O presente estudo analisa a prática pedagógica de professoras que foram alunas de um curso de Pedagogia na modalidade a distância. O curso oportunizou a inclusão digital de suas alunas-professoras e, por isso, acredita-se que possam ter maior propriedade para fazer uso das tecnologias de modo inovador. Inovação Pedagógica é um novo conceito que se insere em uma perspectiva paradigmática emergente, aonde as ações conjuntas da escola e dos professores se dão, através da ruptura com uma situação vigente. O foco da inovação está na sua ação de mudança intencional, bem planejada, deliberada, criativa, crítica e conscientemente assumida na criação de situações de aprendizagem diferenciadas e novas para melhorar a prática educativa no contexto escolar. O estudo tem como principal referencial teórico, no que se refere ao conceito de inovação pedagógica, os autores Fullan, Fino e Sebarroja. A pergunta desta pesquisa é ‘De que forma professoras, que realizaram a formação num curso a distância mediado por tecnologias digitais de rede, utilizam-nas em sua prática educativa?’. Para a seleção dos sujeitos da pesquisa utilizaram-se, como critérios, ser unidocente, lecionar em uma escola pública de Porto Alegre e inserir as tecnologias digitais de rede em suas práticas educativas. O percurso metodológico foi realizado através de estudo de casos por meio de observações das práticas educativas de três professoras. Identificaram-se quatro níveis de inovação pedagógica que se distinguem pela forma com que a tecnologia digital de rede é proposta pela professora em sala de aula. Cada nível foi analisado a partir de três dimensões para inovar. / This study analyses the pedagogical practices of teachers who were students of a Faculty of Education in distance mode. The course propitiates digital inclusion of these students-teachers and, therefore, it is believed that they could have more property to make use of technologies in innovative ways. Pedagogical Innovation is a new concept that fits into a emerging paradigm perspective, where the joint actions of school and teachers are given with a break through the status quo. The focus of innovation is to change the intentional action, well-planned, deliberate, creative, critical and consciously assumed in creation of differentiated and new learning situations to improve educational practice in the school context. The main theoretical reference for this Study, as far as pedagogic innovation, are the authors Fullan, Fino, and Sebarroja. The question of this research is ‘How do teachers, who underwent training in a distance course mediated by network digital technology, use them in their educational practice?'. For the selection of research subjects, the criteria were be uni-instructor, teach in a public school in Porto Alegre and utilize network digital technologies in their educational practices. The methodological approach was performed through case studies through observations with three teachers. The dissertation aims to discuss if what happens in pedagogical practices is truly innovative. Four levels of pedagogic innovation were identified and they were distinguished by the way that technology network is proposed by the teacher in the classroom. Each level was analyzed from three dimensions to innovate.

This document examines Rodney Friend’s approach to violin technique for the left hand, with specific emphasis on the execution of fifths. The application of this technique plays a valuable role in establishing correct hand positioning, creating consistent intonation, improving vibrato, and adding to the palette of colors available to the violinist. Mr. Friend is an esteemed violinist, a perceptive pedagogue, and a dedicated mentor in today’s music world, and, in those roles, he exemplifies the qualities of beauty, truth, and goodness that characterize meaningful engagement in the arts. His thoughtful teaching style is the product of decades of careful observation combined with a devotion to constant personal improvement. As a performer who has toured the world as concertmaster of classical music’s most renowned orchestras, Mr. Friend’s early and continued success could have easily led him to a justifiable sense of arrival. Instead, he continues to hone his craft daily--both as a performer and as a teacher--always striving to remove the roadblocks from the tricky terrain of violin playing. In Mr. Friend’s words, violin playing is “a whole complicated business that we need to make less complicated.” His keen insights into the mechanics of the trade prove that simplification is possible. I firmly believe that his pedagogical innovations will greatly serve the rising generation of violinists. Most recently, Mr. Friend has turned his attention to an area of left hand technique that is commonly avoided by violinists in their practice, and often glossed over by teachers: the study of fifths. For the past six years Mr. Friend has been systematically exploring the benefits of this ignored technique. Other pedagogues have had little to offer in specifically addressing this interval because there is a general lack of understanding about the benefits provided by mastering the execution of fifths. Examples of this omission can be seen in pedagogy books by some of the 20th century’s greatest violinists and teachers. For instance, when Leopold Auer discusses the left hand in his book, Violin Playing as I Teach It, he suggests practicing scales in thirds, fourths, sixths, and octaves, but completely skips over the interval of the fifth. The same omission is also made by Yehudi Menuhin in his instructional text entitled Violin and Viola. Mr. Friend has developed a systematic approach to mastering this difficult technique that is both simple and effective. He plans to publish his method later this year. Some of the benefits provided to the violinist from the consistent practice of this traditionally difficult and neglected interval include better hand positioning, improved vibrato, and more consistent intonation--the continual quest of every violinist. I have experienced the remarkable benefits of his method in my own playing, which motivated me to seek Mr. Friend’s permission to further explore and document his techniques, and with this monograph to share these benefits with the violin community.

