電視新聞利用剪接將影像轉化成為敘述工具，由於剪接者手法上的差異，使得電視新聞可以利用不同的方式來敘述故事。這種多元的敘事風格，讓觀眾可以透過不同的影像形式抒發情感，其中「感動」是電視新聞中最常運用之情感效果。因此，本研究主要針對電視新聞中的影像與其引發感動的原因作為研究重點，以電視新聞專題做為研究對象，而發展出以下三個問題：一、電視新聞專題中的感動：要素為何？二、電視新聞專題畫面如何表現感動要素？三、電視新聞專題的剪接如何表現感動？ 由於感動是一個心裡描述的過程，任何的情緒皆無法透過數字來檢視它的強弱程度，因為它的形成過程中有許多複雜的因素，這些都必須藉由參與者的描述才可以得知。而感動的面貌隱藏於影像之中，電視新聞中的感動影像也不可能經由問卷中的量表來制定。因此本研究採用質性研究之深度訪談與文獻分析作為研究工具。 電視新聞中的感動藉由影像的敘述方式來呈現，透過訪談與分析，本研究得到以下結論：一、電視新聞以影像作為表達情緒的工具，利用既有的新聞故事，透過當中的人、事、物將情感展現出來，其中的感動來自於真實的情感與人物之間彼此的互動。二、影像利用剪接串聯情感時，必須強調其中的因果關係，沒有因果關係的影像，不會讓人感動。三、除了因果關係與共同經驗外，美也是造成感動的因素之一。在許多的藝術形式中，美經常被用來製造感動，影像當然也不例外，在電視新聞當中，美感的塑造是在既有敘事結構之外的影像運用。四、感動來自於一個有系統的故事，任何片段的感動，必定由其結構性的故事情節所引起，而一個故事能夠透過影像完整呈現，依賴的便是剪接。 關鍵字：電視新聞、影像、剪接、感動 / The image of television news is presented by editing. Because of the different techniques of editors, television news could be presented in various ways. The diversified modes of image allow the audience to off-load their feelings. To move them is the frequent technique used. This research focuses on the special television news subject.The researcher attempts to figure out the reasons that image evoke feeling. There are three main topics. One topic is to find out what is the element of touching in special television news subject. Then the following is to analyze the elements. Finally, the researcher tries to find out how the editing expresses affection. Touching is the process of inside description. The feeling is impossible to examine the degree by figures. The constructing process includes of many complicated factors, which have to be expressed by the actors. Furthermore, because the touching is concealed from the image, the touching image is not possible to quantify by questionnaire. The research proceeds by interview and document analyze. Touching of television news is presented by the expressing of image. By interview and analyze, this research concludes in four aspects. First, image is the instrument to express emotion in television news. A news story is constructed by the events, the actors, and the objects. The touching comes from the interaction of all the subjects. Second, editing has to emphasize on the cause and effect to connect the feeling. Without the emphasis, the image is not touchable. Third, in addition to cause and fact and the common experience, beauty is the important factor to touch people. In many forms of arts, beauty is applied to evoke emotion. Image is no exception. In television news, the application of beauty is beyond description. Finally, touching is evoked from a systematic story. Any part of touching must have arose from the constructive plots. A story which can be presented in complete relies on the editing. Keywords: television news、image、editing、touching

