Thesis (Ph. D.)--University of Missouri-Columbia, 2002. / Typescript. Includes bibliographical references (leaves 211-229). Also available on the Internet.

The objective of the research reported in this thesis was to elucidate the mode of disappearance of the last ice-sheet to cover the Loch Long/Loch Fyne area in the SW Highlands, and to establish the sequence of raised shorelines that has been formed as a result of the interplay between eustatic and isostatically-induced sea-level changes consequent upon the melting of the ice. The study was geomorphological in orientation and a methodology was adopted that involved mapping, at a scale of 1:10,560, all glacial, fluvial and marine landforms below approx. 75 - 100 m O.D., and the subsequent accurate instrumental surveying of all relevant landforms. A certain amount of mapping back from the coast was also carried out where relevant. The errors inherent in the methods adopted and in the use of various types of marine landforms were quantitatively assessed and it was concluded that raised shorelines could be reconstructed with an accuracy of ±0.54 m using intertidal deltas and ±0.61 m using marine erosional features. The southern part of the study area was deglaciated first at ca. 13,000 yr BP. The dominant mode of deglaciation was that of rapid retreat in the sea lochs (possibly as much as 500 m/yr) due to calving that left isolated dead-ice masses in various side valleys. This retreat was punctuated by two major periods of stillstand or readvance, the Otter Ferry Stage (ca. 12,900 ± 200 yr BP) and the Loch Lomond Readvance (ca. 11,000 - 10,000 yr BP). Eight raised shorelines have been identified as having formed during the relative fall of sea-level from ca. 38 - 40 m O.D. that accompanied the disappearance of the icesheet. A particularly well developed shoreline, CLG2, was formed during the Otter Ferry Stage. A further unique rock-cut shoreline, the Main Rock Platform, was at least in part formed during the cold conditions immediately prior to and during the Loch Lomond Stadial. During the Loch Lomond Stadial glaciers extended down Loch Long to near Ardentinny and down Loch Fyne to beyond Furnace. The mountains in the NE of the study area stood proud of the ice mass as nunataks whilst a number of small valley glaciers occurred in the S of the Cowal Peninsula. Analysis of shoreline gradients and the sea-level change curve suggests that this build-up of ice was sufficient to depress the earth's crust anew. During the early part of the Flandrian Period a major transgression has been recorded by radiocarbon-dated buried peats. This transgression culminated some time after 7,200 yr BP in the formation of a major raised shoreline (CFl) and during the subsequent regression a further five shorelines were formed.

No description available.

This dissertation addresses the role of ritual practices in the emergence of complex forms of social organization during the Late Archaic Period of the Central Andes (ca. 3000 1500 B.C.). This theme is approached through description and analysis of ritual architecture remains recovered in excavations at the site of Cerro Lampay, located in the Fortaleza Valley, within the North Central Coast of Peru.The emergence of social complexity is approached from the perspective of Practice Theory, noting the relevance of ritual practices in the generation, reproduction, and/or transformation of social conditions of existence.Following these theoretical principles, archaeological information is analyzed through a methodological frame built to understand the performative aspects of ritual and its material manifestations. A particular emphasis is put on the analysis of architectural remains, which are analyzed from proxemics and space syntax perspectives, in order to define the patterns of human interaction produced during the conduct of ritual.The inference of behavioral patterns conducted within construction events and ritual performances have allowed me to propose a scenario of a community with emergent leaders and a dual organization, which was responsible for the building, use, and closure of the architectural compounds found at Cerro Lampay. Ritual practices such as conspicuous consumption and feasting played a key role in the development of social dynamics and might have been a significant power source for the emergent leaderships.