O presente estudo analisa a prática pedagógica de professoras que foram alunas de um curso de Pedagogia na modalidade a distância. O curso oportunizou a inclusão digital de suas alunas-professoras e, por isso, acredita-se que possam ter maior propriedade para fazer uso das tecnologias de modo inovador. Inovação Pedagógica é um novo conceito que se insere em uma perspectiva paradigmática emergente, aonde as ações conjuntas da escola e dos professores se dão, através da ruptura com uma situação vigente. O foco da inovação está na sua ação de mudança intencional, bem planejada, deliberada, criativa, crítica e conscientemente assumida na criação de situações de aprendizagem diferenciadas e novas para melhorar a prática educativa no contexto escolar. O estudo tem como principal referencial teórico, no que se refere ao conceito de inovação pedagógica, os autores Fullan, Fino e Sebarroja. A pergunta desta pesquisa é ‘De que forma professoras, que realizaram a formação num curso a distância mediado por tecnologias digitais de rede, utilizam-nas em sua prática educativa?’. Para a seleção dos sujeitos da pesquisa utilizaram-se, como critérios, ser unidocente, lecionar em uma escola pública de Porto Alegre e inserir as tecnologias digitais de rede em suas práticas educativas. O percurso metodológico foi realizado através de estudo de casos por meio de observações das práticas educativas de três professoras. Identificaram-se quatro níveis de inovação pedagógica que se distinguem pela forma com que a tecnologia digital de rede é proposta pela professora em sala de aula. Cada nível foi analisado a partir de três dimensões para inovar. / This study analyses the pedagogical practices of teachers who were students of a Faculty of Education in distance mode. The course propitiates digital inclusion of these students-teachers and, therefore, it is believed that they could have more property to make use of technologies in innovative ways. Pedagogical Innovation is a new concept that fits into a emerging paradigm perspective, where the joint actions of school and teachers are given with a break through the status quo. The focus of innovation is to change the intentional action, well-planned, deliberate, creative, critical and consciously assumed in creation of differentiated and new learning situations to improve educational practice in the school context. The main theoretical reference for this Study, as far as pedagogic innovation, are the authors Fullan, Fino, and Sebarroja. The question of this research is ‘How do teachers, who underwent training in a distance course mediated by network digital technology, use them in their educational practice?'. For the selection of research subjects, the criteria were be uni-instructor, teach in a public school in Porto Alegre and utilize network digital technologies in their educational practices. The methodological approach was performed through case studies through observations with three teachers. The dissertation aims to discuss if what happens in pedagogical practices is truly innovative. Four levels of pedagogic innovation were identified and they were distinguished by the way that technology network is proposed by the teacher in the classroom. Each level was analyzed from three dimensions to innovate.

O presente estudo analisa a prática pedagógica de professoras que foram alunas de um curso de Pedagogia na modalidade a distância. O curso oportunizou a inclusão digital de suas alunas-professoras e, por isso, acredita-se que possam ter maior propriedade para fazer uso das tecnologias de modo inovador. Inovação Pedagógica é um novo conceito que se insere em uma perspectiva paradigmática emergente, aonde as ações conjuntas da escola e dos professores se dão, através da ruptura com uma situação vigente. O foco da inovação está na sua ação de mudança intencional, bem planejada, deliberada, criativa, crítica e conscientemente assumida na criação de situações de aprendizagem diferenciadas e novas para melhorar a prática educativa no contexto escolar. O estudo tem como principal referencial teórico, no que se refere ao conceito de inovação pedagógica, os autores Fullan, Fino e Sebarroja. A pergunta desta pesquisa é ‘De que forma professoras, que realizaram a formação num curso a distância mediado por tecnologias digitais de rede, utilizam-nas em sua prática educativa?’. Para a seleção dos sujeitos da pesquisa utilizaram-se, como critérios, ser unidocente, lecionar em uma escola pública de Porto Alegre e inserir as tecnologias digitais de rede em suas práticas educativas. O percurso metodológico foi realizado através de estudo de casos por meio de observações das práticas educativas de três professoras. Identificaram-se quatro níveis de inovação pedagógica que se distinguem pela forma com que a tecnologia digital de rede é proposta pela professora em sala de aula. Cada nível foi analisado a partir de três dimensões para inovar. / This study analyses the pedagogical practices of teachers who were students of a Faculty of Education in distance mode. The course propitiates digital inclusion of these students-teachers and, therefore, it is believed that they could have more property to make use of technologies in innovative ways. Pedagogical Innovation is a new concept that fits into a emerging paradigm perspective, where the joint actions of school and teachers are given with a break through the status quo. The focus of innovation is to change the intentional action, well-planned, deliberate, creative, critical and consciously assumed in creation of differentiated and new learning situations to improve educational practice in the school context. The main theoretical reference for this Study, as far as pedagogic innovation, are the authors Fullan, Fino, and Sebarroja. The question of this research is ‘How do teachers, who underwent training in a distance course mediated by network digital technology, use them in their educational practice?'. For the selection of research subjects, the criteria were be uni-instructor, teach in a public school in Porto Alegre and utilize network digital technologies in their educational practices. The methodological approach was performed through case studies through observations with three teachers. The dissertation aims to discuss if what happens in pedagogical practices is truly innovative. Four levels of pedagogic innovation were identified and they were distinguished by the way that technology network is proposed by the teacher in the classroom. Each level was analyzed from three dimensions to innovate.

