Isolated hip fracture following a minor fall is a serious injury, normally requiring urgent surgical treatment and a complex recovery journey. Although commonly associated with the elderly, incidence and impact in adults under 60 years of age may be underestimated. The extensive literature almost exclusively focuses on the elderly, surgical interventions and relatively short-term outcomes. Young adults are also missing from the dominant societal discourse and healthcare policy on fragility hip fracture. They therefore represent a silent sub-subset of the fragility hip fracture population, whose recovery experiences and needs, particularly in the longer term, remain largely unknown. A critical interpretivist approach and The Silences Framework (Serrant-Green, 2011), were used to ‘give voice’ to young adults with isolated hip fracture. Thirty participants, between one and ten years post injury, completed an in-depth, minimally structured interview in which they told their story of recovery. An inductive, thematic analysis was undertaken integrating Braun and Clarke (2006) and the four phase cyclical analysis of The Silences Framework (Serrant-Green, 2011). One cross-cutting theme: Communication emerged, together with four other main themes: Experience of care, Impact on self, Impact on others and Moving forward. 11 The findings indicated wide variation in the quality of care, often influenced by social and professional norms regarding hip fracture patient characteristics such as age and mode of injury. Multi-faceted, often long term, physical, social and psychological impact on participants, their family and wider social networks was also found. This included Post Traumatic Stress Disorder type symptoms and impact on work, finances and relationships. The study highlighted some limitations of the current hip fracture care pathway for supporting the specific recovery needs of young adults. It also identified some limited effectiveness of commonly used patient reported outcome measures for hip fracture in this young client group. Exploring the recovery experiences of this under-represented group confirmed, but also altered the silences initially identified. Furthermore, it uncovered new silences which informed recommendations for future research; healthcare practice and policy. This study offers the first long term exploration of the impact of isolated hip fracture following a minor fall in young adults from their perspective. In doing so, it has also demonstrated the appropriateness of The Silences Framework (Serrant-Green, 2011) for guiding a person-centred, experience-based, acute orthopaedic/rehabilitation study undertaken by a student researcher.

Within the journey of self-determination, Indigenous Peoples are creating various systems that reflect their ways of knowing and being. Mi’kmaq Family & Children Services is such an agency, however, it is mandated to use provincial legislation, guidelines and policies that are deeply rooted in western ways of knowing. This thesis explores how to assess and mitigate risk from a Mi’kmaq perspective. Mi’kmaq social workers, who have experience assessing risk and developing plans to mitigate it, were interviewed regarding their perspectives on what needs to be considered when creating a model of assessment for Mi’kmaq families. Storytelling methodology was used for interviewees to share broadly what they felt as necessary aspects to incorporate into the assessment and mitigation processes. As the researcher I analyzed the interviews for themes and ideologies that would be necessary to consider when assessing risk and creating tools that assist with this process. Four open ended questions were provided to interviewees as a guideline for this exploration. They are: What do you believe the concerns, challenges and/or strengths of the current risk assessment model are when you are assessing the risk of Mi’kmaq children and youth? From your knowledge of Mi’kmaq ways of knowing and being what do you think a Mi’kmaq risk assessment would/could/should look like? Is risk assessment the right term for this work, or are there other words that best describe the work that we do from your knowledge of Mi’kmaq ways of knowing and being? What are the opportunities a Mi’kmaq risk assessment could offer Mi’kmaq communities? Due to Covid 19 restrictions the interviews had to occur by phone. They averaged one hour in duration. Interviewees agreed to be recorded, and following the interviews I transcribed the interviews. The transcription was given to each participant to review, edit and revise. The transcription was then formatted into a narrative format and each participant was given a name from the Seven Directions, with a pronoun being used to maintain anonymity. This narrative was given to each interviewee to review, edit and revise.
 The research found the following themes: ongoing cultural competence training is needed; the effects of residential school and other assimilation/oppressive tactics, not only affected Mi’kmaq lives in the past but continues to affect them currently; due to this, trauma informed and strength based practice, that is collaborative, is essential. Interviewees stressed the importance of using tools, such as risk assessments, that are more reflective of, and uphold a collaborative process, which holds up Indigenous epistemology, ontology, and axiology. This includes practices such as, the Medicine Wheel, Seven Sacred Teachings, reciprocity, reflection, circular thinking, use of Medicines and various Spiritual practices. / Graduate

