Esta pesquisa analisa estímulos empregados em uma amostra de publicidades televisivas de automóveis com o objetivo de compreender como estes interpelam o sujeito no que diz respeito à irracionalidade imanente ao consumismo exacerbado. O estudo se apoia nos conceitos de estética da mercadoria, indústria cultural, regressão e narcisismo, conforme entendidos pela teoria crítica e psicanálise freudiana. Defende-se a tese de que tais estímulos mobilizam certos mecanismos psíquicos a fim de transformar as pulsões individuais em ações de consumo. Sob a premissa do consumo conspícuo, cuja finalidade é a ostentação com vistas a status e prestígio social, investiga-se como as alterações na percepção dos indivíduos, provocadas pelas pseudoexperiências estéticas mediadas pela indústria cultural, usurpam do indivíduo um esquematismo interno responsável em estruturar a percepção em correspondência com o entendimento, fortalecendo assim a ideologia do consumo. Em decorrência dessa base conceitual, são tomados como categorias de análise da publicidade os conceitos psicanalíticos de regressão, narcisismo, repressão e identificação. A pesquisa de campo permitiu constatar que os estímulos identificados são elaborados com base na carência interna de individualidade e liberdade, que, mobilizada pela publicidade, tende a se expressar na regressão narcísica como uma estratégia de preservação do ego. O mecanismo de regressão é explorado por meio de imagens arcaicas, a fim de despertar pulsões não sublimadas e direcioná-las para o desejo de possuir a mercadoria anunciada / This research treats with stimulus used in television advertising of automobile, in order to understand the irrationality immanent in the current exacerbated consumption. The study is based on the concepts of aesthetic of the merchandise, cultural industry, regression, and narcissism, as they are understood by critical theory and Freudian psychoanalysis. It defends the thesis that such stimulus mobilizes certain psychic mechanisms in order to transform the pulsions in actions of consumer. Under the premise of conspicuous consumption, whose purpose is ostentation to get status and social prestige, it investigates how changes in the perception of individuals, caused by pseudo aesthetic experiences mediated by cultural industry, usurp the individual of an internal schematism responsible in structuring the perception in correspondence to the understanding, thus strengthening the ideology of consumption. On this conceptual basis, it is taken as analytical categories of advertising psychoanalytic concepts of regression, narcissism, repression, and identification. The field research allowed to figure out that the stimulus identified are produced based on the internal lack of individuality and freedom, which mobilized by advertising tends to express itself in narcissistic regression as a self-preservation strategy. The mechanism of regression is explored by archaic images, in order to awaken pulsions not sublimated and direct them to the desire to possess the advertised merchandise

Esta pesquisa analisa estímulos empregados em uma amostra de publicidades televisivas de automóveis com o objetivo de compreender como estes interpelam o sujeito no que diz respeito à irracionalidade imanente ao consumismo exacerbado. O estudo se apoia nos conceitos de estética da mercadoria, indústria cultural, regressão e narcisismo, conforme entendidos pela teoria crítica e psicanálise freudiana. Defende-se a tese de que tais estímulos mobilizam certos mecanismos psíquicos a fim de transformar as pulsões individuais em ações de consumo. Sob a premissa do consumo conspícuo, cuja finalidade é a ostentação com vistas a status e prestígio social, investiga-se como as alterações na percepção dos indivíduos, provocadas pelas pseudoexperiências estéticas mediadas pela indústria cultural, usurpam do indivíduo um esquematismo interno responsável em estruturar a percepção em correspondência com o entendimento, fortalecendo assim a ideologia do consumo. Em decorrência dessa base conceitual, são tomados como categorias de análise da publicidade os conceitos psicanalíticos de regressão, narcisismo, repressão e identificação. A pesquisa de campo permitiu constatar que os estímulos identificados são elaborados com base na carência interna de individualidade e liberdade, que, mobilizada pela publicidade, tende a se expressar na regressão narcísica como uma estratégia de preservação do ego. O mecanismo de regressão é explorado por meio de