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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Related photographic problems in the production of a 16mm health motion picture filmWilkinson, John January 1952 (has links)
Thesis (M.S.)--Boston University / The problem presented in the production of the
motion picture film with which this thesis is concerned
was that of conveying through the medium of the motion
picture the idea that the function of a local health
department is to serve the citizens of the community,
and in order that it may better serve them, it is necessary
for the citizens to understand and help the
health department to perform its function -- giving the
community better health.
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No titleHenderson, Tamara January 2012 (has links)
The thesis is divided into an index: it looks at dream beds, hästens, film and sculptures relationship and systematic techniques I employ to make work. INDEX IN THE BANK AND AT THE ZOO CUCUMBER--------DAM THE HAT BRIM ON THE FUNERAL HOME ELIMINATE THE ENDLESS ÄGGULOR I SKAL ANONYMOUS LOAN
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Histoire du cinéma thaï de 1945 à 1970 : l'ère des fictions populaires en 16mm / A history of Thai cinema from 1945 to 1970 : the era of 16mm popular fictionsHerrera, Aliosha 28 November 2016 (has links)
Les années 1950 et 1960 apparaissent comme deux décennies d’intense effervescence dans le champ du cinéma thaï. L’adoption, à l’issue de la Seconde Guerre mondiale, du format 16mm par une nouvelle génération de cinéastes donna lieu à l’essor d’une production cinématographique très populaire dans le royaume. Alors que les comédies musicales réalisées par les fondateurs pionniers de la compagnie Phaphayon Siang Si Krung jusqu’en 1941 semblaient promettre la pérenne hégémonie d’un véritable « Hollywood du Siam », ces fictions joyeusement rhapsodiques, filmées avec des moyens de fortune et accompagnées en direct par la légendaire faconde de doubleurs professionnels, rencontrèrent un vaste public de Bangkok aux plus lointains villages de province, dans le cadre de projections en prolongement direct avec les spectacles mixtes d’antan. La disparition accidentelle, le 8 octobre 1970, de l’acteur Mit Chaibancha au cours du tournage d’Insi thong [« L’aigle d’or »] mit cependant un brusque terme à cette expérience, singulièrement tardive, de cinéma oral. La récente constitution d’un fonds d’archives à la Cinémathèque thaï a permis la mise à jour de riches vestiges de cette bien nommée « ère du 16mm ». Cette recherche se propose comme une première tentative historiographique pour exhumer ce patrimoine visuel, à la fois ancré dans la tradition dramatique siamoise et apparu dans le contexte d’une dictature militaire placée sous la complexe influence de son allié américain en ces années de Guerre Froide. / The 1950s and 1960s appear as two decades of intense effervescence in the field of Thai cinema. In the immediate aftermath of the Second World War, the adoption of the 16mm format by a new generation of filmmakers gave rise to a very popular cinematic production in the kingdom. Whereas the musicals directed by the pioneer founders of the Phaphayon Siang Si Krung company until 1941 seemed to promise the perennial hegemony of a real ‘Hollywood of Siam’, these joyously rhapsodic fictions, filmed with makeshift means and accompanied live by the legendary loquaciousness of professional dubbers, encountered a broad public from Bangkok to the most remote provincial villages, within a screening framework stemming directly from earlier mixed shows. Nevertheless, the accidental disappearance of the actor Mit Chaibancha on the 8th of October 1970, during the shooting of Insi thong [« The golden eagle »], put an abrupt end to this singularly belated experience of oral cinema. The recent composition of an archival fund at the Thai Film Archive permitted the bringing to light of rich vestiges from this well-named ‘16mm era’. This research is a first historiographical attempt to exhume this visual patrimony, both embedded in the Siamese dramatic tradition and generated in the context of a military dictatorship that came under the complexe influence of its American ally during these Cold War years.
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Little PaintingsLand, Robert William 01 January 2006 (has links)
Little Paintings is a document that describes the creation, influences and process of two films, "Betty Creek" and "New Berlin". The films are personal responses to my experiences growing-up and living in the Southern United States. The Thesis illustrates the influences of painters such as Jimmie Lee Sudduth and Willie Jinks and how their raw painting methods inspire the development of my films using a tactile approach to filmmaking.