Kandidatuppsatsens syfte är att genom arkivstudie utföra en historiserande kontextuell analys av Utvandrarna (1971) och Nybyggarna (1972) med produktionsstudie som metod. Filmerna gjordes samtidigt och hade en inflationsjusterad budget på sjuttiofyra miljoner kronor, vilket gör inspelningen till den största satsningen inom svensk film på hela 1900-talet. Hur planerades och genomfördes en produktion av sådan storlek? Ända från de tidigaste idéerna kartläggs processen i syfte att dra slutsatser kring dåtidens svenska kulturklimat, filmsamhälle och tekniska utveckling. Arkivmaterialet hämtas från Svenska Filminstitutets biblioteksarkiv och delas in trefaldigt: Manussamlingen, Bengt Forslunds personarkiv och Bildarkivet. Utifrån detta material återges händelseförloppet i detalj, kompletterat med senare vittnesmål från skådespelare och filmteam. Produktionen värdesatte framför allt verklighetstrogenhet och i stort sett alla scener filmades på plats vid historiska kvarlämningar eller ute i naturen, ofta med lokala amatörskådespelare i de mindre rollerna. Dessutom studeras Jan Troells roll som regissör, fotograf och klippare utifrån Bill Nichols teori om dokumentära representationsperspektiv, med fokus på Troells användande av drag från observerande och deltagande dokumentärfilm för att öka verklighetsintrycket. Slutsatsen blir att filmerna å ena sidan har en tydlig bakgrund i den svenska guldålderns litterära tradition, å andra sidan estetiskt och produktionsmässigt i mångt och mycket tillhör det sena 60-talets nyskapande kulturella våg. / The aim of the bachelor's thesis is to contextualize and historicize the production of The Emigrants (1971) and The New Land (1972), through arhival material. The films were made simultaneously and had a budget of 74 million Swedish Krona, adjusted for inflation, making them the Swedish film industry's biggest investment of the 20th century. How was a production of such scope planned and executed? The process is mapped out in order to draw conclusions around Sweden's cultural climate at the time, its film world and its technological developments. The archival material is taken from Svenska Filminstitutets biblioteksarkiv (The Swedish Film Institute's Library archive) and can be divided threefold:  Manussamlingen (the script collection), Bengt Forslund's personal archive, och Bildarkivet (the image archive). Using this material the events of the production are narrated in detail, completed by additional oral history given by the films' cast and crew. The production valued fidelity to reality above all and almost all scenes were shot on location, at historical sites or in nature, often with local amateur actors playing the minor parts. In addition, Jan Troell's role as director, photographer and editor is studied through Bill Nichols' theory of documentary modes, focusing on Troell's use of traits from the observational and participatory documentary modes to strengthen the impression of reality. In conclusion, the thesis finds that while the films are evidently a part of the literary tradition that goes back to the Swedish Golden Age, their aesthetics and means of production are closely tied to the innovative cultural wave of the late 60s.

Apresentamos nesse trabalho a trajetória profissional do arquiteto carioca Harry James Cole, que se formou na Faculdade de Arquitetura da Universidade do Brasil, no Rio de Janeiro, em 1954 e trabalhou como arquiteto e urbanista até 1980. Cole fez um curso de especialização em planejamento urbano na Inglaterra e nesse período também trabalhou no Departamento de Arquitetura do London County Council. Essa experiência marcou profundamente seus trabalhos profissionais, que apresentam fortes ressonâncias do urbanismo inglês. Atuando profissionalmente no Brasil Cole foi partícipe de importantes acontecimentos no campo do planejamento urbano no Brasil entre 1957 e 1973, como a construção de Brasília, a implementação dos planos de desenvolvimento integrado e a concepção do Programa Cura, além de ter elaborado inúmeros trabalhos urbanísticos em seu escritório, o HJ Cole Arquitetos + Associados S/C Ltda até o final dos anos 70. / In this thesis we show Harry James Cole\'s professional life, a carioca architect who graduated at Faculdade de Arquitetura of Universidade do Brazil, in Rio de Janeiro, in 1954 and who worked as an architect and urban planner until 1980. Cole did a course of specialization in town planning in England and in that period he also worked in the London County Council Architecture Department. This experience deeply affected in his professional life and his works show a strong inspiration in the town planning lessons. Working professionally in Brazil Cole took part in the most important brazilian urban planning events between 1957 and 1973, as the construction of Brasília, the implementation of the comprehensive local urban planning and the conception of the Cura Programme, besides having done several urban planning jobs in his office, the HJ Cole Arquitetos + Associados S/C Ltda until the end of 1970.

Apresentamos nesse trabalho a trajetória profissional do arquiteto carioca Harry James Cole, que se formou na Faculdade de Arquitetura da Universidade do Brasil, no Rio de Janeiro, em 1954 e trabalhou como arquiteto e urbanista até 1980. Cole fez um curso de especialização em planejamento urbano na Inglaterra e nesse período também trabalhou no Departamento de Arquitetura do London County Council. Essa experiência marcou profundamente seus trabalhos profissionais, que apresentam fortes ressonâncias do urbanismo inglês. Atuando profissionalmente no Brasil Cole foi partícipe de importantes acontecimentos no campo do planejamento urbano no Brasil entre 1957 e 1973, como a construção de Brasília, a implementação dos planos de desenvolvimento integrado e a concepção do Programa Cura, além de ter elaborado inúmeros trabalhos urbanísticos em seu escritório, o HJ Cole Arquitetos + Associados S/C Ltda até o final dos anos 70. / In this thesis we show Harry James Cole\'s professional life, a carioca architect who graduated at Faculdade de Arquitetura of Universidade do Brazil, in Rio de Janeiro, in 1954 and who worked as an architect and urban planner until 1980. Cole did a course of specialization in town planning in England and in that period he also worked in the London County Council Architecture Department. This experience deeply affected in his professional life and his works show a strong inspiration in the town planning lessons. Working professionally in Brazil Cole took part in the most important brazilian urban planning events between 1957 and 1973, as the construction of Brasília, the implementation of the comprehensive local urban planning and the conception of the Cura Programme, besides having done several urban planning jobs in his office, the HJ Cole Arquitetos + Associados S/C Ltda until the end of 1970.