This dissertation supplements previously conducted research on aviation in interwar Britain by providing a necessary examination of the appearance of aerial warfare on British cinema screens between 1927 and 1939. It examines the presentation of the First World War, military aviators, the Royal Air Force, bombing, and aerial warfare to the British public. More specifically, it examines the connections between flying, aerial warfare, cinema, and the popular imagination in interwar Great Britain. It uses feature films, specifically Hell’s Angels, The Dawn Patrol, Things to Come, documentaries like RAF, The Gap, and The Warning, and newsreels. In additional to examining cinematic sources, it also extensively utilizes film press books, scripts, programmes, and British Government documents to determine the motives for producing these pictures, what influenced their writing, how they were promoted to the British public, and how cinema reviewers responded to them. It reveals that the cinema helped shape British perceptions of aerial warfare (and the First World War) during the interwar period, providing insight into how the British state and military interacted with the nation’s mass media complex. In doing so, it highlights the important, and often underappreciated, symbiotic relationship between mass culture and government policy.

No description available.

This thesis concerns late Palaeolithic settlement in the region of Puglia, south-east Italy, at the close of the Pleistocene. Puglia comprises three sub-regions which contain sites of this period: the Salento peninsula, the Murge, and the Gargano promontory. The late Palaeolithic occupation must be considered in relation to the former existence of an extensive coastal plain, and to the sea-level rise which submerged it. The late Palaeolithic assemblages of the region have been studied previously by Italian archaeologists from a rigid typological stance, with various schemes put forward suggesting evolution of the assemblages through different stages of an Epigravettian tradition. In this thesis, attribute analysis is used to re-examine the principal assemblages, using published data where adequate and supplemented by samples studied by the author in Italy. The results are analyzed to seek the social and economic factors which shaped the various industries, as well as diachronic change wherever it can be demonstrated. Factors such as difficulty in obtaining raw material were clearly crucial to assemblage composition. The existing typological schemes are shown to lack real bases and to mask rather than reveal sociocultural information. Chapter 1 states the aims of the thesis and critically discusses previous theoretical approaches to the late Palaeolithic of the region. Chapters 2 and 3 describe relevant aspects of the regional palaeoenvironment. The author's own methodological approach is explained in Chapter 4, and then used for a detailed study of the assemblages from Grotta delle Cipolliane in Chapter 5. This is followed in Chapter 6 by a broader study of the late Palaeolithic assemblages in Puglia, with discussions of their possible diachronic and synchronic relationships. Chapter 7 develops this latter theme into an attempt to understand the social and economic features of the late Palaeolithic settlement of Puglia, and suggestions are made concerning future work that might improve the quality of the archaeological evidence. Chapter 8 summarizes the main conclusions of the thesis.

This thesis presents a co-ordinated study of the chronology, environment, and material culture of the Upper Palaeolithic in Britain, based upon a re-evaluation of extant old evidence and on the results of the author's specially undertaken excavations. A chronological scheme is proposed for the British Upper Palaeolithic, based on a new correlation of the stratigraphic and radiocarbon evidence. Two main divisions of the period are recognized, an Earlier phase and a Later one, which can be shown to be separated by the maximum ice advances of the Full Last Glacial (c. 20,00 to 15,000 years B.P.). Dates are available for the Earlier Upper Palaeolithic ranging from c. 29,000 to 18,000 B.P., which period covers the latter half of the Middle Last Glacial. Granulometric, pollen and faunal evidence suggest a Sub-Arctic to Arctic environment. The Later Upper Palaeolithic appears to date from c. 14,500 to 10,000 B.P., occupying most of the Late Last Glacial, and is associated with a varying Boreal to Sub-Arctic environment. The question of the relationship of Britain to the continent of Europe in terms of land-bridges is considered in some detail. The faunal analysis for both phases includes an assessment of the principal and preferred sources of meat for the human population. The distribution of Upper Palaeolithic sites is carefully considered, and the question of home bases and the strategy for exploiting the food resources of the various areas of Britain is discussed whenever the evidence permits. The study of these aspects is supported by a specially prepared series of maps. The typological range of the Earlier and Later Upper Palaeolithic tool-kits is studied and described on the basis of the author's own scheme, which has a simple ranked structure. Clear and important typological differences exist between the two phases. A number of simple metrical and statistical tests are employed, principally for comparison of individual stone tool assemblages within each stage, on the basis of which the question of sub-division is discussed. A large series of new artifact illustrations is presented to cover most of the British assemblages. A series of gazetteers list all the definite, possible and claimed British Upper Palaeolithic sites and the artifacts from them. Other aspects of the industries, such as the use of different raw materials, are also considered. The archaeological relationships between the British and continental Upper Palaeolithic assemblages are briefly discussed, but no firm conclusions can be offered until an exhaustive study of certain relevant continental material has been undertaken. A few suggestions are offered for future research in this and other fields, and the question of what terminology is most appropriate for the British Upper Palaeolithic is considered in the light of the author's research.