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Cinema e filosofia : Um estudo da narrativa cinematográfica maranhense das Jornadas por meio da tríplice mímesis / Cinema and philosophy: A study of the Maranhão cinematographic narrative of the Days through the threefold mimesisCosta, Alexandre Bruno Gouveia 26 October 2015 (has links)
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AlexandreBrunoCosta.pdf: 1706287 bytes, checksum: 26afdd10399a7c0b581420813a86df96 (MD5)
Previous issue date: 2015-10-26 / This dissertation results of research on the Maranhão audiovisual production comprising the late 70's and part of the 80s, for we include production in Super-8 and 16mm, respectively: Periquito Sujo (1979), Greve da meia passagem (1979-1980), Quem matou Elias Zí? (1986), Bandeiras Verdes (1988) in order to investigate the potential for communicability and representativeness of these works to maintain a cinematic identify from the methodology based on the triple mimesis and construction of narrative identities. Empirical research framework Maranhão film works are awarded on the issues of cinematrographic Days, important movement for the construction and maintenance of Maranhão cinematic narrative identify. From the triple mimesis concept endorsed by Paul Ricoeur (2012), you can understand how filmic narratives that pass for ethical reasons, begin in broader terms of social and cultural environment insertion of the events narrated and only complete in the times of reading, this visual event, with effective participation of the viewer. / Essa dissertação resulta da pesquisa sobre a produção audiovisual maranhense que compreende o final da década de 70 e parte da década de 80, por incluirmos produções em Super-8 e em 16mm, respectivamente: Periquito Sujo (1979), Greve da meia passagem (1979-1980) e Quem matou Elias Zí? (1986), Bandeiras Verdes (1988) com o objetivo de investigar o potencial de comunicabilidade e de representatividade destas obras para a manutenção de uma identidade cinematográfica a partir da metodologia com base na tríplice mímesis e na construção das identidades narrativas. O referencial empírico da pesquisa são obras fílmicas maranhenses premiadas nas edições das Jornadas cinematográficas, movimento importante para a construção e manutenção da identidade narrativa cinematográfica maranhense. A partir da tríplice mímesis, conceito referendado por Paul Ricoeur (2012), será possível compreender como as narrativas fílmicas, que passam por questões éticas, têm início nas condições mais amplas do entorno social e cultural de inserção dos acontecimentos narrados e somente se completam no momento da leitura, neste caso visual, com a participação efetiva do espectador.
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Laserový projektor titulků / Laser subtitles projectorRemeš, Adam January 2016 (has links)
The content of this work is the design and implementation of HW supported by SW for viewing subtitles into the movie, which translates from the projection equipment on 16 mm film, synchronizing subtitles with the movie, at the same time the work also addresses the issues of principle changes the distance of the canvas. Subtitles are loaded by using the SD card slot control by using the control, which is used to display graphics monochrome buttons that are also used for setting the device and its modifications.
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Nové metody záznamu a reprodukce optické zvukové stopy 16mm filmu / New Method of the Optical Record and Reproduction of the 16mm Film Sound-TrackVacula, Richard January 2016 (has links)
The work deals with the recording and reproduction of sound tracks on 16mm film and with old forgotten film optic sound technologies, as well as plans experiments and research, which examines possible methods for reading and writing tracks using modern optoelectronic devices. The final output is intended to drive the writing negative audio (analog and digital) on the photosensitive material and design of the device for synchronous playback of digital audio tracks from an external memory card. The work is done in collaboration with film laboratories Barrandov Studio a.s. and Meopta-Optika, spol. s r.o.
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Conditional Truths: Remapping Paths To Documentary 'Independence'Lang, Ian William, n/a January 2003 (has links)
(Synopsis to introductory statement): An introductory statement to five documentary films made by Ian Lang in Australia between 1981 and 1997 exemplifying a 'democratising' model of sustainable and ethical documentary film production. This document critically reflects on the production process of these films to accompany their submission for the degree of Doctor of Philosophy by Publication at Griffith University. It finds that a contemporary tendency towards 'post-industrial' conditions allows an observational film-maker to negotiate a critical inter-dependence rather than a romantically conceived 'independence' traditional to the genre. [Full thesis consists of introductory statement plus six DVD videodiscs.]
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