Submitted by Maicon Juliano Schmidt (maicons) on 2015-06-26T16:25:51Z No. of bitstreams: 1 Marcelo Cesar Salami.pdf: 1033159 bytes, checksum: 874b895cbfaa04599508b63644c37554 (MD5) / Made available in DSpace on 2015-06-26T16:25:51Z (GMT). No. of bitstreams: 1 Marcelo Cesar Salami.pdf: 1033159 bytes, checksum: 874b895cbfaa04599508b63644c37554 (MD5) Previous issue date: 2013-01-31 / Nenhuma / A pesquisa, tipo estudo de caso, focaliza a constituição da profissionalidade dos docentes que realizam práticas inovadoras no Colégio La Salle Esteio. Procurou analisar como as trajetórias pessoais, acadêmicas (formativas) e profissionais dos professores potencializam práticas pedagógicas na perspectiva da inovação. Quis identificar indicadores de inovação pedagógica a partir de relatos dos professores, relacionando-os com os indicadores já construídos em pesquisas com professores universitários, verificando quais foram recorrentes em ambos os contextos. Procurou compreender, ainda, quais os indicadores mais presentes no contexto da Educação Básica e identificar, a partir da concepção dos sujeitos da pesquisa, elementos da formação inicial e permanente que são essenciais para favorecer uma educação de qualidade. No estudo foi utilizada a metodologia qualitativa que permitiu compreender a profissionalidade docente a partir do contexto de suas práticas pedagógicas, de suas percepções e representações sobre a mesma. A coleta de dados envolveu duas perspectivas. Na primeira, para se chegar aos interlocutores da pesquisa, foi utilizado um questionário, possibilitando que os professores fizessem indicação dos colegas que considerassem inovadores em suas práticas pedagógicas. Na segunda etapa, os seis docentes, indicados por seus pares, participaram do Estudo de Caso, quando a coleta dos dados lançou mão da entrevista semiestruturada. A análise dos dados foi realizada a partir de Bardin, seguindo as categorias já construídas nos estudos de Cunha e Lucarelli. Os principais achados da pesquisa indicam que: a) as trajetórias pessoais, acadêmicas (formativas) e profissionais são elementos constituidores da profissionalidade docente e dispositivos que potencializam a inovação pedagógica; b) os professores do estudo demonstram preocupação com o bom desenvolvimento de seus estudantes, revelando que assumem sua profissionalidade na perspectiva de um compromisso ético e social; c) o ordenamento dos indicadores de inovação pedagógica revela a concepção de ensino e aprendizagem que rege e orienta a prática dos docentes participantes dessa pesquisa. De alguma forma esses indicadores assumem um caráter de um estatuto epistemológico-pedagógico que dialoga permanentemente com os obstáculos administrativos, organizacionais, econômicos e psicossociais da instituição educativa; d) a formação continuada não pode mais ser entendida como uma opção ou escolha pessoal, pois passou a ser um ?imperativo?, ditado, principalmente, pelo ambiente das rápidas mudanças socioculturais e tecnológicas; e) a sala de aula é um exímio laboratório para as práticas pedagógicas inovadoras, onde germinam experiências formativas tanto para os alunos quanto para os professores; f) os próprios estudantes, em algumas circunstâncias, se tornam uma fonte do saber dos professores. É preciso, no processo pedagógico emancipador, considerar o valor da escuta dos estudantes; g) há um encantamento e um desencantamento pela profissão docente muito determinado pelas condições de trabalho e apoio institucional; e h) alguns professores não reconhecem o seu caráter inovador dentro do espaço escolar. O reconhecimento parte dos colegas que admiram e percebem o seu trabalho. / The research, case study, focuses on the constitution of the professionalism of teachers who perform innovative practices in La Salle College Esteio. Sought to examine how the trajectories personal, academic (training) and professional of teachers leverage teaching practices from the perspective of innovation. Wanted to identify indicators of educational innovation from teachers' reports, relating them to the indicators already built on research with professors, checking which recurred in both contexts. Sought to understand, yet which indicators more present in the context of basic education and identify, from the design of the research subjects, elements of initial and ongoing training who are essential to promote quality education. In the study used a qualitative methodology that allowed us to understand the teaching professionalism from the context of their teaching practices, their perceptions and representations of the same. Data collection involved two perspectives. At first, to get callers to the survey, a questionnaire was used, enabling who teachers did indication of colleagues who considered innovative in their teaching