Este trabalho relata a organização do meu processo de aprendizagem motora do Estudo Pour les Octaves de Claude Debussy. Nele, são descritos o planejamento, a implementação e a avaliação da prática através do modelo tripartido de Fitts e Posner (1979). A prática foi organizada da seguinte forma: a peça foi segmentada e foram definidos os movimentos necessários à sua execução através dos ciclos de movimento (PÓVOAS, 1999). O estudo da peça iniciou-se pelos segmentos, os quais foram gradativamente integrados. As sessões de prática foram documentadas através de relatos escritos e gravações em vídeo e algumas foram supervisionadas pela orientadora. Os dados coletados foram avaliados tanto ao longo da implementação da prática, quanto a posteriori, através de uma reflexão retrospectiva do processo.

Orientador: Paulo Dalgalarrondo / Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Ciencias Medicas / O exemplar do AEL pertence a Coleção CPDS, contendo dedicatoria / Made available in DSpace on 2018-08-03T18:12:34Z (GMT). No. of bitstreams: 1 Oda_AnaMariaGaldiniRaimundo_D.pdf: 104472016 bytes, checksum: 40eb6a4e0e9f86cbf60840520c74c544 (MD5) Previous issue date: 2003 / Resumo: Esta tese enfoca um aspecto da história da medicina brasileira, localizado no período inicial da constituição de suas especialidades, entre elas a psiquiatria e a medicina legal. De forma geral, o trabalho analisa as repercussões no Brasil de determinadas teorias médicas que relacionavam os conceitos de raça, mestiçagem, degenerescência e alienação mental. o ponto principal deste trabalho é o estudo da obra do médico maranhense Raimundo Nina Rodrigues (1862-1906), professor de Medicina Legal da Faculdade de Medicina da Bahia, que defendia a existência de particularidades nos negros e nos mestiços brasileiros, com relação à sua psicopatologia e à sua imputabilidade penal. Analisa-se a sua extensa produção científica, publicada no Brasil e no exterior, de 1890 a 1906. Como esta produção divide-se em várias áreas de interesse, a pesquisa privilegiou os seus estudos de psicopatologia comparada, em que os conceitos supracitados se articulam e se mostram em ação, na descrição de casos clínicos. Ainda que a tese se concentre nas idéias expressadas por Nina Rodrigues, destaca também um importante fundador da psiquiatria brasileira, o baiano Juliano Moreira (1873-1933), enfatizando as suas formulações sobre a não-ligação entre raça, degenerescência, neuropatologia e psicopatologia; em síntese, sua contraposição a Nina Rodrigues quanto às crenças na inferioridade mental inata do negro e no efeito negativo da mestiçagem, no caráter físico e mental dos brasileiros. A fim de contextualizar historicamente o instrumental teórico usado pelos autores citados, em dois capítulos preliminares se apresentam: as teorias raciais no século XIX, enfatizando a construção e a difusão do racismo científico; os desenvolvimentos teóricos dos alienistas europeus em torno das imagens da doença mental em povos ditos primitivos; e a evolução do conceito de degenerescência e suas propostas relações com a etiologia da alienação mental. Ao traçar a trajetória intelectual de Raimundo Nina Rodrigues e de Juliano Moreira evidencia-se que, a despeito de suas divergências, ambos trabalharam de maneira original as teorias vindas dos países europeus, caracterizando-se por uma postura epistemológica que valorizava a obtenção de conhecimentos a partir de pesquisas realizadas no contexto brasileiro. Os grandes debates internacionais do alienismo e da medicina legal da época, sob a óptica destes dois médicos brasileiros, deixam-se entrever em seus escritos. E ainda, ambos contribuíram significativamente para a consolidação de duas especialidades médicas no Brasil, a medicina legal e a psiquiatria, tanto na sistematização de seu ensino quanto nas práticas institucionais a elas associadas / Abstract: This thesis focuses on a specific aspect of the History of Psychiatry in Brazil, encompassing the period of its initial establishment as an autonomous medical discipline. It describes medical theories related to the concepts of race, mestization, degeneration and mental alienation. It is important to stand out that during the the second half of the XIX century the debate on the Brazilian nationality was associated to medical concerns on the supposed harmful consequences of miscegenation for Brazilians' future. Although the terms race and mestization were deeply associated to Brazil's image since the Colonial Period, they had reached a new status in the Iate XIX century. One could say that in the last quarter of the 1800's Brazil was defined by its races. The problem of the black and the mestizo reached a scientific status only after the abolition of slavery, when it was examined from the perspective of the degeneration theory and climaticlracial determinisms. Brazilian thinkers were then forced to face new theories coming from overseas, and obligated to discuss further the future of a mestizo people in a tropical climate. This study explores the work of Raimundo Nina Rodrigues (1862-1906), a professor of legal Medicine at the Bahia Medicine Faculty that defended the existence of idiosincrasies in black and mestizo Brazilians regarding criminal imputability and psycopathology. Nina Rodrigues' texts can be divided in four major categories of interest: (i) Tropical Medicine and Public Sanitary Organization; (ii) legal Medicine and Forensic Psychiatry; (iii) studies of Comparative Psycopathology; and (iv) ethnography of African people in Bahia state. The results presented herein emphasizes the studies of Comparative Psycopathology. The analysis was built on Nina Rodrigues' expressive scientific production, published in Brazilian and European journals. In order to examine a theoretical counterpart to Nina Rodrigues, regarding his argument of a negative effect of miscegenation on the physical and mental characteristics of Brazilians, the work of another important founder of Brazilian Psychiatry, Juliano Moreira (1873-1933), was also considered. Note that the expression mental alienation is used through the thesis with the same meanings it had to doctor and to common sense in the Brazilian Iate XIX century: a condition of individuais whose aberrant behaviors were socially troublesome, or that were regarded as dangerous for themselves or other, and in which it was possible to recognize some feature dissonant from rationality, the madness, at last. In other hand, the word race is composed of a particular set of meanings: a race is a section of humanity, biologically defined, whose members are identified by their physical aspect, that are supposed to be related to specific moral and intellectual attributes. In this context, hierarchy, progress and race were non-dissociable words. In tracing the intellectual trajectory of Raimundo Nina Rodrigues and Juliano Moreira it was made evident that, despite their divergences, both re-worked originally the theories coming from European countries, and both were marked by an epistemological position that valorized knowledge obtained from scientific researches carried out in the Brazilian context / Doutorado / Saude Mental / Doutor em Ciências Médicas

