In this thesis the constitutional policies of the three Commoner Estates (Priests, Burghers and Peasants) of the Swedish Riksdag between the years 1660 and 1682 is examined. While many previous historians have focused on the power-struggle between the Crown and the nobility, the Commoner Estates have been presumed to be staunch supporters of absolutism. I argue that the picture is far more complex. Case-studies of a number of political negotiations that concerned the distribution of political power show that the Commoners were flexible in their constitutional policies. When they sensed they were in a strong position, they were explicit in their demand for a say in political decisions. But when they were weak, they were deferential to the government. If there is one constant in their policies it is not blind reverence to royalties: the thesis show that they could sacrifice the interests of powerless members of the royal family in favour of security and defence of Protestant faith. In comparison, the Commoners were more eager to protect the rights of their own Estates and of the Riksdag as a whole. One important feature of Commoner politics was the willingness of Priests, Burghers and Peasants to co-operate, which sometimes made them quite influential. In the thesis the relations between the Estates are examined. I also have endeavoured to examine the political institutions, the rules that governed politics in the Riksdag during the period. It is observed that the institutional structures were quite complex and unclear, which gav an advantage to well-oriented Estates like the Priests and the Nobility in comparison with the Peasants. The Priests also was the best organized Estate of the Commoners. Other factors that favoured the clergy was that they were led by politically experienced bishops; that they had common privileges that all priests were interested in defending; and that they were strengthened and united by their religious ideology.

Thesis (PhD) -- University of Stellenbosch, 2000. / ENGLISH ABSTRACT: The secular songs of John Blow (1649-1708): An Edition The aim of this thesis is to assemble the 109 secular songs of John Blow in one anthology, to transcribe them into modem notation and in doing so to make them accessible for modem use and further research. A significant feature of this collection is a group of 13 songs which have not been printed previously and which are available only in manuscript form in special collections in Great Britain. Other songs published during Blow's lifetime are likewise found in special collections which are not accessible to the public. Many of these songs are hard to decipher because of ageing. In some cases the paper is so thin that the notes show through from the back to the detriment of readibility. Where the manuscripts as well as contemporary publications exist, significant comparisons could be made, e.g. with In vain, brisk God of Love (vol. 2: 147) where the MUMS 118 manuscript could be compared with the published version in Choice Ayres and Songs printed by Godbid and Playford (jnr) in 1683. An important 'discovery' was finding that an autograph manuscript, Ah me, undone! (Lhl Add. 31457), does not comprise an individual song as listed by Watkins Shaw (1980), but an excerpt from the song Happy the Man who languishing (1700). This made it possible to compare an original manuscript by Blow with a publication of the same song by Playford. The 20th century has seen renewed interest in Blow's work: Frederick George Edwards (1902) and William Cummings (1908), in particular, started this revival in interest. Harold Watkins Shaw took the lead from 1936 and Leland Clarke (1947) was responsible for the next phase. Since 1975, Bruce Wood has been the main researcher of Blow's anthems. Anthony Rooley, director of the Consort of Musicke in London and Peter Holman, director of the Parley of Instrument, have contributed greatly to the recent (1987-1999) revival of interest in Blow's music with their performances and recordings making use of original instruments. This thesis, as well as my Master's thesis (Grobler 1993), forms part of the most recent stage of research into Blow's works. Volume 1: In the first chapter of the thesis the secular song of the English Restoration (1660- 1714) is presented in perspective. Blow's stylistic characteristics as they manifest themselves in his secular songs are discussed. The criticism that this style evoked from music critics through the years, especially Charles Burney (1726-1814), is put into historical perspective. Stylistic characteristics of the song, the influence of French and Italian vocal music, as well as the strong influence of Charles II's preferences on . court composers' music, are highlighted. The function of the song in Restoration