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Thesis (M.A.)--Bowling Green State University, 2006. / Document formatted into pages; contains ix, 254 p. : ill. Includes bibliographical references.

Thesis (MA)--Stellenbosch University, 2011. / ENGLISH ABSTRACT: “Freud, Lacan, and the Oedipus Complex” examines the Oedipus complex as found in the writing of Sigmund Freud and re-evaluated in the works of Jacques Lacan. Lacan‟s critical reappraisal of the Oedipus complex is captured in his 1969-1971 Seminars, published as The Other Side of Psychoanalysis(2007). This thesis examines Freud‟s overemphasis of the Oedipus complex, the myth of the primal horde and the consequent depiction of the father. Lacan doesn‟t dismiss the Oedipus complex completely, but treats it as a dream, and reinterprets it in light of Freud‟s The Interpretation of Dreams (1900). Lacan focuses on Freud‟s overemphasis on the father in both the Oedipus complex and the myth of the primal horde and illustrates how Freud is protecting the image of the father by depicting him as strong, whereas clinical experience shows that the father can be weak and fallible. / AFRIKAANSE OPSOMMING: “Freud, Lacan, and the Oedipus Complex” ondersoek die Oedipus kompleks, soos beskryf in die werk van Sigmund Freud en die beskrywing daarvan in die werk van Jacques Lacan. Lacan se kritiese herevaluasie van die Oedipus kompleks verskyn in sy 1969-1971 Seminare, gepubliseer as The Other Side of Psychoanalysis(2007). Die tesis studeer Freud se oorbeklemtoning van die Oedipus kompleks, die oer-miete en die rol van die vader, ten spyte van die ongerymdhede en kliniese tekortkominge in sy uitbeelding van die vader-figuur. Lacan verwerp nie die Oedipus kompleks ten volle nie, maar kontekstualiseer dit in terme van ʼn droom en herinterpreteer dit in lig van Freud se The Interpretation of Dreams (1900). Lacan fokus op Freud se oorbeklemtoning van die vader in beide die Oedipus kompleks en die oer-miete en illustreer hoe Freud die beeld van die vader probeer beskerm deur hom as sterk uit te beeld, veral wanneer kliniese ervaring wys dat die vader swak en feilbaar is.

O objetivo principal da dissertação é problematizar, a partir de textos de Freud, o prolongamento de expectativas e fantasias próprias da infância em aspectos sociais e políticos da vida adulta. Para tanto, as relações interpessoais são consideradas mediante dois pontos de vista da teoria freudiana, a saber, o do desenvolvimento individual e das relações e estruturas sociais. Como pano de fundo para tal problemática, são abordadas a experiência edípica infantil e a situação de desamparo como base das repetições que perseguem o neurótico, ocasionadas por uma trajetória de vida em parte desconhecida, por determinações inconscientes e herdadas, por fantasias e expectativas projetadas na alteridade, de modo que estes fenômenos são vividos como necessários pelo ser humano. Além disso, os sentimentos de medo, angústia e culpa, além da procura por uma autoridade que forneça segurança e proteção, encontram continuidade em situações e figuras sociais e políticas, influenciando na estrutura do Estado e da sociedade de forma ampla, tal como aparece na cosmovisão religiosa. Em contraposição a este prolongamento da infância na vida adulta, questiona-se a possibilidade da clínica freudiana em se aproximar da \"cosmovisão científica\" mediante seu objetivo de problematizar tais prolongamentos e repetições ao compreender o sintoma como Nachträglichkeit e como unheimlich. Com isso, no trabalho analítico encontramos a assunção do desamparo, uma organização pulsional singular e o acolhimento de vivências contingentes sem que haja uma quebra na estrutura psíquica do indivíduo / The main objective of this dissertation is to discuss, in the Freudian theory, the prolongation of expectations and fantasies from childhood existents in social and political aspects of adult life. To do so, interpersonal relationships are considered by two points of view: the individual development and the social relations and structures. As background for such problems, the oedipal experience and the situation of helplessness are mentioned as some ways of dealing with the repetitions that persecute the neurotic, occasioned by an unknown life trajectory, by unconscious and inherited determinations, by costumes and expectations projected on the otherness: all these events are experienced as a necessity by the human being. Additionally, the feelings of fear, anguish and guilt (and also the search for an authority to provide security and protection) find continuity in social and political figures and situations, influencing the structure of the state and society as it appears in the Freud\'s \"religious world-view\". In contrast to this prolongation of childhood into adulthood, we question the possibility of Freudian clinic in approaching the \"scientific world-view\" to problematize such extensions and repetitions. Therefore, we understand the symptom as Nachträglichkeit and unheimlich, leading to an assumption of helplessness, a singular instinct\'s (Trieb) organization and reception of contingent experiences without any break in the psychic structure of the human individual

It is the thesis of this paper the the Church possesses traits which are characteristic of the human personality; therefore, her spiritual movement can be understood and dealt with through insights of the Oedipus Complex Theory initially described by Sigmund Freud in his discussion of personality development, greatly elaborated upon by Erich Fromm in his book, The Forgotten Language.

