Orientador: Claudio Salvadori Dedecca / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Economia / Made available in DSpace on 2018-08-01T17:45:08Z (GMT). No. of bitstreams: 1 Rosandiski_ElianeNavarro_D.pdf: 25996858 bytes, checksum: 016b8666ced5145c5d826ae426956f9a (MD5) Previous issue date: 2002 / Resumo: Não informado / Abstract: Not informed. / Doutorado / Economia Social e do Trabalho / Doutor em Economia Aplicada

The intention of this thesis is to remedy the lack of serious critical attention given to the Australian novelist Patrick White. In Australia critical reaction has been tepid if not openly hostile, while in Britain and America only a small number of critics have dissociated White from his regional background and endeavoured to place him in a wider context. It is the purpose of the thesis to define this context, and to demonstrate that White is a highly original novelist in his own right. Of White's total output to the present time of six novels, only four are discussed here—The Aunt's Story (1948), The Tree of Man (1955), Voss (1957), and Riders in the Chariot (1961). As an introduction to these four novels the first chapter attempts to define White's place in the 'Australian tradition', to give an account of his local critical reception, and to discuss in brief the nature of his central preoccupations as an artist and the forms in which they are manifested. An examination of the four novels reveals the development of White's thought from the time when his artistic maturity became fully evident. From The Aunt's Story to Riders in the Chariot White is concerned above all with the besetting problems of the present time: the dilemma of the individual when faced with the break-down of traditional modes of thought, the possibility of meaningful communication, the problem of identity in a world of inner and outer chaos, and the origin and nature of evil in the world. From a subjective view of the world seen through the isolated consciousness of Theodora Goodman in The Aunt's Story, to the massive fourfold vision of Riders in the Chariot, White has demonstrated an ever-increasing range of tone and subject matter. He records with deadly accuracy the Australian 'comedy of manners', and in this respect he can be said to be the first genuine Australian satirist. At the other extreme, White is capable of rendering the profoundest mystical experience. Whether satirist or mystic, or mere observer and recorder of the world around him, White has at his disposal a lucid and poetic style which, though often startling in its unorthodoxy, is capable of conveying and enlarging upon the subtlest nuance of thought and image. In his style, and in his broadness of vision, lie White's chief claims to excellence. This study of the four novels, in chronological order, endeavours to demonstrate that underlying them is a constantly expanding vision, and that Patrick White is a significant and powerful novelist, and worthy of the closest critical attention. / Arts, Faculty of / English, Department of / Graduate

This study of Patrick White's work is chiefly concerned with the first four novels, but refers also to some poetry, the short stories, the plays and the three later novels. It traces the development of themes and techniques in these four novels in terms of artistic vision and the rendering of that vision. The early, experimental works, up to The Living and the Dead are treated at considerable length, chiefly to show how the later developments are basically improvements and variations on the themes and techniques which have already been used. A second reason for the length of this part of the treatment is that, in the existing criticism of White, these early works are almost entirely ignored. There is need for reappraisal (over and above the original review articles which are about all that exist), and this study makes a modest attempt at this. The middle period, to which belong The Aunt’s Story and The Tree of Man (as well as one play and some stories), is presented as the high point of maturity, both of technique and of the vision which the technique embodies. The works have a high degree of structural integration and the vision is presented with great clarity and imaginative appeal. The later novels, Voss, Riders in the Chariot and The Solid Mandala, continue the use of developed techniques from the middle period. There is an imaginative boldness of design in these later novels, but the themes reveal a vision which appears to be declining into personal reverie and dream. In this period White seems to lose the ability to maintain the stance of integrity-in-isolation which he has asserted in the two preceding novels, and appears instead to seek some kind of mystic communion for his heroes. These interpretations of the later novels are suggested, but not argued in his study; they have been argued in several published articles. In part, it is this discrepancy between the mystical or basically symbolic vision of the later novels and the un-symbolic, essentially naturalistic vision of the earlier period, which has defined the limitations of the thesis presented. At the present stage of critical interpretation, the vision of the later period appears less significant than the earlier vision. In order that we may resolve the apparent differences between the two visions, it is necessary first to define the earlier vision. This study analyses the earlier works, for that purpose. In the final chapter, a suggestion is offered as to how the later novels might be approached in a way that would show the later vision to be a consistent development of the earlier vision, through a boldly symbolic technique. Above all, this study concentrates on White's vision of the alienated state of man, as the central pre-occupation of his earlier works. It analyses the techniques by which this vision is rendered, examining the tests of the four novels more closely than has been done in any criticism published to date. / Arts, Faculty of / English, Department of / Graduate