society is discussed. In the second chapter Blow's contribution to the different song types are discussed in detail: the solo songs, songs for two voices and dialogues, songs for more than two voices and songs for incidental theatre music. The editorial process followed in transcribing the songs is explained. This is based on the methods suggested in Caldwell (1985) and described in the Musica Britannica. A discussion of the performing practice of the song contributes towards understanding the Restoration song. The textual commentary deals with aspects, such as notation and provides more information about the manuscripts and publications which form the basis of this investigation. A systematic index of sources and songs is provided. Volume 2: In this volume the 109 songs are presented chronologically in modem edited form. The songs reflect the original manuscript or publication as clearly as possible; old English spelling has been retained but archaic English letter forms have been modernised. Clef signs, time signatures, and key signatures, as well as accidentals, have been used according to modem practice. The figured bass is given as featured in the sources and is not realised or expanded. / AFRIKAANSE OPSOMMING: Die sekulêre liedere van John Blow (1649-1708): 'n edisie Die hoofdoel van die proefskrif is om John Blow se 109 sekulêre liedere toeganklik te maak vir uitvoerings- en navorsingsdoeleindes deur hulle vir die eerste keer as een versameling bymekaar te bring, getranskribeer in moderne musieknotasie. Van besondere belang is die insluiting van dertien van Blow se liedere wat nog nie voorheen gepubliseer is nie en slegs in manuskripvorm in spesiale versamelings in Engeland beskikbaar is, en liedere wat wel tydens Blow se lewe gepubliseer is, maar eweneens nie toeganklik is vir die algemene publiek nie. Die leesbaarheid van sommige liedere word bemoeilik as gevolg van die ouderdom en toestand van die papier. In 'n paar gevalle is die papier so dun dat die agterste notebeeld deurslaan en die leesbaarheid erg belemmer. Waar 'n manuskrip en kontemporêre weergawe van 'n lied bestaan, kon betekenisvolle vergelykings getref word. 'n Belangrike 'ontdekking' wat gemaak is, is dat die outograaf-manuskrip vanAh me, Undone (Lbl Add. 31457) nie 'n afsonderlike lied is soos wat Watkins Shaw (1980) dit gelys het nie, maar 'n gedeelte is van die lied Happy the man, who languishing (1700). Dit maak dit moontlik om in dié een geval Blow se oorspronklike komposisie te vergelyk met Playford se gepubliseerde weergawe daarvan. Dit is eers gedurende die twintigste eeu dat belangstelling in Blow se musiekgeleidelik begin posvat het. Frederick George Edwards (1902) en veral William Cummings (1909) het 'n belangrike rol in die Blow-herlewing gespeel. Harold Watkins Shaw neem vanaf 1936 die leiding met Leland Clarke (1949), 'n Amerikaner, wat die die volgende fase verteenwoordig. Bruce Wood staan vanaf 1975 aan die voorpunt met sy navorsing oor Blow se Anthems. Anthony Rooley, direkteur van die Consort of Musicke in Londen asook Peter Holman, direkteur van die Parley of Instruments het vanaf 1987 met hulle uitvoerings en opnames 'n groot rol gespeel om Blow se musiek weer aan die publiek bekend te stel. Hierdie tesis, asook my Magister-verhandeling (Grobler 1993) vorm ook deel van hierdie nuwe belangstelling in Blowen Engelse Restourasie-musiek. Volume 1: In die eerste hoofstuk word die sekulêre lied van die Engelse Restourasie-era (1660- 1714) in perspektief geplaas. Saam met 'n bespreking oor bydraes van John Blow, Henry Purcell en hulle tydgenote tot die genre, word die ontwikkeling van die lied en uitvoeringspraktyke daarvan krities ondersoek. Terselfdertyd word insae verkry in die' tydgenootlike liedpublikasies in Engeland gedurende die laat 17de en vroeg 18de eeu. Daarna volg 'n bespreking van Blow se styleienskappe soos dit veral in die sekulêre lied manifesteer. Kritiek wat Blow se werkswyse deur die eeue van musiek-kritici soos bv. Charles Burney (1726-1814) uitgelok het, word in historiese perspektief geplaas. Blow se bydrae tot die verskillende liedtipes word breedvoerig bespreek: die sololied, die twee-stemmige lied en dialogue, die lied vir meer as twee stemme en die lied as bykomstige teatermusiek. Die styleienskappe van hierdie liedere, die invloed van die Franse en Italiaanse vokale komposisies en die sterk invloed wat Charles II se voorkeure op die hofkomponiste se musiek gehad het, word uitgewys. Die funksie van die lied in die destydse samelewing kom ook onder die loep. Die redaksionele werkswyse wat gevolg is met die transkribering van die liedere is gebaseer op moderne benaderings tot dié veld soos Caldwell (1985) dit voorstaan en toegepas word in die Musica Britannica (1953, 1993, 1996). 