本篇論透過文分析公民社會在台灣民主化過程所扮演的腳色來檢視國家與社會的互動；並聚焦於太陽花運動分析台灣後民主化時期公民社會的崛起。 / This dissertation seeks to examine the state-society relations in Taiwan through analyzing the role of civil society in different stages of Taiwan’s political development with a focus on the impact of the Sunflower Movement in March 2014 on Taiwan’s state-society relations. The Sunflower Movement is viewed by some observers and commentators as a significant sign of a (re-)rising civil society in Taiwan since the process of democratization was completed in the 1990s. Civil society, in the explanations of modernization theory, played a crucial role in Taiwan’s political transition from authoritarianism to democracy. However, civil society, as an important sphere for the contestation and formation of public consciousness, which is essential to democracy, seems to cease to play its democratic role adequately since the country had its first regime change when the major opposition party, the Democratic Progressive Party (the DPP) took power from the ruling Kuomintang (the KMT) in 2000. Drawing upon civil society theories in relations to the role of civil society in the democratization process and in a democratic, this study aims to pursue the question as to how exactly the Sunflower Movement impact on the state policies and democratic discourse in Taiwan.

本研究針對 2014 年 3 月至 4 月期間的太陽花運動三大事件（佔領立法院、衝進行政院、以及凱達格蘭大道集結）作個案研究，採質性研究的深度訪談法和資料蒐集法取得研究資料，援引 Bruno Latour 的「行動者網絡理論」（Actor Network Theory）概念進行分析，探討大眾媒體與另類媒體在當代政治抗議場域裡，如何以現有傳播科技做創新使用與傳播實踐，而科技和人的互動又如何對訊息發布與呈現方式造成影響，勾勒出人人皆可參與的政治抗議情境之下，傳播行動者如何受新舊媒體模式交織影響。 / This paper traces the contemporary hybrid media network in a Taiwanese political protest context, focusing mainly on the 2014 Sunflower Movement (also known as “Occupy Parliament”) in Taiwan. The proliferation of digital media use in this protest, makes it a significant case study in regards to finding the complex media networks of tech-savvy activists and mainstream media at work in recent political protests. To answer the complex nature of this network, this paper employs Actor Network Theory (ANT) as a framework to depict the evolving media network of contemporary political protests in Taiwan through first-hand accounts of alternative media activists and mainstream journalists. This research conducts a set of qualitative interviews with heterogenous actors who participated in the Sunflower Movement. Additional data is collected from online documents of the event. In the end, the research seeks to answer the following questions: How do new and old media form links through technology and digital tools in modern political protest? What is the nature of the associations formed and how do the associations impact the existing news ecology in political protests? Further providing an empirical account of transforming protest media networks in action in a political protest context.