practices. In the second step, the six teachers nominated by their peers, participated in the case study, when the data collection made use of semistructured interview. Data analysis was performed from Bardin, following the categories already built in the studies of Cunha and Lucarelli. The main research findings indicate that: a) the trajectories personal, academic (training) and professional are elements what constitutes teacher professionalism and devices that potentiate the pedagogical innovation; b) teachers of the study demonstrate concern for the proper development of their students, revealing that their professionalism assume the perspective of an an ethical and social commitment; c) the ordering of pedagogical innovation indicators reveals the conception of teaching and learning which regulates and guides the practice of teachers participating in this study. Somehow these indicators take on a feature of an epistemological-pedagogical dialogues permanently with the administrative, organizational, economic and psychosocial obstacle of the educational institution; d) continuing education can no longer be understood as a personal choice or option, for now to be an "imperative", dictated mainly by the environment of rapidly changing socio-cultural and technological; e) the classroom is an absolute laboratory for innovative teaching practices, where they germinate formative experiences both for the students and for teachers; f ) the students themselves, in some circumstances, become a source of knowledge for teachers. It is necessary, in the pedagogical process of emancipation, consider the value of listening to students; g) there is an enchantment and disenchantment by the teaching profession determined by the working conditions and institutional support; and h) some teachers do not recognize their innovative character in school space. The recognition from colleagues who admire and perceive your work.

Esta pesquisa teve por objetivo identificar e analisar as iniciativas do Estado de São Paulo na difusão do Cinema Educativo nas escolas públicas primárias no período de 1933 a 1944. Considerou as finalidades apresentadas para a adoção desta tecnologia de ensino, a infraestrutura para a sua utilização e a divulgação de filmes; buscou constatar a circulação de saberes e indicações pedagógicas para o uso desse recurso de ensino tentando, assim, perceber as práticas escolares. Em meio às transformações ocorridas no período marcado pela modernização do ensino este estudo pretende, ainda, entender a forma pela qual o Cinema Educativo contribuiu para a configuração da cultura escolar paulista. Nesse sentido, procuro atentar para os estudos sobre a história da escola primária dando ênfase à relação entre a cultura escolar, a inovação educacional e a circulação de modelos pedagógicos. O surgimento do Cinema Educativo no Brasil ocorreu nas décadas de 1920 e 1930 durante o movimento em prol da utilização do bom cinema , consolidando-se em 1937, com a criação, em âmbito federal, do Instituto Nacional de Cinema Educativo (I.N.C.E.) que tinha por incumbência coordenar e divulgar as aquisições de caráter técnico , além de fornecer sugestões e viabilizar o funcionamento do Cinema Educativo de forma eficiente e produtiva . Quatro anos depois, em São Paulo, era realizada a Exposição Preparatória do Cinema Educativo no Instituto Pedagógico, por iniciativa da Diretoria Geral de Ensino do Estado de São Paulo, na administração de Lourenço Filho. Ao assumir a Direção do Ensino em São Paulo, em 1933, Fernando de Azevedo retomou as preocupações presentes no Código de Ensino e determinou a utilização do Cinema Educativo nas escolas paulistas. Em 1934, era publicada a Circular n° 24: instrucções sobre o Serviço de Radio e Cinema Educativo, veiculando normas para criação e funcionamento de um serviço especializado. Como contraponto às normas disseminadas pela Diretoria de Ensino, os relatórios elaborados por professores e delegados regionais de ensino do Estado de São Paulo (1933-1944) apontavam problemas enfrentados pelas escolas para incorporação da nova tecnologia, trazendo pistas sobre o uso desta inovação no cotidiano das escolas primárias. Foram muitos os obstáculos encontrados, durante a implementação e manutenção do Cinema Educativo nos Grupos Escolares do interior do Estado de São Paulo. Nos 67 relatórios lidos, ressaltam-se dificuldades na aquisição de filmes e recursos para a compra de equipamentos; problemas com a organização de programas atraentes ; falta de salas e equipamentos apropriados, dentre outros fatores. Os custos dos aparelhos eram sanados geralmente pelo recurso às Caixas Escolares ou a doações de particulares. No entanto a necessidade de autorização da Diretoria para efetivação da compra por vezes retardava o processo. A