'n Bespreking oor die uitvoeringspraktyk van die lied wil 'n bydrae lewer tot die begrip van die term 'Song' soos dit in die Restourasie-tydperk verstaan is. Die tekstuele kommentaar lig aspekte soos notasie in die liedere uit en gee toeligting oor manuskripte en publikasies wat die ondersoek ten grondslag lê. Ten slotte word al 109liedere, asook liedmusiek, en -publikasies in 'n sistematiese indeks saamgevat. Volume 2: In dié volume verskyn die 109 sekulêre liedere chronologies in moderne geredigeerde vorm. Die liedere word sover moontlik weergegee soos dit in die oorspronklike manuskripte en publikasies voorkom: die ouer Engelse spelling word behou maar argaïese lettervorme is gemoderniseer. Sleuteltekens, tydmaattekens, toonsoorttekens en skuiftekens is in ooreenstemming met huidige praktyke. Die besyferde bas IS weergegee soos dit in die bronne voorkom, en is nie aangevul of gerealiseer nie.

This thesis explores the commercial links between Scotland and France in the long seventeenth century, with a focus on the Scottish mercantile presence in France’s Atlantic ports, particularly during periods of domestic and international upheaval. This study questions long-held assumptions regarding this relationship, asserting that the ‘Auld Alliance’ continued throughout the period, despite the widely held belief that it ended in 1560. Such assumptions have led scholars largely to ignore the continuing commercial relationship between Scotland and France in the long seventeenth century, focusing instead on the ‘golden age’ of the Auld Alliance or the British relationship with France in the eighteenth century. Such assumptions have been fostered by the methodological approaches used in the study of economic history to date. While I acknowledge the relevance of traditional quantitative approaches to economic history, such as those pioneered by T. C. Smout and which continue to be followed by historians such as Philipp Rössner, I follow alternative methods that have been recently employed by scholars such as Henriette de Bruyn Kops, Sheryllynne Haggerty, Xavier Lamikiz, Allan Macinnes and Steve Murdoch. These scholars have pioneered methodologies that prioritise private sources, allowing us to delve into the motivations and actions of the individuals who actually effected trade, be they merchants, factors, skippers or manufacturers. The core of my research has therefore entailed the discovery and use of previously untapped archival material including account books, letter books and correspondence, which illuminate the participation of these individuals in international trade. Such a study, while filling a specific gap in our understanding of Scotland’s overseas relations, applies a more social methodology to this topic, suggesting that scholars’ approaches need to be fundamentally altered if we are truly to understand the whole picture of Scotland’s, or indeed any nation’s, commercial relationships or wider economic position.

This thesis concerns Catholics in north-western England in the late seventeenth and early eighteenth centuries, in particular the Layburne family of Cunswick, Cumbria. It examines their role in local society and at the courts of the Stuart queens in London and St Germains. It traces their growing commitment to the Jacobite cause and their hopes of thereby regaining positions of influence at court and in the country. The north-western Tory gentry's sympathy with their Catholic counterparts is contrasted with the treatment given to the Quakers in the same area. The latter were regarded as a danger to the fabric of society, representing an economic and political threat to the government. As an example of how integrated the Catholics were, the services in Kendal parish church were more Papist than non-conformist, even under the Protectorate. At the Restoration the Catholics continued to contribute to the upkeep of the church and were well-regarded in the area. The Layburnes occupied positions during the reign of James II, both in the north-west and at court. Bishop John Laybume acted as James II's Catholic bishop, and had also been involved in the Secret Treaty of Dover in 1670, under Charles II. during James II's reign bishop Layburne had organised the funding of Catholic chapels, clergy and education. This activity was discovered and used in the prosecution of Catholic gentry in the trials following the Lancashire Plot (1694). On acquittal, the Jacobites vigorously renewed their plotting in Lancashire. Planning for a Jacobite invasion reached its culmination in the 1715 Rising, only to end with the siege of Preston. Despite some executions and the forfeiture of estates, many Catholic Jacobite families survived the 1715 rising. Few rose in 1745 and many Catholic families, with the exception of the Layburnes, prospered and continue to this day.