Facultad de Filosof?a y Humanidades / Informe de Seminario para optar al grado de Licenciado en Historia / Nuestros informes del Seminario de Grado se enmarcan dentro de la perspectiva te?rica de la Historia del Tiempo Presente, la cual plantea, seg?n Ren? Remond, que la brecha entre ?la fecha final de la historia?1 y nuestro presente se ha derribado. Ya no se desestiman estudios en base a su cercan?a temporal con el presente, posibilitando de esta manera el desarrollo de nuestros trabajos, que abarcan tem?ticas relacionadas con organizaciones sociales en dictadura, la incorporaci?n de la mujer en nuevas ?reas laborales, o la relaci?n pol?tica de la Iglesia con la dictadura chilena, es decir, procesos acaecidos en las ?ltimas d?cadas del siglo XX. Los temas tratados en nuestros trabajos son procesos que est?n inconclusos, ciclos que siguen abiertos, con testigos y protagonistas que contin?an con vida. Lo consideramos as? ya que pese a que hemos escogido marcos temporales espec?ficos, podemos ver, en el caso de la participaci?n pol?tica de la Iglesia durante la dictadura entre 1983 y 1988, que la relaci?n entre la Iglesia y el Estado contin?a vigente, evidenci?ndose en diversos temas como las discusiones sobre el aborto, el matrimonio homosexual, entre otras. Del mismo modo, el tema de la diversidad sexual y la discriminaci?n contin?a siendo discutido y plantea desaf?os para las organizaciones en pro del reconocimiento de los derechos de los homosexuales. Por tanto, los sucesos que acontecieron hace uno o dos a?os, incluso los que ocurrieron hace unas d?cadas, eran hechos ignorados por la historiograf?a tradicional, pero la Historia del Tiempo Presente abre a los historiadores una nueva v?a de desarrollo y de estudio de la misma historia que est? ocurriendo.

Tesis para optar al grado de Magister en Comunicación Social / La experiencia del trabajo periodístico en medios opositores e independientes durante la dictadura, reconstruida por sus actores cuatro décadas después del golpe de Estado que dio origen a aquellas circunstancias, conforma hoy una memoria colectiva del periodismo chileno que podría llegar tener carácter de emblemático. Esta se configura en torno al reconocimiento de un compromiso político irrenunciable, la constatación del miedo como sentimiento predominante, y la existencia de una ética a toda prueba y de una fuerte capacidad profesional. Tales factores explican las razones de sus protagonistas para desafiar la censura y la represión realizando un trabajo riguroso y de alta calidad. Tras los objetivos de dar cuenta de vivencias en el ejercicio del periodismo en medios de oposición durante la dictadura chilena y de indagar la existencia de una memoria colectiva sobre la práctica periodística durante ese periodo, se realizó una investigación de contexto y se examinaron los recuerdos de los profesionales representados en una muestra intencionada. En una primera fase se aplicaron entrevistas individuales de carácter extensivo y luego se realizaron entrevistas grupales para profundizar sobre los ejes que develaron las primeras, siguiendo las etapas planteadas por Bertaux (1993) para la obtención y utilización del relato. La información fue analizada conforme a los conceptos sobre construcción del recuerdo de Halbwachs, Portelli y Stern, identificándose los marcos de una memoria colectiva.

Orientador: Fernando Kolleritz / Resumo: Este trabalho, composto de quatro capítulos, analisa a construção do lugar e do tempo na tradução do evento histórico na televisão. O estudo faz uma incursão na complicada esfera da teoria histórica: trata da história do presente e da relação entre história e jornalismo. São analisados cinco documentos sobre a reunificação da Alemanha, no período de outubro de 1989 a outubro de 1990: o documentário da televisão estatal alemã, ZDF, Chronik der Wende (Crônica da Reunificação), duas matérias veiculadas pelo Jornal Nacional, "A queda do Muro de Berlim" e "A Unificação dos Marcos", dos repórteres Sílio Boccanera e Pedro Bial, respectivamente, e dois programas do Globo Repórter "O Muro de Berlim" e "A Reunificação da Alemanha", também dos mesmos repórteres, na mesma ordem / Abstract: This work, divided in four chapters, analises the construction of place and time by the translation of the historical event on television. The work goes trough the complicated ways of Theory of History. Five documents about the German Reunification (from October, 1989 to October, 1990) are analised: the german documentary film Chronik der Wende (The German Reunification), by the ZDF Network, two story broadcasted by Jornal Nacional (Globo Network) "A queda do Muro de Berlim" (The Fall of the Wall) and" A Unification dos Marcos" ( The Unification of Marks), and two programs of Globo Reporter, also by Globo Network, also about the Fall of the Wall and the German Reunification Process. All the story and reportages were made by the reporters Sílio Boccanera and Pedro Bia / Mestre