introdução das novas tecnologias demandava também uma revisão dos métodos pedagógicos e uma reestruturação dos espaços e tempos escolares. / This search has as objective to identify and to analyse initiatives of São Paulo state in the diffusion of Educational Cinema at public basic schools from 1933 to 1944. It was taking in consideration presented purposes in order to adopt such teaching technology, facility to its use and divulgation of films, aiming at ascertaining circulation of knowledge and pedagogical indications to learning source practice, trying in this way realize basic school practices. Within transformations occurred during specific period by teaching modernization, this study intend also to understand the way for which Educational Cinema has contributed to the configuration of paulista scholar culture. In this sense, studies about basic school history were observed, detaching the relation among scholar culture, educational innovation as well as circulation of pedagogical model. The appearance of Educational Cinema in Brazil happened in the 1920s and 1930s, during the movement in favour of good cinema usage, consolidated in 1937 with the creation of Instituto Nacional de Cinema Educativo (INCE), which incumbency was to co-ordinate and to divulge technical character acquisition as well as to suggest and to put into practice Educational Cinema in an efficient and productive way. Four years later, in São Paulo, the Exposição Preparatória do Cinema Educativo was accomplished in Pedagogical Institute, under initiative of General Teaching Administration from São Paulo State, in Lourenço Filho s administration. When Fernando de Azevedo has assumed Teaching Direction in São Paulo, in 1993, he retook the concern presented in Teaching Code, and determined the use of Educational Cinema in paulistas schools. In 1934 Circular n° 24: instrucções sobre o Serviço de Radio e Cinema Educativo was published, divulgating rules to creation and operation of specialized service. As counterpoint to rules that Teaching Administration divulged, teachers and regional education advisers reports from São Paulo state (1933-1944) showed problems occurred in schools in new technology incorporation, indicating clues about use of this implement in basic school routines. Several troubles have happened during the implantation and maintenance of Educational Cinema in Scholar Groups inside São Paulo state. In the 67 read reports, problems related to film acquisition, resources to equipment buying, organization problems related to the creation of attractive programs, lack of appropriate rooms and equipments, among other troubles were presented. Equipment costs were solved by using Scholar Cash Box or by personal donation. Nevertheless, it was necessary an Administration s authorization in order to buy the necessary material, delaying the process. New technologies also demanded a review of pedagogical methodologies as well as a re-structure about scholar space and time.

Cette recherche qualitative porte sur les innovations pédagogiques utilisées à l’Université de Montréal en contexte de cultures disciplinaires. La recherche visait à étudier les innovations pédagogiques, entendues comme tout enseignement dispensé de manières différentes de la pratique traditionnelle du cours magistral, proposées par les professeurs dans une université fortement engagée en recherche. ll nous a paru utile de contribuer à compléter les savoirs existants dans ce domaine peu exploré, particulièrement lorsque nous savons que les innovations pédagogiques en contexte de cultures disciplinaires n’ont encore pas été étudiées à l’Université de Montréal. D’un point de vue social, la pertinence de cette recherche réside dans le cadre de la valorisation de l’enseignement universitaire souhaitée tant par les politiques, les institutions et la société que les professeurs et, au-delà, elle invite au rééquilibrage des deux piliers indispensables à l’université centrée sur la recherche qui laisse paraître une relation dichotomique marquée entre enseignement et recherche. Deux modes de cueillettes de données ont été privilégiés : les entrevues individuelles semi-structurées et un entretien de groupe auprès de trente-deux professeurs lauréats du Prix d’excellence en enseignement de l’Université de Montréal. Pour cette recherche, nous avons employé la théorisation ancrée comme méthode d’analyse de données recueillies selon d’autres approches. En d’autres mots, nous avons souhaité utiliser la théorisation ancrée comme un « processus » (Paillé, 1994, p. 149) d’analyse des données avec pour objectif d’approfondir l’objet de notre recherche par-delà la simple analyse descriptive sans pour autant prétendre à une théorisation avancée. En premier lieu, nos résultats nous ont permis de connaître