This dissertation examines audience, intention, and rhetoric in the writings of Blaise Pascal and Simone Weil. Despite the differences in historical period, ethnic heritage, sex, and milieux, which separate them, these two writers are astonishingly similar with regard to those for whom they wrote--audience--the subject matter of their writings--intention--and their skilled and self-conscious use of language in addressing their audiences and themes--rhetoric. Each of them wrote scientific or philosophical works, and polemical works, intended for a certain public; each of them then wrote, in the final years of their short lives, long notebook or journal entries, a record of spiritual experience which has since been edifying to others besides themselves. The guiding principle here is the function of language. This means how it works (rhetoric), but also, for what purpose (intention) and for whom (audience). We find many metaphors of function in Pascal and Simone Weil. The motivating concern of this dissertation is how Pascal and Simone Weil articulate, through language, God's response to man's yearnings toward God.

L'historiographie musicale trouve dans la France de l'epoque baroque un champ ideal de developpement. Ce phenomene est lie a la conjonction de differents facteurs: le modele fourni par l'histoire generale, l'heritage humaniste, les mouvements polemiques, les tentatives de refonte de l'histoire de l'Eglise. Les musicographes, de Salomon de Caus (1615) a Jacques Bonnet-Bourdelot (1715), etablissent les fondements d'une critique historique et l'appliquent dans des ouvrages qui annoncent l'expansion de la musicologie a l'age des Lumieres.

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This thesis examines the impact of different customary manorial tenures on the land transfer activities of rural tenants between 1645 and 1705. The study of land transfer has formed part of the attempt by historians to establish how and why England developed from family-based subsistence farming into large-scale commercialised agriculture before many of its Continental neighbours. A key element in any study of land transfer is the property rights of those undertaking the transfers. England had a variety of customary tenures, and little research has focussed on how they operated and impacted on rural tenant transfer behaviour in the early modern period. This study uses evidence from eight manors in Hampshire with four different types of tenure to explore how they affected what land transfer options the tenants had, and how transfers were used to further family and economic objectives. The types of tenure were copyhold of inheritance; copyhold for three lives; copyhold for three lives where the first could act alone; and a form of customary freehold. The main documentary sources are manorial records augmented by parish, probate, survey and taxation material. The tenurial and landholding structure of the manors is established for 1645 using the Cromwellian Parliamentary Surveys of confiscated ecclesiastical estates. The analysis of subsequent tenant land transfers through to 1705 then examines their volume and any correlation with prices and population movements. The permanent transfers of death/inheritance and the inter vivos land market are analysed to assess the extent to which tenants were attached still to family, or taking part in an active extra-familial investment and sales market; and whether this led to changes over time in farm holding size and distribution. The temporary transfers of sub-letting of land and sub-tenure of dwellings are then analysed. The latter has not been studied before, and uses the Hearth Tax returns to compare occupiers of dwellings with formal tenants. Finally a detailed study of mortgages is made. Previous studies of the use of land as collateral for a mortgage loan have often overlooked the rural tenant as a participant in the credit market, and changes in the laws of usury at the end of the sixteenth century produced a significant uptake of mortgaging in the seventeenth, which makes this study timely. The research reveals that the tenants were very active with their transfers, but that the way in which they were active was determined by tenure. Those with copyhold of inheritance tenure had many options including inheritance, sale, mortgaging, sub-letting, splitting holdings, and conditional surrenders to provide for old age or several children. Those with copyhold for lives were restricted to after-death transfers, shuffling of reversion lives, or sub-letting. However, they adapted, and while Inheritance-tenured tenants adopted mortgages with enthusiasm, Lives tenants sub-let on a large scale. Both thereby acquired financial support from their lands, so that although the land-family bond was not absent, the bond was strongest in terms of using the land as an economic asset. The sub-letting of dwellings enabled Lives tenants to accommodate a landless workforce, where their tenure prevented the splitting of parcels for sale as manorial smallholdings. Aggressive accumulation of land was largely absent, and purchasers of land and mortgage lenders were overwhelmingly local. Some polarisation of holding size was found, but sub-tenure meant that actual farmed units were probably very different. It is concluded that differences in tenure significantly shaped the transfer behaviour of the tenants, so that any future research involving customary tenants must take tenure into account. However, their economic ambitions were found to be similar whichever tenure they had, so that they had to take different means to the same end.