Thesis (Ph. D.)--Duquesne University, 2004. / Title from document title page. Abstract included in electronic submission form. Includes bibliographical references (p. 117-118).

La vision de la Grèce antique de Pasolini est une vision barbare parce que le cinéasterefuse toute idéalisation néoclassique. Une telle vision de l’antiquité était déjà répondue dans laculture européenne à travers les textes de Nietzsche. Pasolini est inspiré particulièrement pardeux disciplines auxquelles il se réfère souvent : l’anthropologie et la psychanalyse.A une thématique barbare correspond aussi, chez le cinéaste italien, un environnementbarbare, avec l’accord entre la forme de l’expression et la forme du contenu. Pasolini rejette lareconstitution archéologique : à la luminosité aveuglante du Maroc (où est tournée la partiemythique d’OEdipe roi), à l’architecture archaïque de pierre de la Cappadoce (la Colchide deMédée), aux remparts d’une ville syrienne d’Alep (Corinthe dans Médée), le cinéaste associe descostumes dans lesquels s’inscrivent de différentes cultures archaïques, et des musiquesprovenant pour la plupart des pays non-occidentaux (africaines, tibétaines, japonaises,roumaines).Avec la pratique de la contamination et du pastiche, Pasolini souhaite recréer le langageintemporel du mythe, le langage primaire dans lequel s’inscrit la civilisation paysanne. Cetterelation entre le mythe grec et le monde rural s’articule principalement autour de la notion decyclicité. / Pasolini’s vision of ancient Greece is barbaric because the filmmaker refuses any neoclassicalidealization. This vision of antiquity was already famous in European culture through the textsof Nietzsche. Pasolini is particularly inspired by two disciplines he often refers to : anthropologyand psychoanalysis.The barbarian theme is also linked to a barbaric environment, with agreement between the formof expression and form of content. Pasolini rejects archaeological reconstruction. He combinesblinding brightness of Morocco (were the mythical part of the Oedipus Rex is turned), archaicarchitecture in stone of Cappadocia (Colchis in Medea), and the ramparts of a Syrian city Aleppo(Corinth in Medea) with costumes from different archaic cultures and music mostly from non-Western countries (African, Tibetan, Japanese, Romanian).With the practice of contamination and pastiche, Pasolini wants to recreate the timelesslanguage of myth, the primary language of the peasant civilization. The relationship between theGreek myth and the rural world revolves mainly around the notion of cyclicity.

Temos verificado, desde algum tempo, um crescente número de estudos voltados para a adolescência. Há quem classifique a modernidade como um tempo adolescente, cujo modelo de referência é a adolescência. Observamos que muitos dos comportamentos apresentados por alguns adultos são imitações dos encontrados nos adolescentes. Com a falência da função paterna, o processo adolescente tem se alongado através dos tempos, bem como, temos visto novas formas de manifestações sintomáticas características dessa idade. Com a descoberta do complexo de Édipo, a adolescência perde a importância que tivera no início da construção da psicanálise. Vemos ela reaparecer nos Três Ensaios (1905) como última etapa da sexualidade e é eleita, por Freud, como lugar de uma das mais difíceis e dolorosas tarefas que se deve empreender, ou seja, o desligamento das figuras parentais. Nosso objetivo nesse trabalho é eleger a adolescência como tempo de re- significação edípica, resgatando-a da obra freudiana, transformando-a num conceito operante, a partir das contribuições trazidas por Lacan à psicanálise, para oferecer-lhes um estatuto metapsicológico. Essa construção teórica possibilitará dar um lugar de destaque à adolescência na psicanálise, visto que não podemos negar sua existência nos fenômenos contemporâneos / It has been verified in literature a growing number of studies concerning adolescence. One may classify modernity as an adolescent time whose model is adolescence. It has been observed that a great number of the behaviors presented by some adults are actually imitations of those found in adolescents. With the failure of the parental function, the adolescence process has been lengthened throughout the times and also new forms of symptomatic manifestations characteristic of this period have been observed. With the discovery of the oedipus complex, adolescence loses the importance it has had at the begining of the psychoanalysis construction. It reappears at Three Essays on the Theory of Sexuality (1905) as the last stage of sexuality and it is assigned by Freud to be the place where one of the hardest and most painful tasks are to be endured: the detachment from the parental figures. In the present work adolescence is chosen as an oedipal re-signification time, recovering from freudian works and transforming it in an operant concept considering Lacans contributions to psychoanalysis, with the purpose of offering a metapsychological statute. This theoretical construction will make possible to give emphasis to adolescence in psychoanalysis given that we cannot deny its existence is contemporary phenomena