Orientador: Izabel Andrade Marson / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-24T10:38:48Z (GMT). No. of bitstreams: 1 Torres_ValeriaAparecidaRocha_M.pdf: 2867896 bytes, checksum: 531dcd3ca96f25991fae3913d7e86f32 (MD5) Previous issue date: 1998 / Resumo: Não informado / Abstract: Not informed / Mestrado / Mestre em História

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For this study, an analysis will be made of six of Edith Wharton's heroines: Lily Bart, the luxury-loving, aristocratic heroine of The House of Mirth, who was destroyed by her own class; Ellen Olenska, who neither lost nor sought an established place in New York society, since it belonged to her, and she stayed there by the sacrifice of instinct and happiness; Anna Leath, a typical product of puritan New York, who suffered from having learned so thoroughly the rules of her generation; Halo Tarrant, who took love into her own hands and defied society but felt the strength of the social convention which shuts out the woman who does not play the game according to the rules; Undine Spragg, the social adventurer, who represents ambition, which Mrs. Wharton had come to recognize as the dominant characteristic of the new woman of America; and Sophy Viner, an American girl who, yielding to temptation, is plunged into insecurity because she comes into contact with Anna Leath and the rules of her world.

The problem of this research is to determine whether or not O. Henry pictured the existing social conditions of the period in his New York stories and whether his characters are representative of people who actually lived at that time.

This thesis looks at the characteristics of Henry David Thoreau through his writings rather than through what other critics have written.