Magister Artium - MA / This study focuses on a story featured on Sowetan LIVE, one of South Africa’s online newspapers. The flexibility of the mode in which the newspaper is produced, enables users to comment on its articles as they are published. The online newspaper was preferred due to its socio-political history and the huge South African audience it seems to attract. This study looks at one particular story which appeared on Sowetan LIVE and generated much interest in South Africa. The story is about a painting depicting President Jacob Zuma with his genitals exposed, termed The Spear by Brett Murray. This painting triggered a high volume of comments and engagement among South Africans on the Sowetan LIVE website, making it a valuable resource of online discourse. Therefore, this study explored comments in response to the two articles published on the Sowetan LIVE namely, “ANC takes battle of The Spear to court” and “Will Zuma’s spear stay up?” which when combined, ‘generated’ 1358 comments. This study particularly investigates the identities that emerged from the discourses found in the data and analyses the type of linguistic practices evident in the comments. In this regard, the main objective of the study is not only to determine how users style their social identities, but also their ‘linguistic’ ones during online interactions. In terms of social identities, the findings illustrate a distinction between traditional and modern identities ‘represented’ by Jacob Zuma and Brett Murray, respectively. However, although a distinction is evident, contradictions exist among the respective identities which feed back into the notion of identity as performative and fluid. In this way, the study reveals that the identities emanating from these discourses provide a glance at South Africa’s intricate identity ‘battle’, a ‘battle’ which is no longer solely based on race or collective identity, but more on the creation of new identities and perceptions based on traditional ones or a complete divorce of traditional identities. With regards to linguistic identity, the findings indicate that hybrid linguistic practices are a norm among the participants. This is because all participants employ netspeak features such as phonetic spellings, letter / number homophones and creative use of punctuation / capitalisation for emphasis or stress. Interestingly, although netspeak is evident from the findings common in online linguistic practices, this study has found that the use of such features is not random. This is so because participants tend to strategically fuse these features into the linguistic practices as a means to avoid censorship. This fusion and, ultimately, censorship avoidance strategies, rely on the re-purposing of semiotic resources. In this vein, the most used censorship avoidance strategies in the study are discussed and analysed in terms of context and the discourses that inform them. Furthermore, upon analysing the usernames and avatars selected by participants as part of identity construction, the findings demonstrate that these are used as an extension of the participants’ identities. From the findings of the study, it can be concluded that the South African youth’s identity and their perception of identity itself is in flux – ‘norms’ are constantly being re-invented. In essence, this study adds to an understanding of how historical material is re-purposed through an exploration of an online interactive feature that is posting of comments on an article of interest. It also contributes to an understanding of the hybrid nature of online linguistic practices.

Magister Artium - MA / The last few decades have seen the development of a large body of scholarly work on drag queens and performances of femininity by men (see Barrett 1995, 1999). However, performances of masculinity by women have largely been overlooked. Research by scholars like Judith Halberstam (see Halberstam 1997, 1998) on female masculinity and the drag king performer has attempted to address this imbalance, but the phenomenon has yet to receive any attention from sociolinguists. This study aims to bring attention to performances of masculinity by women in the South African context through a multi-sited ethnography of the country’s first known drag king troupe, Bros B4 Ho's. The study will examine not only the group's stage performances, but also their activity on the online social networking platform of Facebook, using multimodal critical discourse analysis. The internet has revolutionised the way we communicate and share information, and has provided interesting new arenas for individuals to explore identity performance. In extending the investigation to include the group's online activity, the study will give a more complete picture of the negotiation of drag king subjectivities across different spaces.

This article provides a case study account of the language functions of tipo, which is a pragmatic feature of Argentine Spanish vernacular, as used by 10 young adult native speakers of the language (ages 18-25), in the context of oral face-to-face and synchronous technology-mediated written interactions with young adult Spanish L2 learners. An examination of naturally occurring and self-reported language awareness data suggests that tipo has acquired a wide array of pragmatic functions it is a marker of hesitation, exemplification, reformulation, vagueness, and quoted speech. In its non-pragmatic marking uses, it can refer to an unspecified man, preface a hyponym, and be used to make a comparison. Participants' usage patterns, in conjunction with their understanding of sociopragmatic variability in the use of tipo, are discussed as a direction for research in colloquial features of youth vernacular.

This thesis presents a series of cross-cultural experiments, which investigate the role of self-awareness on self-disclosure in computer-mediated communication (CMC). The thesis is split into two parts, detailing the results of four separate experiments. In Part 1, the two experiments focus specifically on British participants who are considered to be from an individualistic culture. Experiment 1 investigates how private and public self-awareness affects their breadth, depth and accuracy of self-disclosure in CMC. Experiment 2 then attempts to simplify Experiment 1 to try and focus more specifically on personal motivations of self-disclosure. The results of the first two experiments clearly illustrate the importance of both private and public self-awareness in intimate self-disclosure in CMC. More specifically, they indicate that increasing private self-awareness increases depth of self-disclosure, whilst increasing public self-awareness reduces the accuracy of the self-disclosure. In Part 2 of the thesis Experiments 1 and 2 are replicated on Singaporean participants, who are considered to be from a collectivist culture. Members of collectivist cultures are consistently reported to self-disclose less than members of individualistic cultures. It is however found in Experiment 3 that in a typical 'real-time' interaction the Singaporeans report themselves to self-disclose to a greater depth than the British participants. Cultural differences are also found in the participants' reactions to certain manipulations of self-awareness. More specifically, a manipulation that increases public self-awareness greatly reduces the British participants' self-disclosure. Whilst the Singaporeans are more affected by a manipulation that increases their private self-awareness, which greatly increases their depth of self-disclosure. It is concluded that there are cultural differences in the way that people react to manipulations of self-awareness in CMC and this raises philosophical discussion about how culture drives self-disclosure which, in turn, drives the pursuit of self-knowledge, and ultimately the construction of the cultural self. Finally it is concluded that CMC may allow an exploration of the self outside of cultural norms, and that this could potentially change the boundaries of the private and public self in the future.