les innovations pédagogiques utilisées dans l’enceinte de notre terrain de recherche, l’Université de Montréal et de dresser un portrait actualisé de leurs innovateurs. Nous avons aussi exploré les raisons qui amènent les professeurs à innover, décrit le processus nécessaire à l’innovation pédagogique et expliqué les freins s’opposant à cette dernière. En second lieu, nos résultats énumèrent les différences liées à la matière d’enseignement, au champ de recherche et soulignent le rapport de la discipline à l’innovation comme critère déterminant à son implication. En dernier lieu, nos résultats révèlent l’existence d’une expertise pédagogique partagée au sein de l’Université de Montréal qui permet de rompre la solitude des professeurs par un soutien entre pairs et favorise la transférabilité des innovations pédagogiques d’une culture disciplinaire à une autre. Finalement, nous présentons une théorisation actualisée des paramètres constituant une innovation pédagogique et détaillons les nouveaux paramètres qui influent sur la construction d’une innovation pédagogique. Nous concluons cette thèse par des recommandations et des pistes de recherches. / This qualitative research focuses on educational innovations utilized at the University of Montreal in the context of disciplinary cultures. The research aimed to study the pedagogical innovation, understood as teaching in ways that are different from the traditional practice of lecture course, proposed by teachers in a university strongly committed to research. It seemed useful to supplement existing knowledge in this not much explored area, especially when we know that educational innovations have not yet been studied at the University of Montreal from the perspective of the disciplinary culture. From a social point of view, the relevance of this research lies in the framework of the valorization of higher education as required as much by the politics, institutions, society and teachers and, beyond, it invites the rebalancing of the two essential pillars of the universities focused on research that suggest a marked dichotomous relationship between teaching and research. Two methods of data gathering were privileged: semi-structured individual interviews and a group interview among thirty-two faculty laureates of the award of Excellence in Teaching from the University of Montreal. For this research we used grounded theory as a method of analysis of data collected by other approaches. In other words, we wanted to use grounded theory as a data analysis "process" (Paillé, 1994, p. 149) with the aim to deepen the object of our search beyond the simple descriptive analysis without professing for an advanced theory. Firstly, our results allowed us to inventory pedagogical innovations utilized at the University of Montreal and draw an updated portrait of their innovators. We have also explored the reasons which bring the faculty to innovate, described the necessary process to pedagogical innovation and explained the restraints opposing it. Secondly, our results enumerate the differences in terms of teaching matter, field research and emphasize the relationship of the discipline to innovation as the criterion for its involvement. Lastly, our results reveal the existence of a shared pedagogical expertise at the University of Montreal which helps breaking the solitude of faculty members through peer support and promotes transferability of educational innovations from a culture of discipline to another. Finally, we present an updated theory of the parameters constituting a pedagogical innovation and detail the new parameters that influence the construction of a pedagogical innovation. We conclude this thesis with recommendations and avenues of research.

Esta pesquisa teve por objetivo identificar e analisar as iniciativas do Estado de São Paulo na difusão do Cinema Educativo nas escolas públicas primárias no período de 1933 a 1944. Considerou as finalidades apresentadas para a adoção desta tecnologia de ensino, a infraestrutura para a sua utilização e a divulgação de filmes; buscou constatar a circulação de saberes e indicações pedagógicas para o uso desse recurso de ensino tentando, assim, perceber as práticas escolares. Em meio às transformações ocorridas no período marcado pela modernização do ensino este estudo pretende, ainda, entender a forma pela qual o Cinema Educativo contribuiu para a configuração da cultura escolar paulista. Nesse sentido, procuro atentar para os estudos sobre a história da escola primária dando ênfase à relação entre a cultura escolar, a inovação educacional e a circulação de modelos pedagógicos. O surgimento do Cinema Educativo no Brasil ocorreu nas décadas de 1920 e 1930 durante o movimento em prol da utilização do bom cinema , consolidando-se em 1937, com a