At the center of this study are three Indian novels with an urban setting and dealing with political and social issues of the 1990s: Githa Hariharan’s In Times of Siege (2003), Vikram Chandra’s Love and Longing in Bombay (1997) and Amit Chaudhuri’s Freedom Song (1998). The Delhi of In Times of Siege is portrayed as a city infused with power but haunted by a troubled past that is brought to the present by a dissenting professor of history. The Bombay of Love and Longing in Bombay is also a haunted city, but is primarily imagined as a narrative locality in which storytelling is central to both the narrative and the city. The Calcutta of Freedom Song is explored through a resident family, blurring the distinctions between the home and the city. The three novels all negotiate an increasingly sectarian environment. The three cities of the novels are explored through the framework of anthropologist Arjun Appadurai’s concept of the production of locality, which sees place as a value and a dimension of social life. By approaching the cities in the novels through locality, it is possible to discern how the authors construct place as meaningful. This study thus extends the anthropological concept of locality into literature, addressing the specific strategies through which the authors portray and create their respective cities. Key concepts explored in the novels include agency, haunting, storytelling, and memory. / Baksidestext At the center of this study are three Indian novels with an urban setting and dealing with political and social issues of the 1990s: Githa Hariharan’s In Times of Siege (2003), Vikram Chandra’s Love and Longing in Bombay (1997) and Amit Chaudhuri’s Freedom Song (1998). The Delhi of In Times of Siege is portrayed as a city infused with power but also haunted by a troubled past. The Bombay of Love and Longing in Bombay is primarily imagined as a narrative locality in which storytelling is central. The Calcutta of Freedom Song is explored through a resident family, blurring the distinctions between the home and the city. The three novels all negotiate an increasingly sectarian environment. The three cities of the novels are explored through the framework of anthropologist Arjun Appadurai’s concept of the production of locality, which sees place as a value and a dimension of social life. By approaching the cities through locality, it is possible to discern how the authors construct place as meaningful. This study thus extends the anthropological concept of locality into literature, addressing the specific strategies through which the authors portray and create their respective cities. Key concepts explored in the novels include agency, haunting, storytelling, and memory. / Denna avhandling behandlar tre indiska romaner vilka utspelar sig i städer och fokuserar på de politiska och sociala konflikterna under 1990-talet: Githa Hariharans In Times of Siege (2003), Vikram Chandras Love and Longing in Bombay (1997) och Amit Chaudhuris Freedom Song (1998). Delhi i In Times of Siege porträtteras som en politisk stad hemsökt av det förflutna vilket påverkar nutiden. Bombay i Love and Longing in Bombay är också delvis hemsökt, men framförallt framställt som en stad i vilken berättandet är centralt. I Freedom Song blir gränsen mellan hem och stad diffus genom det sätt på vilket en familj gestaltar Calcutta. De tre romanerna behandlar alla en alltmer sekteristisk tid. Avhandlingens analys bygger på antropologen Arjun Appadurais begrepp the production of locality, dvs. hur känslan av plats skapas. ”Locality” är ett begrepp som täcker in en plats kapacitet att också ha ett värde och vara en social konstruktion. Genom att använda the production of locality är det möjligt att utforska hur författarna konstruerar plats som något meningsbärande. Denna avhandling vidgar det antropologiska begreppets användningsområde till att innefatta litteratur och används för att identifiera de strategier genom vilka författarna porträtterar och skapar sina respektive städer. Dessa strategier bygger på nyckelbegreppen agens, hemsökelse, berättande och minne.

Global capital is transforming the spaces in which we live, thereby transforming culture: this thesis challenges a set of liberal assumptions about culture and cultural transformation by elaborating upon this very hypothesis. Specifically, it argues that cultural identities are being formed in global cities, where disjunctive global flows of cultural, financial, technological, ideological, and human capital intersect. These global flows are creating cultural contexts of choice that can be as central to individual and group identities as national institutions or inherited or native cultural norms. And as these modern contexts of choice emancipate the imagination from the influence of national institutions, they enable peculiar new forms of agency. I use Arjun Appadurai’s notion of imagination and his model of “scapes”—cultural landscapes formed by intersecting flows of capital—to explain how the global is becoming the decisive framework for social life. In contrast, I use Will Kymlicka’s model of multicultural citizenship and Jeremy Waldron’s model of cosmopolitanism primarily to demonstrate the limits of a class of liberal theories of cultural accommodation that oversimplify the relationship of the individual to culture, and of culture to modernity, and which ignore the role of “scapes” in constituting cultural identities. To conclude, I propose an alternative, three- dimensional and ultimately non-comparative treatment of culture inspired by Henri Lefebvre’s concept of the right to the city. / Graduate

In the past decades a lot of research has been dedicated to widening the understanding of different media audiences, as well as to determining the motivations behind both, creation of user-generated content (UGC) as well as audience behavior. This thesis seeks to broaden this knowledge by studying vloggers and their interaction with their audiences. Instead of asking the audience members: In what ways are the vloggers an influence on you, this thesis asks: “Can the audience be a source of inspiration and influence for vloggers? The thesis aims also at recognizing typicality’s in vloggers audio-visual content as well as strategical approaches for audience engagement. Approach in order to find answers to the set questions is critical yet humanistic. Empirical research is divided in two parts, of which the first is done by qualitative content analysis and the second part by semi-structured interviews. The aim of this multimethod approach is to get a broad yet deep view on this commercial, and contemporary storytelling form. Appadurai’s five scape- theory is used as the theoretical framework, and the research findings as well as conclusions are also viewed through other recent studies from media and communications field.