No abstract available. / Proefskrif (DLitt)--PU vir CHO, 1950

No abstract available. / Proefskrif (DLitt)--PU vir CHO, 1950

Thesis (Ph. D.)--University of Pennsylvania, 1937. / Published also without thesis note. Bibliography: p. 222-229.

Thesis (MHCS(Kultuurgeskiedenis)--Universiteit van Pretoria, 2003. / Includes bibliographical references.

Thesis (D.Mus.)-University of Pretoria, 2004. / Includes bibliographical references. Available on the Internet via the World Wide Web.

Please read the abstract in 00front part of this document / Dissertation (MA (Cultural History))--University of Pretoria, 2007. / Historical and Heritage Studies / unrestricted

Thesis (D.Phil.(Geskiedenis))--Universiteit van Pretoria, 2007. / Abstract in English and Afrikaans. Includes bibliographical references (leaves 368-378).

From Preface: This is not a history of the Boer War; nor is it an exclusively literary study of the poetry of that war. If the work that follows has to be defined generically at all, it may be called an exercise in cultural history. It attempts to assess the impact of a particular war on the literary culture, especially the poetry, of both the participants and the observers, whether in South Africa, in Britain and the rest of the English-speaking world, or in Europe. An assumption made throughout this study is that war poetry is not only verse written by men who are or have been under fire. Just as 'War poetry is not to be confused with political, polemical, or patriotic verse, although it can contain elements of all of these, so it is also the work of observers at home as much as that of soldiers at the front. It follows that I have not allowed myself the academic luxury of selecting, on the basis of literary merit only, a handful of outstanding war poems for rigorous analysis and discussion. "Doggerel can express the heart" wrote one of these late-Victorian soldierly versifiers, and I have roamed widely in the attempt to assemble the material which, I believe, records the full range of the impact that the Boer War made not only on Briton and Boer, but on the worId at large. A major thesis of this study is that the Boer War marked the clear emergence of the kind of war poetry which we have come to associate almost exclusively with the First World War. Poems in the style and spirit of "The Charge of the Light Brigade" were written in profusion, but the work which serves as this study's masthead, Hardy's "Drummer Hodge," clearly has --like many of its contemporaries-- more in common with Owen's verse than with Tennyson's. The reasons for the appearance of such poetry are discussed in Chapter 1; the rest of the book provides the evidence of it.

This dissertation deals with the efforts of the British forces to regain control of northern Natal from the Boers, during the second quarter of 1900. In March Boer forces had dug themselves in along the Biggarsberg. In early May a British force advanced on the Biggarsberg. Exploiting their numerical superiority and with a turning movement to their right, the British army forced the Boers to retire to the Drakensberg in the Majuba area. There followed a period of re-organisation and preparation during which General Buller attempted to persuade the Boers to lay down their arms. When this failed he launched another attack on the Boer defence line. In quick succession the British force gained success at Botha's Pass (8 June) and at Alleman's Nek (11 June). These reverses forced the Boers to retire from their Drakensberg positions and they thereby relinquished all control of Natal to the British forces / History / M.A. (History)

D.Litt. et Phil. / The Anglo-Boer War had a far-reaching impact on the Afrikaner community and on the relationship between the Afrikaners and the English. As a result of the Black segment of the population’s involvement in the war, either as involuntary victims or as collaborators with the English, the relationships between the various population groups was further complicated. For many years there was a distinction between them and us in the South African society. Irrespective of pleas for so-called nation building there remains distance and ignorance between the population groups in the country. This article portrays the relationship between the various population groups as represented in Afrikaans children’s books with the Anglo-Boer War as theme. Although most of the early books show a clear ethnocentricity, there is often also a corrective for the "nobleness" of "our side" and the "evilness" of "their side". Love affairs between people of different cultural groups, for example, were not possible in the early books, but it seems that more recent books want to bring about conciliation - also by means of the portrayal of such affairs. Just as most South African historians ignored the role and fate of blacks in the war for many years, no Afrikaans, and few English authors has really tackled the subject. Black characters usually move on the periphery of the war - usually as factotums of the English, but sometimes also as loyal subjects to the Boers.