Researchers have studied adolescent bullying behavior since the 1970s, however, today's technological advances have opened the door to a new form of abuse. Teens can no longer escape the wrath of their bullies once they have left the school grounds, because bullies are following them home. Cyberbullying is a new phenomenon in which bullies use computer-mediated communication (CMC) to torment their victims. This research project focused on uncovering some of the mysteries surrounding this new means of bullying. A grounded theory analysis of stories written by victims revealed cyberbullies often use synchronous chat tools, e-mail, web sites, and cell phone text messages to reach their victims. Data analysis also revealed victims use of contextualization, descriptions of their bullying episodes, and discussions of their responses and outcomes to characterize their experiences. Interestingly, the researcher found victims of cyberbullying generally were also victims off face-to-face bullying as well.

The lack of physical communication cues, such as facial expressions, in text-only communication has prompted the creation of emoticons to represent feelings. Moreover, the emoticon has become a new “cultural” language adopted by a community of users who find emoticons useful for expressing an emotional state during their online communication. Using emoticons in computer-mediated communication (CMC), which includes any means of communication on the Internet, especially instant messaging (IM) programs, helps users convey and enhance the underlying emotional aspects of their communication facilitating user communication by providing non-verbal cues and clues to clarify a message. Although many researchers have studied the differences in the use of emoticons between males and females and different age groups and some even report cross-cultural differences and similarities between CMC and face-to-face (FTF) communication such research is not sufficient to understand the effective use of emoticons. The current research explores three categories of emoticons - textual, pictorial, and animated emoticons – to ask the broad question: Do North Americans and South Koreans use emoticons differently? The research examines the cross-cultural differences involved in using emoticons, focusing on the visual aspect of online communication that provides emotional cues to understand the differences in their use. Textual emoticons and pictorial emoticons of MSN messenger are used in this study's questionnaires. The results indicate the cross-cultural differences of emoticon use and recognition between North Americans and South Koreans.

No description available.

The purpose of the current study was to examine the effectiveness of preparatory training for mentors and proteges with respect to relationship processes and outcomes. Specifically, it was proposed that training provided to mentors and their proteges should foster a high learning goal orientation and a low avoid goal orientation. The former is associated with learning for the sake of continuous improvement and the latter is associated with a willingness to be perceived by others as having failed at a task. It was hypothesized that mentors and proteges who received goal orientation training prior to beginning their formal mentoring sessions would engage in greater feedback-seeking and would be more willing to self-disclose potentially ego-threatening information. Moreover, it was expected that training would also lead participants to expect such behaviors from their partners and as a result respond more positively when the desired behaviors were demonstrated. Eighty (i.e., first and second semester freshmen) were paired with eighty mentors (i.e., college juniors and seniors with a minimum grade point average of 3.0), resulting in a total of 160 study participants. All participants received one hour of preparatory training. A two by two factorial design was employed whereby mentors and proteges each received either goal orientation training or training simply designed to orient them to computer-mediated communication. After training, mentors and proteges met with one another using online chat for four, 30-minute weekly chat sessions. Results indicated that a) proteges in a high state of avoid goal orientation felt they received less psychosocial support the more their mentor disclosed his/her own personal downfalls, b) mentors who received goal orientation training felt they had provided greater career support the more their proteges sought feedback but the reverse was true for mentors who did not receive goal orientation training, c) mentor self-disclosure was more strongly related to their protege's self-disclosure if the protege had received goal orientation training, and finally d) mentor and protege perceptions of the psychosocial and career support that had been provided/received during online sessions were more strongly correlated if the two had received the same type of preparatory training (especially if both received goal orientation training).

No description available.

From images of distance education (DE) in advertisements to examples of extant DE theory and practice, and finally to a possible dystopia and utopia for DE, this dissertation investigates the rich representations at the intersection of feminism, pragmatism, and web based distance education. It is composed of three parts. The first part is the construction of a feminist-pragmatic theoretical and analytical tool, motivated by images of DE in commercial advertisements. These images include control of nature (and the natural body), gendered experience, transactions of bodies and tools, loss of bodies, and atomic individualism. In response to these images, the main unifying theme of the tool is organic holism where the world as a dynamic system connects with culture, biology, history, and context. It draws heavily on the work of John Dewey, Charlene Haddock Seigfried, Timothy Kaufman-Osborn, Shannon Sullivan, Nancy Fraser, Donna Haraway, Sandra Harding, and Carolyn Merchant in order to form a rich weaving useful to instructional technologists and philosophers of education. The second part explores three examples of extant web based distance education using this tool. Lastly, I explore alternatives to current instantiations of distance education including a dystopia and a melioristic option that I call sustainable technology. / Ph. D.