This study is an examination of the differing and competing representations of the Scottish Covenanters that emerged from the signing of the National Covenant in 1638 to the publication in 1835 of The Tales of the Wars ofMontrose, by James Hogg. The disserttion researches representations of the Scottish Covenanters in thee centuies offictional and non-fictional texts, for example, seventeenth-centu sermons, eighteenth-centu chapbooks, and nineteenth-centu Scottish literatue, and it notes and examines the discordance in the various modes of literar discourse. The disserttion is aranged chronologically as the most logical method of tracing and demonstrating the discordance. An historical context is provided to each chapter and also within each chapter as necessar to explain and to situate the discourses under scrutiny within their contemporar climate. Chapter One examines representations of the Scottish Covenanters from the first signing of the National Covenant in 1638 to their disappearance from Scottish mainstream thing with the 'Glorious Revolution' in 1688-9. The chapter begins by examining the document known as the National Covenant and reveals how radically different it was from previous Scottish bonds of allance. The early Covenanters or 'Politick Chrstians' who attempted to promote and to live up to the spirtual and secular aims of the National Covenant were concerned to present a tre image of what it was to be a Covenanter. The Royalists and anti-Covenanters counteracted by detracting the movement though irony which revealed the inconsistencies of Covenanting priciples. The paper war of words included contemporar news sheets, privately circulated letters, broadsides and ballads. After 1660, when Episcopacy was reintroduced into Scotland literar representations of the Scottish Covenanters were, on the whole, denigratory as the Scottish Privy Council, with the full support of the English governent sought to prevent a repeat of the events of 1638. The satirical work of George Hickes is revealed as a crucial factor in the demise of the popularty of Covenanting. As the Covenanting movement became defensive rather than offensive the Covenanters counteracted with books and pamphlets such as Naphtali, that included declarations and 'last testimonies' of those convicted for treason after the Pentland Uprising in 1666. This chapter closely examines one of the published Covenanting sermons and reveals that it is inauthentic propagandist literatue. The representation of Scottish Covenanters in the crucial post-Bothwell/opish plotÆxclusion Crisis altered significantly. A comparison of the draft manifesto published by Royal Warant under the title, 'The Fanaticks New-Covenant', with a later document published by the 'United Societies' reveals that there were moderate Presbyterians after Bothwell Bridge who proposed upholding the Covenants. Their 'manifesto' was published alongside of the more violently rhetorical 'Sanquhair Declaration', which led to them being wrongly associated with the Cameronians. The final representation to be examined in this period is of the Cameronian historian, Alexander Shields. He portayed the Covenanters of the 1680s in apocalyptic tropes as a 'suffering remnant' in exile within their own countr. Chapter Two examines the discordant discourses of the eighteenth centu. The 'Revolution Settlement' of 1688-9 re-instated Presbytery and as the tables were tued, so the Episcopalian satirsts denigrated the Presbyterians by implying that all Covenanters were of a similar violent propensity as the Cameronians had theatened. The move towards Enlightenment away from the enthusiastic raptue of the seventeenth centu can be traced though these satircal representations which concentrated an accusation that Presbyterian preaching was ineffective and ridiculous. As Covenanting fell out of favour historians such as Robert Wodrow, and also the 'United Societies' as the Cameronians became known tued to apologia. Their accounts portayed the Covenanting movement of the later seventeenth-centu as entirely defensive. This was disputed by satirsts such as Pitcaire and Swift, and Enlightened historians such as David Hume. Towards the end of the eighteenth centu Reformed Presbyterians, as the Cameronians were now called, published major works which promoted positive images of the Covenanters. John Howie's Biographia Scoticana significantly altered the perspective of Covenanting. He depicted Covenanting as the natul successor of the Reformation in his hagiogrphical collection which begins with the mardom of Walter Mil in 1550. Overall, this chapter examines the way that representations of the Scottish Covenanters altered in the changing political, religious and intellectual climate of the eighteenth centu. Chapter Thee examines the literar representation of the Scottish Covenanters in the early nineteenth centu to 