The eighteenth century was a time of intense upheaval in France. The death of Louis XIV in 1715 and the subsequent reign of Louis XV saw the end of French political and martial hegemony on the continent. While French culture and language remained dominant in Europe, Louis XV's disinterested rule and military stagnation led to the disastrous defeat of the French army at the hands of Frederick the Great of Prussia in the Seven Years War (1756-1763). The battle of Rossbach marked the nadir of the French army in the Seven Years War. Frederick's army routed the French infantry that had bumbled its way into massed Prussian cavalry. Following the war, two reformist elements emerged in the army. Reformers within the government, chiefly Etienne François, duc de Choiseul, sought to rectify the army's poor performance and reconstitute France's military establishment. Outside the traditional army structure, military thinkers looked to military theory to reinvigorate the army from within and without. Foremost among the latter was a young officer named Jacques-Antoine-Hippolyte de Guibert, whose 1772 Essai général de tactique quickly became the most celebrated work of theory in European military circles. The Essai provided a new military constitution for France, proposing wholesale reform to create an army that could face the Prussian juggernaut. His star quickly rising, Guibert became the toast not only of literary Paris but all of Europe. Guibert exerted an overwhelming influence on military theory across Europe for the next fifty years. His military theories laid the foundation for the French army of the Revolutionary and Napoleonic eras. As other nations adopted French methods, Guibert's influence spread across the continent, reigning supreme until the 1830s. Guibert's importance to military theory is analogous to Voltaire's influence on European literature and culture, an area in which Guibert was not unfamiliar. Guibert was also a celebrated lover of women, most notably Julie de Lespinasse and possibly a young Germaine de Staël. To date, no work has been produced that provides a clear picture of the man, his place in society, his work, and his legacy. For these reasons, a study of Guibert's life and his career is a valuable contribution to French history.

This thesis contributes to continuing assessments of women writers and their political activities during the long eighteenth century. Analyzing works by Aphra Behn, Hannah More, and Anna Letitia Barbauld, I assert that these writers projected their voices into public affairs, and I explore their treatment of poetic forms. Through writing, they claimed equality with fellow authors and participated as equals beside the period's political leaders, debating about and commenting upon a wide array of concerns like the Glorious Revolution, the abolition of the slave trade, British military expansion, and religious and political liberties. This thesis argues that Behn, More, and Barbauld spoke as muses for the minority causes of their historical moment; their political-poetic participation further blurs the distinction between once held perceptions of the Habermasian public sphere.

This study analyzes the impact of eighteenth-century commercialization on the evolution of the English and southern American landed classes with regard to three genteel leadership qualities--education, vocation, and personal characteristics. A simultaneous comparison provides a clearer view of how each adapted, or failed to adapt, to the social and economic change of the period. The analysis demonstrates that the English gentry did not lose a class struggle with the commercial ranks as much as they were overwhelmed by economic changes they could not understand. The southern landed class established an economy based on production of cash crops and thus adapted better to a commercial economy. The work addresses the development of class-consciousness in England and the origins of Virginia's landed class.

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During the Baroque Era (1600-1750) many motets were written for one solo voice, representing a major departure from the polyphonic motet settings which had been produced since before 1250. The study traces the development of the solo motet from it s first appearance in the Centro concerti ecclesiastici of Lodovico Grossi do Viadana in 1602 up to 1750, when the style began to deteriorate along with the Neapolitan opera style.

The problem discusses the influence that tea trade between England and China may have had on eighteenth-century English garden architecture and aesthetics. Five chapters include an historical overview of non-Oriental influences on the garden, the relationship between Britain and China, the evolution of the tea trade, the motifs and decoration of tea wares, and a summary with conclusions. Conclusions reached were that tea was responsible for importation of porcelains in Britain, architectural structures in the garden were inspired by scenes on tea wares, predilection for Chinese motifs in the minds of the English may have resulted from their drinking tea, and it seems probable that affected garden aesthetics but there is no conclusive evidence.

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