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1	Identity, from autobiography to postcoloniality : a study of representations in Puleng's works Mokgoatsana, Sekgothe Ngwato Cedric 06 1900 (has links) The issue of identity is receiving the most attention in recent times. Communities, groups and individuals tend to ask themselves who they are after the colonial period. The dawn of modern democracy and the fall of the Berlin Wall have become important sites of self-definition. In this study, I examine narratives of self-invention and selflegitimisation from a variety of texts ranging from poetic to dramatic voices. The author creates characters who represent his wishes, desires and fears in dramatic form. The other characters re-present the other members of his family. He uses autobiographical voices to re-create and re-present history, particularly his family history which has been dismembered by memory's inability to recover the past in its entirety. Memory, visions and dreams are used as tropes to negotiate the pain of loss. These narratives assist him to recapture that which has been lost dearly, and imaginatively re-members what has been dismembered. The autobiographical I shifts into an autobiographical we where the author uses his poetry to lambast the injustices of apartheid. The study further examines some aspects of postcolonial identity, which include the status of African writing and the role of africalogical discourse, the conception of home in apartheid South Africa as well as the juxtaposition of power between indigenes and settlers. These reflect the problem of marginality as a postcolonial condition and how the marginals can be returned to the centre of power. Marginalisation of the indigenes occurs by coercion, inferiorisation, tabooing certain political and cartographical spaces, harassment, torture and imprisonment. Despite these measures, the poetry of NS Puleng persisted to remove the fetish of apartheid disempowerment and disenfranchisement. / African Languages / D.Litt. et Phil. (African Languages) Identity Postcolonial identity Postcolonialism and criticism Apartheid city Settlers and marginals Home and nativity Home and away Autobiography Autobiographical selves Autobiographical representation Postcolonial representation Africacological discourse 896.397713209
2	Identity, from autobiography to postcoloniality : a study of representations in Puleng's works Mokgoatsana, Sekgothe Ngwato Cedric 06 1900 (has links) The issue of identity is receiving the most attention in recent times. Communities, groups and individuals tend to ask themselves who they are after the colonial period. The dawn of modern democracy and the fall of the Berlin Wall have become important sites of self-definition. In this study, I examine narratives of self-invention and selflegitimisation from a variety of texts ranging from poetic to dramatic voices. The author creates characters who represent his wishes, desires and fears in dramatic form. The other characters re-present the other members of his family. He uses autobiographical voices to re-create and re-present history, particularly his family history which has been dismembered by memory's inability to recover the past in its entirety. Memory, visions and dreams are used as tropes to negotiate the pain of loss. These narratives assist him to recapture that which has been lost dearly, and imaginatively re-members what has been dismembered. The autobiographical I shifts into an autobiographical we where the author uses his poetry to lambast the injustices of apartheid. The study further examines some aspects of postcolonial identity, which include the status of African writing and the role of africalogical discourse, the conception of home in apartheid South Africa as well as the juxtaposition of power between indigenes and settlers. These reflect the problem of marginality as a postcolonial condition and how the marginals can be returned to the centre of power. Marginalisation of the indigenes occurs by coercion, inferiorisation, tabooing certain political and cartographical spaces, harassment, torture and imprisonment. Despite these measures, the poetry of NS Puleng persisted to remove the fetish of apartheid disempowerment and disenfranchisement. / African Languages / D.Litt. et Phil. (African Languages) Identity Postcolonial identity Postcolonialism and criticism Apartheid city Settlers and marginals Home and nativity Home and away Autobiography Autobiographical selves Autobiographical representation Postcolonial representation Africacological discourse 896.397713209
3	A reinterpretation of urban space in Pretoria Van der Klashorst, Elsa 2013 February 1900 (has links) Various potential modes of interpreting the urban space in the inner city of Pretoria is evaluated in this study with the purpose of expanding discourse around spatial production in the city. Production of meaning through formal and structural means produced a city that served as administrative capital and ideological base for Afrikaners until the arrival of a democracy in 1994. The contemporary urban space is produced by people through everyday life, as theorised by Henry Lefebvre, rather than through formal means such as name changes. This study evaluates the way that identity and belonging is created by referring to everyday life practices, rhythmanalysis and daily activities as performances. Urban space is evaluated from a phenomenological perspective through the eyes of an artist and resident and expressed in an art exhibition. The way artists Julie Mehretu and Franz Ackermann dealt with urban space in their art is also referenced. / Art History, Visual Arts & Musicology / Master of Visual Arts African city Afrikaner Art and city De Certeau Deleuze & Guattari Everyday life Lefebvre Performance Performativity Post-Apartheid city Post-colonial Pretoria Rhythmanalysis Social space Tshwane Urban geography Urban space 704.94468227 Public spaces in art Architecture -- South Africa -- Pretoria Cities and towns in art Pretoria (South Africa) -- In art Art, South African Pretoria (South Africa) -- In art
4	A reinterpretation of urban space in Pretoria Van der Klashorst, Elsa 02 1900 (has links) Various potential modes of interpreting the urban space in the inner city of Pretoria is evaluated in this study with the purpose of expanding discourse around spatial production in the city. Production of meaning through formal and structural means produced a city that served as administrative capital and ideological base for Afrikaners until the arrival of a democracy in 1994. The contemporary urban space is produced by people through everyday life, as theorised by Henry Lefebvre, rather than through formal means such as name changes. This study evaluates the way that identity and belonging is created by referring to everyday life practices, rhythmanalysis and daily activities as performances. Urban space is evaluated from a phenomenological perspective through the eyes of an artist and resident and expressed in an art exhibition. The way artists Julie Mehretu and Franz Ackermann dealt with urban space in their art is also referenced. / Art History, Visual Arts and Musicology / M.A. (Visual Arts) African city Afrikaner Art and city De Certeau Deleuze & Guattari Everyday life Lefebvre Performance Performativity Post-Apartheid city Post-colonial Pretoria Rhythmanalysis Social space Tshwane Urban geography Urban space 704.94468227 Public spaces in art Architecture -- South Africa -- Pretoria Cities and towns in art Pretoria (South Africa) -- In art Art, South African

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