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Anne de France, Louise de Savoie, inventions d'un pouvoir au féminin / Anne de France, Louise de Savoie, inventions of a women's powerChapy, Aubrée 29 November 2014 (has links)
A la fin du Moyen Âge et au début de la Renaissance, les femmes s‟affirment en politique, notamment comme régentes. Anne de France, fille de Louis XI et soeur de Charles VIII ainsi que Louise de Savoie, mère de François Ier, s‟illustrent par leur action à la tête du royaume et par leur puissance. Sous leur influence, la régence s‟invente, se construit et s‟institutionnalise. Pratique empirique du gouvernement, elle ne cesse d‟évoluer et de se métamorphoser. La prise de pouvoir par les femmes implique un questionnement sur l‟autorité et sur la souveraineté du roi et génère des contestations. La régence s‟ancre dans le sang, dans l‟amour et dans le droit, qui légitiment celles qui l‟exercent.Ce pouvoir se construit sur des réseaux et avec l‟appui du roi. Il s‟édifie sur diverses stratégies qui ont comme idéal éthique et politique une pratique du pouvoir fondée sur la vertu, la prudence et la feinte. La régence féminine est un pouvoir aux multiples facettes. Parole et écrit, images et gestes, signes et symboles, histoire et mythes sont autant d‟outils pour celles qui le pratiquent. / At the turn of Middle Ages and of the Renaissance women asserted themselves in the field of politics and more specifically as regents. Anne of France, daughter of Louis XI and sister of Charles VIII as well as Louise of Savoy, mother of Francis I distinguished themselves by their action at the head of the kingdom and by the power, which they attained. Under their influence, regency was invented, established itself and became an institution. As an empirical practice it kept undergoing advances and transformation.Women‟s taking and holding the reins of power prompted pondering the king‟s sovereignty and authority as well as it engendered controversy. Regency rested on royal descent and blood, on love and law, which conferred legitimacy to those who exercised it.This power was built through alliances and networks and in the case of Louise of Savoy with the king‟s support. The exercise of a regency by a woman involved a multifaceted power. Speech and written works,
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La rhéthorique des miroirs : exemplarité dans Les enseignements d'Anne de FranceCordeiro, Debby January 2003 (has links)
Anne de France, or Anne de Beaujeu by marriage, was present in history books long before she was the subject of literary studies. Regent of France's kingdom during her brother's, Charles the VIII's, minority (1484--1491), we know her mostly for successfully having measured herself up to her political opponents by calling the Etats Generaux and ruling the kingdom with calculating tactfulness. However, she also leaves a literary legacy, her Enseignements, which she writes for her only daughter Susanne in 1504 or 1505, and which are published in 1521 in Lyon by the editor and bookseller Le Prince. / Having not enjoyed great literary fortune, this text contains many interesting attributes. To this effect, a rhetoric reading of the Enseignements can and must be done. Even though the text recycles many of the period's conventions, a study of the argumentative devices, most notably through the interaction of the exempla and the counter-exempla , generates a certain virtue ethic that is especially noticeable through the analysis of the identity defining instance, "je".
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La rhéthorique des miroirs : exemplarité dans Les enseignements d'Anne de FranceCordeiro, Debby January 2003 (has links)
No description available.
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Le château ducal de Moulins (Allier) de Louis II de Bourbon à Anne de France : étude historique et archéologique d'une résidence princière (XIVe - XVIe siècle) / Ducal castle of Moulins (France, Allier) from Louis II de Bourbon to Anne de France : historical and archaelogical study of a princely residence (XIV-XVI century)Condello, Celia 08 April 2016 (has links)
Le château ducal de Moulins, s’il a subi diverses destructions, comporte aujourd’hui encore des éléments qui méritent d’être étudiés de près, afin de restituer son état initial. On connaît d’après les sources écrites au moins deux grandes campagnes de construction, la première fut amorcée par le troisième duc de Bourbon, Louis II, à la toute fin du XIVe siècle. La tour maîtresse « Mal-Coiffée » étant datée par dendrochronologie vers 1399/1400. Un second chantier d’agrandissement et de réaménagements débute après 1488, commandité cette fois par le duc de Bourbon Pierre de Beaujeu et son épouse Anne de France, sœur de Charles VIII. Cet agrandissement se terminera au tout début du XVIe siècle avec la construction d’un portique d’architecture renaissante, très précoce en France. Cette thèse mêle l’histoire et l’histoire de l’art mais part surtout d’une réflexion archéologique des bâtiments subsistants. C’est en cumulant et en confrontant ces diverses approches que l’étude a pu être la plus complète. / During his history, the ducal castle of Moulins has been subject to several destructions and improvements. Despite this, it still contains elements that should be studied carefully in order to restore its original state. From written sources, one knows at least two major buildings campaigns. First one was initiated by the third duke of Bourbon, Louis II, in the late fourteenth century. The remaining main tower, known as “Mal-Coiffée” ("Untidy Top"), has been dated by dendrochronology around 1399/1400. A second campaign of expansion and redevelopment begins after 1488, commissioned by the Duke of Bourbon, Pierre de Beaujeu and his wife Anne de France, Charles VIII’s sister. This expansion will be completed in the early sixteenth century with the construction of a renaissance architecture portico, very early in France. This thesis combines both History and art history, starting from an archaeological reflection of the remaining buildings. The aim of this work is to combine and compare these different approaches in order to obtain the most comprehensive and exhaustive study of this forgotten site which play a key role in History.
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