criação, em âmbito federal, do Instituto Nacional de Cinema Educativo (I.N.C.E.) que tinha por incumbência coordenar e divulgar as aquisições de caráter técnico , além de fornecer sugestões e viabilizar o funcionamento do Cinema Educativo de forma eficiente e produtiva . Quatro anos depois, em São Paulo, era realizada a Exposição Preparatória do Cinema Educativo no Instituto Pedagógico, por iniciativa da Diretoria Geral de Ensino do Estado de São Paulo, na administração de Lourenço Filho. Ao assumir a Direção do Ensino em São Paulo, em 1933, Fernando de Azevedo retomou as preocupações presentes no Código de Ensino e determinou a utilização do Cinema Educativo nas escolas paulistas. Em 1934, era publicada a Circular n° 24: instrucções sobre o Serviço de Radio e Cinema Educativo, veiculando normas para criação e funcionamento de um serviço especializado. Como contraponto às normas disseminadas pela Diretoria de Ensino, os relatórios elaborados por professores e delegados regionais de ensino do Estado de São Paulo (1933-1944) apontavam problemas enfrentados pelas escolas para incorporação da nova tecnologia, trazendo pistas sobre o uso desta inovação no cotidiano das escolas primárias. Foram muitos os obstáculos encontrados, durante a implementação e manutenção do Cinema Educativo nos Grupos Escolares do interior do Estado de São Paulo. Nos 67 relatórios lidos, ressaltam-se dificuldades na aquisição de filmes e recursos para a compra de equipamentos; problemas com a organização de programas atraentes ; falta de salas e equipamentos apropriados, dentre outros fatores. Os custos dos aparelhos eram sanados geralmente pelo recurso às Caixas Escolares ou a doações de particulares. No entanto a necessidade de autorização da Diretoria para efetivação da compra por vezes retardava o processo. A introdução das novas tecnologias demandava também uma revisão dos métodos pedagógicos e uma reestruturação dos espaços e tempos escolares. / This search has as objective to identify and to analyse initiatives of São Paulo state in the diffusion of Educational Cinema at public basic schools from 1933 to 1944. It was taking in consideration presented purposes in order to adopt such teaching technology, facility to its use and divulgation of films, aiming at ascertaining circulation of knowledge and pedagogical indications to learning source practice, trying in this way realize basic school practices. Within transformations occurred during specific period by teaching modernization, this study intend also to understand the way for which Educational Cinema has contributed to the configuration of paulista scholar culture. In this sense, studies about basic school history were observed, detaching the relation among scholar culture, educational innovation as well as circulation of pedagogical model. The appearance of Educational Cinema in Brazil happened in the 1920s and 1930s, during the movement in favour of good cinema usage, consolidated in 1937 with the creation of Instituto Nacional de Cinema Educativo (INCE), which incumbency was to co-ordinate and to divulge technical character acquisition as well as to suggest and to put into practice Educational Cinema in an efficient and productive way. Four years later, in São Paulo, the Exposição Preparatória do Cinema Educativo was accomplished in Pedagogical Institute, under initiative of General Teaching Administration from São Paulo State, in Lourenço Filho s administration. When Fernando de Azevedo has assumed Teaching Direction in São Paulo, in 1993, he retook the concern presented in Teaching Code, and determined the use of Educational Cinema in paulistas schools. In 1934 Circular n° 24: instrucções sobre o Serviço de Radio e Cinema Educativo was published, divulgating rules to creation and operation of specialized service. As counterpoint to rules that Teaching Administration divulged, teachers and regional education advisers reports from São Paulo state (1933-1944) showed problems occurred in schools in new technology incorporation, indicating clues about use of this implement in basic school routines. Several troubles have happened during the implantation and maintenance of Educational Cinema in Scholar Groups inside São Paulo state. In the 67 read reports, problems related to film acquisition, resources to equipment buying, organization problems related to the creation of attractive programs, lack of appropriate rooms and equipments, among other troubles were presented. Equipment costs were solved by using Scholar Cash Box or by personal donation. Nevertheless, it was necessary an Administration s authorization in order to buy the necessary material, delaying the process. New technologies also demanded a review of pedagogical methodologies as well as a re-structure about scholar space and time.