imagens arcaicas, a fim de despertar pulsões não sublimadas e direcioná-las para o desejo de possuir a mercadoria anunciada / This research treats with stimulus used in television advertising of automobile, in order to understand the irrationality immanent in the current exacerbated consumption. The study is based on the concepts of aesthetic of the merchandise, cultural industry, regression, and narcissism, as they are understood by critical theory and Freudian psychoanalysis. It defends the thesis that such stimulus mobilizes certain psychic mechanisms in order to transform the pulsions in actions of consumer. Under the premise of conspicuous consumption, whose purpose is ostentation to get status and social prestige, it investigates how changes in the perception of individuals, caused by pseudo aesthetic experiences mediated by cultural industry, usurp the individual of an internal schematism responsible in structuring the perception in correspondence to the understanding, thus strengthening the ideology of consumption. On this conceptual basis, it is taken as analytical categories of advertising psychoanalytic concepts of regression, narcissism, repression, and identification. The field research allowed to figure out that the stimulus identified are produced based on the internal lack of individuality and freedom, which mobilized by advertising tends to express itself in narcissistic regression as a self-preservation strategy. The mechanism of regression is explored by archaic images, in order to awaken pulsions not sublimated and direct them to the desire to possess the advertised merchandise

McQuail在討論大眾傳播與社會變遷的關係時，認為社會與文化若互相影響則形成互賴關係。從1973年以降，中華三菱的廣告主要受社會變遷的影響而少反向影響社會，摘要如下： 一、從單一媒體到全傳播媒體　 早期報禁使報紙獨大與寡占，閱聽眾訊息來源有限多只使用報紙；1993年中華進入轎車市場後始大量使用電視搭配報紙露出；2000年因媒體環境複雜，專業媒體代理商針對媒體與目標客層特性進行波段媒體操作，使廣告訊息更有效傳遞。 二、從解說產品到說故事的汽車品牌 自由化時期前，中華三菱因僅有商用車，平面廣告皆採用產品特色的理性溝通，如同Otto Kleppner的廣告螺旋理論，當商品在拓荒期時要訴求功能，在競爭期面臨眾多品牌時要強調商品的獨特性，在鞏固期中華三菱廣告則採故事性較多的感性訴求建立品牌形象。 三、炫耀性消費的文化浮現與普及 從1996年Cefiro出現後，汽車廣告中呈現豐富豪華的配備，消費者進入Baudrillard的「炫耀性消費」社會。中華三菱從早期以商車頭家體驗證言到1997年休旅車推出後，各車廣告皆針對目標客層在廣告中呈現身分的識別與彰顯。 四、廣告訴求從高涉理性到高涉感性 「FCB 廣告模式」中發現中華三菱的廣告從高涉理性商品移轉到高涉感性商品，會發生這樣的現象跟經濟與消費文化有高度正相關，而汽車有關商品理性層面，消費者已有更多能力與訊息可做判斷，至於如何打動則要靠更多的感性訴求。 1970到2010年代的社會，從一個大家彼此認識的恬靜社區逐漸到誰也不認識誰的異化社會(alienated Gesellschaft)，不同階級使用不同的物品彰顯所在的社會結構中位置，中華三菱的廣告則不斷提供並呈現社會中產階級想要模傲的價值觀。 / When McQuail discussed the relationship between mass communications and social changes, he believed that society and culture form into a relationship of interdependence if they influence each other. This research analyzed CMC Motor's advertisements and found them influenced by Taiwanese social changes much more than the degree they have influenced society. A. From a single medium to IMC media Newspapers had been the major information source for the audience in Taiwan. When CMC Motor joined the market in 1993, automobile industry began to apply plenty of TV commercials along with advertisements in the papers. Since 2000, agencies have run advertising on targeted audience making messages effectively delivered. B. A brand from product facts-explanation to story-telling In early days, CMC Motor took rational manners in print advertisements, as Otto Kleppner puts that a product should appeal with its functionality at the pioneering stage; story-enriched emotional appeals have been applied when the company reached the stage of consolidation. C. Emergence and popularization of conspicuous consumption Cefiro hit the market in 1996, advertised as a luxuriously equipped sedan--that was the time when consumers moved into “conspicuous consumption” society. All CMC Motor advertisements have appealed to status identification and recognition of targeted consumers. D. Highly involvement of advertising appeals: from rational to emotional CMC Motor's advertisements transferred into highly involvement/affective from highly involvement/rational,which is quite related to economy and consumption culture. Consumers are able and informed to make decisions nowadays, while emotional appeals are more needed for touching their hearts. From 1970 to 2010, Taiwanese society transformed from a place where people knew each other into an alienated Gesellschaft. Society members from different status use different things to recognize each own position, meanwhile CMC Motor's advertisements keep presenting values the middle-class desire to intimate and to be proud of. automobile advertisement, consumption society, advertising appeal, social change, conspicuous consumption