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Genre and the representation of violence in American Civil War texts by Edmund Wright, John William De Forest, and Henry JamesZenari, Vivian Alba 11 1900 (has links)
This dissertation investigates the relationship between genre and the representation of war-time violence in five texts written during and shortly after the United States Civil War (1861-1865). The texts are The Narrative of Edmund Wright (1864), John William De Forests Miss Ravenels Conversion from Secession to Loyalty (1867), and three short stories by Henry JamesThe Story of a Year (1865), Poor Richard (1867), and A Most Extraordinary Case (1868). These texts deal with the theme of war violence through generic mechanisms associated with the spectrum of writings often dichotomized as romance and realism. The main theoretical approach to genre depends on a distinction between criterial theories of genre and contingency theories of genre. Criterial theories emphasize the shared characteristics of literary texts: that is, criterial theories of genre are classificatory in orientation. Contingency theories emphasize the ways in which social forces influence the act of classification: contingency theories of genre, in other words, concentrate on the notion that genres are social constructs. This dissertation maintains, in line with contingency theory, that genre is affected by the social, political and cultural circumstances of the period in which the genre operates; as a result, this dissertation uses documents from and about the American Civil War to substantiate its claims. The work of Alice Fahs, David Reynolds, and John Frow has influenced the approach to genre theory and to nineteenth-century American literary history. / English
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Korean and American Memory of the Five Years Crisis, 1866-1871James P Podgorski (8803058) 07 May 2020 (has links)
<p>This
project examines the events from 1866 to 1871 in Korea between the United
States and Joseon, with a specific focus on the 1866 <i>General Sherman</i>
Incident and the United States Expedition to Korea in 1871. The project also
examines the present memory of those events in the United States and North and
South Korea. This project shows that
contemporary American reactions to the events in Korea from 1866 to 1871 were
numerous and ambivalent in what the American role should be in Korea. In the present, American memory of 1866 to
1871 has largely been monopolized by the American military, with the greater
American collective memory largely forgetting this period. </p>
<p>In
the Koreas, collective memory of the five-year crisis (1866 to 1871) is divided
along ideological lines. In North Korea, the victories that Korea achieved
against the United States are used as stories to reinforce the North Korean
line on the United States, as well as reinforcing the legitimacy of the Kim
family. In South Korea, the narrative
focuses on the corruption of Joseon and the Daewongun and the triumph of a
“modernizing” Korean state against anti-western hardliners, and is more diverse
in how the narrative is told, ranging from newspapers to K-Dramas, leading to a
more complicated collective memory in the South. </p>
<p>This
Thesis shows that understanding the impact that the first state-to-state
encounters had on the American-Korean relationship not only at the time but
also in the present, is key to analyzing the complicated history of the
Korean-American relationship writ large.</p>
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Historie českého (československého) reenactingu / History of the Czech(oslovakian) reenactingProcházka, Filip January 2013 (has links)
The goal of this thesis is to do research , as wide as possible, in the most popular part of hobby named reenacting or reenacting (Napoleonic era, Austro-Prussian Wars, American Civil War, Second World War and some new topic - Czechoslovak Peoples Army, Royal Air Force and Czechoslovak Policemen before WW2). Thats mean commemoration and re-enactment of military history and military units in whole its history from time before 1989 to the future. I tried to find grounds of this hobby and describe development of it. As I expected, progress of this hobby or movement is larger, but this hobby existed before 1989 too. Reenactors reenacted and portrayed older conflicts as Napoleonic and Austro-Prussian war. Future reenactors were mainly fencers and tramps. Year 1989 was turning point for all reenactors. Theirs hobby is legal, it is possible to travel, to unite, to ground living history groups, own weapons, speak about all part of our history. It was possible to share and search information, regulation with and in foreign countries, foreigners and archives and museums. Main goal of reenactors is to portray theirs archetypes as good as possible. Public can see not only reconstruction of battles, but open air exhibition - "very interactive museums". This thesis can't be described as "Complete, all history of...
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