1807. Using Gerard Genett's Paratexts as a model the chapter examines the interplay between the text and the anotation in John Leyden's poetr and in his editing of John Wilson's poem entitled, Clyde, in the anotation and introductory material that Scott appended to five Covenanting ballads in the third volume of The Minstrelsy of the Scottish Border, in the anotation to James Grahame's long reflective poem entitled, The Sabbath, and finally, to the imitation ballad entitled, 'Mess John' in James Hogg's collection of 'traditional' material entitled, The Mountain Bard. The chapter situates the subjective editing practices of Scott into the contemporar political climate of a heightened revolutionar atmosphere engendered by the threat of war between the United Kingdom, and France and Spain. This chapter offers a revision of the poet, James Grahame. A close reading of The Sabbath, that is taen in context with his earlier suppressed anti-clerical and anti-Enlightenment poetry reveals that it is an anti-Establishmentaan, as opposed to purely reflective poem. Finally, in this chapter the notion of James Hogg as Scott imitator is rejected. A close reading of his ballad, 'Mess John' indicates his move from imitator to independent author. Overall, this chapter reveals that Scott revised representations of the Scottish Covenanters though an appropriation of eighteenth-centu pseudo-Covenanting and anti-Covenanting works. Chapter Four is a study ofScott's series of novels entitled, Tales of My Landlord that he published between 1816 and 1819. The chapter begins with a close examination ofScott's satirical representation of Reformed Presbyterians and dissenters in his first novel entitled, Waverley. After establishing Scott's anti-Covenanting tropes the chapter then proceeds to an examination of the novels from the series which constituted his most intensively derogatory treatment of Covenanters and their descendats. Takg Par's study of Don Quixote as an exemplar the chapter discovers the extent of Scott' s anti-Covenanting satire. As in the previous two chapters the contemporar political and religious climate is also discussed. Chapter Five examines the literar response to Scott's anti-Covenanting satire, and to the subjective editing practices of Charles Kirkpatrck Share. It suggests that the battle over the documenta evidence of Covenanting material signified the battle for authorial control that became the central concerns ofHogg and GaIt. The prose fictions of James Hogg, John Galt, Allan Cuningham and John Wilson are compared and contrasted. This reveals that Hogg had developed an entirely new paradigm of positively representing the Covenanters by acknowledging their heroism and fortitude while rejecting their violence and wild rhetoric. John GaIt's anti-romantic novel Ringan vu Gilhaize offered an inovative interpretation of historical reconstrction that appears to have been deliberately aimed at counterig Scott.

Why write music theory and publish it? In the thesis I investigate the reasons for a seeming over-abundance of practically oriented music treatises in early seventeenth-century Italy. Throughout I challenge our conventional assessment of the study of music theory: I suggest that we can define a music-theoretical text in terms of its material form in addition to its content. Adriano Banchieri (1568-1634) was the most prolific theorist in early seventeenth-century Italy. His music-theory books exemplify contemporary printing patterns, an overt practical focus, and a synthesis of contemporary theoretical innovations. In Chapter 1, after considering the meaning of 'music theory' and how it is typically classified, I discuss the process of and purposes for writing and publishing music theory. In Chapter 2 I explore Banchieri's practical and philosophical motives for writing music theory, and thus introduce the reader to his music-theoretical corpus. The focus of the thesis then broadens: in Chapter 3 I survey the typical authors, publishing houses, content, material form, function and readers of the various kinds of theoretical texts printed in Italy between 1600 and 1630. In Chapter 4 I examine the widespread practice of publishing second and revised editions of music-theory books in order to establish the extent to which a new edition corresponds to a seeming demand for a particular text. The case study of the paratext of Banchieri's Conclusiones de musica (Bologna, 1627) in Chapter 5 demonstrates the great extent to which the preliminary matter of an early Seicento music-theory book is embedded in its socio-cultural context and how a paratext projects ideas contained in the text proper. Lastly, in Chapter 6 I explore to whom and in which particular forums theoretical writings circulated. Here I focus principally on Banchieri's printed letters, which provide evidence of how an author circulated his music books.