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談到族群形象，每個人都抱持對該特定族群的既有框架，也就是刻板印象。Walter Lippmann(1922)在《輿論》中認為刻板印象之所以產生，在於人類認知過程有限，以及受到人們的文化所界定，僅能對真實世界做部分挑選，而形成不完整與不精確的圖像，而這些刻板印象往往是受到不輕易改變的信念所支持。 媒體被認為是反映真實(reality)世界符號的工具，於是有媒體再現；而掌握媒體者，在再現的過程中扮演主導與過濾的角色。身為閱聽眾，從他人的框架看世界，限縮自己對各種事物發展的可能性，當然也可能會產生偏差。 本研究即透過內容分析了解由客家委員會委託八大電視台製播之《感動石客》中所呈現的客家形象，其中形象的探究分為傳統文化、族群特質、族群關係與當代生活四個部分；以及探討於宣導節目中如何置入、呈現文化。 研究發現《感動石客》大量使用當代、創新的表現方式改變舊有客家印象，例如新科技與新音樂形式；也持續強化既有的客家族群正面文化特質，如硬頸、勤儉、不忘本等。此外，也以紀錄片方式執行政府宣導影片，故事化客家族群，並持續落實族群融合。 對製播電視公司的建議是：主題分類更明確，「小題大作」聚焦報導，呈現深度以突顯特色。並透過「說故事」增加閱聽眾黏著度，更可以幫助老題材切入新角度。 對未來客家文化置入節目的建議，除了風情文化外，更可結合行政管理層頂客家相關政策宣導，以及增加非客籍受訪者以多元呈現客家文化所向披靡的之成效。

臺灣目前共有七家宗教頻道，而慈濟所屬的大愛電視，自1998年成立後，透過衛星播出，遍及全球，現已成為全球華人世界第二大電視臺（僅次於大陸中央電視臺）。不過到底是宗教臺？或是公益頻道？證嚴法師言明大愛電視不是以宗教立場為出發點的電視媒體經營。因為在她的解讀中，每個人都須要有宗教的依靠；「宗」是生活的宗旨，「教」是生活的教育。慈濟號稱有五百萬以上的會員，志業範圍遍及全世界近50個國家，其組織與義工型態發展，點點滴滴都在累積社會信任的資本。 大愛電視有四套關於證嚴法師的節目，本研究以即時性最強，且兼具紀實教育功能的《人間菩提》節目收視作為研究對象；運用接收分析理論，採取質化方法研究，先抽選《人間菩提》兩集主題進行分析；接著以深度訪談方式，訪問八位觀眾。這些觀眾對慈濟事務，有高涉入和低涉入的差異；觀看節目也有高收視和低收視之不同，藉以瞭解不同背景的觀眾如何透過《人間菩提》這樣的節目，去建構日常生活中對社會真實的解讀與詮釋；並瞭解當觀看《人間菩提》節目，出現感動反應後，如何產生收視之後續行動。 本研究發現，《人間菩提》節目對觀眾而言，確實具有其宗教價值與行善助人雙重元素，但不會讓觀眾認為它是傳統印象中的宗教節目，反倒能連結至受眾個人的情感與生活體驗，帶動出一股慈善力量的動能。 / In Taiwan, there are seven local religious channels, DaAi TV is owned by the Tzuchi Foundation. DaAi TV was established in 1998. Through satellite broadcasting, it has already become the second largest television station among the global Chinese population. (next to the Central Committee Television in the mainland China). The Tzu Chi Foundation is a volunteer-based, nonprofit, spiritual and welfare organization that was founded in 1966 by Dharma Master Cheng Yen. For over 40 years, the Foundation has been contributing to improved social and community services, medical care, education, and humanism in Taiwan. Tzu Chi is an international organization with over 5 million supporters. Today, Master Cheng Yen's influence on the world is revealed through inspiring stories. There are four different programs about Master Cheng Yen on DaAi TV. The change Cheng Yen attempts to initiate in society begins with the individual. Among the four programs, the content of “Life Wisdom" is the most direct. Master Cheng Yen provides “living wisdom" daily for 12 minutes. The wisdom is a record of actual events and it is updated daily. This research adopts reception analysis, thorough interviews to understand how the audience watches this type of religious program. Further, it studies the manner in which the audience interprets the content and applies it in their daily lives, in order to construct a perspective of the real world. The present research also examines the reactions of the audience upon watching the program and the manner in which the act of watching Life Wisdom influences the larger community to work toward the betterment of society.