China. A few months later, in 2020 itwas declared a pandemic. As a response to the virus, the swedish government imposedrestrictions regarding the amount of people that could be in the same public space. Thepurpose of this study was to examine how the swedish newspapers, Aftonbladet,Expressen, Dagens Nyheter and Svenska Dagbladet framed political figures and therestrictions in their articles. This study implies that the articles are framed in a mannerthat focuses on the responsibility that the society and political figures have to resolvethe issues regarding the restrictions. The newspapers that were examined during thisstudy have had similar framing strategies regarding the restrictions.