Orientador: Jose Mario Ortiz Ramos / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-05T21:08:40Z (GMT). No. of bitstreams: 1 Marson_MelinaIzar_M.pdf: 529081 bytes, checksum: 701600cbe75302ac1802106a7f7d76ab (MD5) Previous issue date: 2006 / Resumo: Essa dissertação apresenta uma análise das relações entre Cinema e Estado no Brasil entre 1990 e 2002, período que corresponde à elaboração e à institucionalização de uma nova política cinematográfica. A produção cinematográfica no Brasil enfrentou uma grave crise no início dos anos 90, após a extinção dos órgãos estatais financiadores e fiscalizadores (Embrafilme e Concine). Devido à implantação de medidas de renúncia fiscal, que se traduziram num significativo aumento da produção de filmes, o cinema brasileiro ¿retomou o fôlego¿ e passou a ser conhecido como o Cinema da Retomada. Através das movimentações internas do campo cinematográfico e de seu constante diálogo com o Estado, essas medidas foram aperfeiçoadas e incorporadas a um novo órgão estatal, a Agência Nacional de Cinema (Ancine) criada em 2001 e efetivada em 2002. Por meio de análises dos discursos elaborados pelo campo cinematográfico e da documentação oficial, esse trabalho aborda o Cinema da Retomada enquanto resultado da nova concepção de política cinematográfica e de novas configurações e jogos de poder dentro do campo cinematográfico, percebidas em uma nova forma de fazer cinema no Brasil / Abstract: This work presents an analysis of the relationship between Cinema and State in Brazil between 1990 and 2002, the period that corresponds with the elaboration and the institutionalization of new cinematographic politics. The cinematographic production in Brazil faced a grave crisis in the beginning of the nineties, after the extinction of the financial state agencies and inspectors (Embrafilme and Concine). Thanks to the introduction of measures of fiscal resignation, which translated into a significant increase in the production of films, Brazilian cinema "retook it¿s breath" and became known as the Cinema da Retomada (Cinema of the Retaken). Through the internal movements of the cinematographic field and its constant dialogue with the State, these measures were perfected and incorporated into a new state agency created for the Brazilian cinema, the National Agency of Cinema (Ancine) accomplished in 2002. Through the analysis of the discourse of the cinematographic field and official documentation, this work approaches the Cinema da Retomada (Cinema of the Retaken) as a product of a new conception of cinematographic politics and new configurations and power games within the cinematographic field ¿ new conceptions and configurations that, single-handedly, altered the form of filmmaking in Brazil, and Brazilian cinema itself / Mestrado / Mestre em Sociologia

Orientador : Otaviano Canuto dos Santos Filho / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Economia / Made available in DSpace on 2018-07-27T23:06:23Z (GMT). No. of bitstreams: 1 Melo_RicardoOliveiraLacerdade_D.pdf: 11781585 bytes, checksum: d3d0aa6061e810d41a6d7ed94cbe7d9b (MD5) Previous issue date: 2000 / Doutorado / Doutor em Ciências Econômicas

Orientador : Claudio Salvadori Dedecca / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Economia / Made available in DSpace on 2018-07-27T21:39:42Z (GMT). No. of bitstreams: 1 Zuazua_NoemiBeatrizGiosa_M.pdf: 632380 bytes, checksum: ee58d274550372b13243a7fae0cc5bdd (MD5) Previous issue date: 2000 / Mestrado

Orientador: Jose Ricardo Barbosa Gonçalves / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Economia / Made available in DSpace on 2018-08-01T11:14:11Z (GMT). No. of bitstreams: 1 Antunes_LudmilaRodrigues_D.pdf: 10111921 bytes, checksum: 6873e62fa776694b74b4891569734e54 (MD5) Previous issue date: 2001 / Resumo: Este trabalho buscou levantar questões sobre a reestruturação produtiva e organizacional nos bancos brasileiros, verificando suas implicações e impactos no trabalho e movimento sindical bancário no contexto dos anos 90, procurando discutir as tendências, perspectivas e limites da ação dos trabalhadores bancários no Brasil, destacadamente após a política de ajuste econômico da segunda metade dos anos 80. As reflexões e conclusões apresentadas resultam da análise de estudos sobre o setor bancário brasileiro, de dados estatísticos gerais sobre o setor e de entrevistas realizadas com assessores sindicais, dirigentes sindicais e funcionários dos bancos. A orientação metodológica centrou-se na sistemática consulta e análise de dados documentais, levantados em dedicada pesquisa de material das já tradicionais fontes sobre o assunto: FEBRABAN - Federação Nacional dos Bancos; ANDIMA - Associação Nacional das Instituições do Mercado Aberto; SEEB - SP - Sindicato dos Empregados em Estabelecimentos Bancários de São Paulo e Região; CNB - Confederação Nacional dos Bancários; e o DIEESE - Departamento Intersindical de Estatísticas e Estudos Sócio Econômicos. Foram também consultados jornais, periódicos e revistas da imprensa especializada nas áreas financeira e tecnológica, publicações patronais e sindicais, pesquisas e textos sindicais, que analisaram o conjunto de transformações observado no mundo dos negócios e do trabalho bancário e entrevistas com dirigentes sindicais, assessores sindicais, bancários sindicalizados na cidade de São Paulo para uma aproximação empírica com os temas constantes do material teórico trabalhado, acima descrito / Doutorado / Política Social / Doutor em Ciências Econômicas