No description available.

Research Doctorate - Doctor of Philosophy (PhD) / The major purpose of the research in this thesis is to add to the available knowledge on advanced violin playing of the Romantic Period by, firstly, investigating the historical and technical knowledge and, secondly, adding some of my own findings. The project consists of a thesis, five recordings of live performances by the candidate and a guide to those performances. The development of violin techniques in the nineteenth and early twentieth centuries and the role of the instrument in expressing the musical ideals of the age were chosen to study because there is a general lack of literature on the subject written by players who have performed the music chosen by the researcher. Furthermore, studies of this literature have left some important questions unanswered. One such question concerned how the development of the violin allowed musicians to better express the music in that era. Another question is what kinds of techniques were developed and how they related to the expression of the music. The thesis includes a study of the historical background of the Romantic period, as well as instrument development in this period. Analyses are made of the music considering techniques only where they are new techniques which considers the expressive reasons lying behind the new styles of writing. Treatises, violin methods, as well as modern studies are examined and compared in order to determine the development of violin techniques specifically in the period. This study is an investigation of both the written literature and the experiences of playing Romantic violin pieces in five concert situations, conducted over a time span of four years. The first concert presented a programme of German composer Robert Schumann’s Violin Sonata No. 1 in A minor Op. 105; with French composer Camille Saint-Saёns’ Havanaise Op. 83; and also Fritz Kreisler-‘Pugnani’s’ Praeludium und Allegro. The second concert presented a programme of Schubert’s Sonata in A major Op. 162 and Prokofiev’s Sonata No. 2 in D major Op. 94a. The third concert presented a programme of Brahms’ Sonata No. 3 in D minor Op. 108 with Tchaikovsky’s Three Pieces Op. 42. It also included Ravel’s Tzigane. The fourth concert programme presented Beethoven’s Piano Trio No. 1 in D major Op. 70, commonly called “The Ghost”. The fifth concert presented a programme of Brahms’ Sonata No. 1 in G major Op. 78 and also the Sonata No. 2 in A major Op. 100. In addition his Sonatensatz (Scherzo) in C minor was performed. For each of these concerts, the researcher made written reports detailing the reasons behind the choice of each piece, the place of the piece in the context of the research and an examination of the effectiveness of the concert recital programme. The reports included notes on the mastery of the different new violin techniques required to play the piece with an historic awareness. As evidence of this, each concert was recorded onto compact disc audio format. The reports were used as a basis for the accompanying Guide to Performance. This is a work of critical analysis and aims to give a record of the progress of the research through performance. It documents the gradual discovery of how the historical theory can be realised in practice and provides a rationale for the techniques and strategies adopted in the creative component. The appendices include lists of repertoire and composers of the period, a chart of significant events from the period relating to the violin, and a chart of some of the key genealogical relationships in violin pedagogy. The investigation of violin techniques of Romanticism produced a number of major results. One important finding suggests that there are solutions to the difficult technical passages, which require an understanding of the historical context and literary background. In summary, this research produced findings which are of significance to violin educators and advanced violin students.