Orientador: Maria Antonia Ramos de Azevedo / Resumo: Este trabalho tem como objeto de pesquisa a Assessoria Pedagógica Universitária, em contextos de inovação curricular, considerando que esta inovação atinge o ensino superior carregada de pilares pedagógicos que impactam a docência. Nessa condição, a questão do assessoramento pedagógico emerge como importante função que intenciona a construção de saberes docentes, em espaços coletivos, permanentes e institucionalizados de formação. Logo, os contextos de inovação curricular que definem o recorte deste trabalho revelam-se como elementos intransponíveis à pesquisa, referindo-se ao Processo de Bolonha, focalizando Portugal, e à Universidade Nova, focalizando o Brasil. Neste cenário, a pergunta que orientou a pesquisa foi: Que Assessoria Pedagógica Universitária tem sido construída e como se estrutura seu trabalho em contexto de inovação curricular? Objetivamos identificar seu papel nos contextos ora delimitados e compreender como têm se autoformado para dar conta das exigências que lhe recaem, no que diz respeito à consolidação de modelos curriculares inovadores. Buscando o objetivo, definimos o método que denominamos Mapeamento com Estudo Focalizado, sob abordagem qualitativa. O Mapeamento visa descrever amplamente os dados referentes ao objeto, proporcionando visão panorâmica, descritiva e contextual, enquanto que o Estudo Focalizado busca os significados que os sujeitos atribuem ao objeto, em uma dimensão interpretativa. A análise dos dados se deu por unidades, que visam uma co... (Resumo completo, clicar acesso eletrônico abaixo) / Abstract: This work has as object of research the University Pedagogical Advisory in curricular innovation contexts, considering that this innovation reaches higher education loaded with pedagogical pillars that impact the teaching. In this condition, pedagogical advice emerges as an important function, intending to build teaching knowledge in collective, permanent and institutionalized spaces of formation. Therefore, the contexts of curricular innovation defining the outline of this work are revealed as insurmountable elements to the research, referring to the Bologna Process focusing on Portugal, and to Universidade Nova focusing on Brazil. In this scenario, the question that guided this research was: Which University Pedagogical Advisory has been built and how is its work structured in the context of curricular innovation? We aim to identify its role in the delimited contexts and understand how they have been self-trained to manage the demands placed upon them, regarding the consolidation of innovative curricular models. Pursuing the objective, we defined a method we called Mapping with Focused Study, under qualitative approach. The Mapping aims to broadly describe data related to the object, providing a panoramic, descriptive and contextual view, while the Focused Study seeks the meanings attributed to the object by the subjects, in an interpretative dimension. Data analysis was performed by units, aimed at an integrated construction of knowledge about the object, observed in both ... (Complete abstract click electronic access below) / Doutor

L’évolution du système éducatif et l’apparition de nouveaux lieux de production et de diffusion des savoirs en éducation jouent un rôle dans le développement des pratiques enseignantes en général, mais transforment aussi les conditions de l’action et de la réflexion pédagogiques. C’est à l’étude de ces évolutions et transformations que s’intéresse cette thèse, en prenant comme exemple le Mouvement de l’Ecole Moderne (ICEM, pédagogie Freinet). La recherche, à caractère ethnographique, vise donc à repérer comment ce mouvement pédagogique s’est adapté à ces nouvelles conditions, comment se construisent et se diffusent les actions et les idées pédagogiques novatrices, qui sont les « enseignants Freinet » aujourd’hui et quel est leur degré d’engagement… Un bref retour sur l’histoire du système éducatif et ses transformations éclaire le contexte dans lequel le mouvement Freinet a évolué. On s’interroge ensuite sur la manière dont celui-ci a évolué et s’est adapté en menant une enquête ethnographique dans plusieurs lieux : réunions et conférences départementales, stage régional, congrès national. Cette enquête par observation directe s’accompagne d’une analyse approfondie des échanges sur une liste de diffusion nationale. Enfin, des entretiens auprès d’anciens militants, de nouveaux adhérents, d’enseignants innovants et de chercheurs pédagogues, permet de mieux comprendre l’évolution des formes d’engagement, les nouveaux objets et les nouveaux lieux de construction des savoirs pédagogiques. Au final, après un temps d’agrégation puis de « désagrégation », on peut repérer un phénomène de réagrégation autour de « nouveaux pédagogues », dont l’idéologie et l’engagement militant ne sont pas de même nature que ceux de leurs aînés. / The evolution of the educational system and the emergence of new centers of production and dissemination of knowledge play a vital role in the development of teaching practices in general, and also in transforming the conditions of pedagogical action and thought. The present thesis is interested in studying these developments and transformations, using an example the Modern School Movement – Freinet’s pedagogy. This research is an ethnographic research, therefore, seeks to identify how this pedagogical movement was adapted with the new educational conditions, how to construct and disseminate these actions and innovative teaching ideas, and how are the « Freinet teachers » today and what is their level of commitment. A brief review of the educational system history and its transformations illuminates the context in which the Freinet movement has evolved. We, then inquire the way in which it has evolved and adapted by conducting an ethnographic study in several places : departmental meetings and conferences, regional trainings and national congress. The survey made by a direct observation was accompanied by a depth analysis of the exchange on a Freinet national survey list. Moreover, interviews with old militants, new members, innovative teachers and pedagogues researchers allow a better understanding of the evolution in forms of commitment, new objects and new construction centres of pedagogical knowledge. In conclusion, after a time of turn and aggregation followed by « disintegration », we could identify a phenomenon of reaggregation around « new pedagogues » whose ideology and militant commitment is not the same nature as those of their elders.