Blodtrycksmätning innehåller många olika moment och studiens syfte var att belysa aktuell forskning kring tre faktorer som kan påverka resultatet vid blodtrycksmätning. Faktorerna delades in i kategorierna kläder (med/utan), arm (höger/vänster), och korsade ben eller ej. För att uppnå studiens syfte ställdes tre frågor; Blir det någon skillnad om blodtrycket mäts med eller utan kläder under blodtrycksmanschetten? Spelar det någon roll om blodtrycket mäts i höger eller vänster arm? Hur påverkar korsade ben resultatet vid blodtrycksmätning? Svaren söktes i 12 vetenskapliga artiklar som granskades, analyserades och värderades vetenskapligt. Inom kategorin kläder påvisades inte resultatet någon skillnad i uppmätt blodtryck beroende på om armen var klädd eller ej. Resultatet visade att det fanns viss skillnad i uppmätt blodtryck mellan höger och vänster arm och därför bör blodtrycket mätas i båda. Resultatet visar även att blodtrycket ska mätas med icke korsade ben i knähöjd. En studie visade att blodtrycket inte steg med benen korsade i ankelhöjd.

For this essay, 12 liters of cremated bones from the Viking age grave mound RAÄ Berga 134:1 in Trotteslöv, Berga parish, Småland have been osteologically analysed.  The aim with this paper concerned questions as sex, age, number of individuals and animal species in the grave. Further questions that have been investigated are the relationship between the osteological sexdetermination and artifacts as well as which role animals played in burial rituals and as grave goods. The grave contained a middle-aged woman and a number of sacrificed animals: two horses, two dogs, three birds, a boar and a cat. The bones were fragile and very fragmented. One of the birds was determined as a bird of prey, and that together with findings of horses and dogs indicates hunting with bird of prey, an activity performed only by powerful and wealthy individuals.  The woman was buried in a mound of notable size, and with common grave goods for the time period: combs, beads, bronze and iron items. An unusual finding was textile which indicates high status. The number of sacrificed animal species also suggests that the grave belonged to a powerful individual.  During the Viking age animals generally played an important role in grave rituals and as items to be used by their master in the next life. In RAÄ Berga 134:1none of the findings could be determined as either typical male or female items, instead they indicated high status. Graves with osteologically identified women, and rich grave goods usually found in male graves, have often been questioned. The idea of a woman being powerful and buried with valuable items has been doubted. This doubt has probably come from archaeologists’ prejudices today about prehistoric gender roles, since women during the Viking age indeed could reach high status.

Texte remanié de: Diss. Ph. D.--Philosophy--Jerusalem--Hebrew university of Jerusalem, 5749, 1989. / Mention parallèle de titre ou de responsabilité : Name and sanctuary in the teaching of R. Isaac the Blind : a comparative study in the writings of the earliest Kabbalists / Haviva Pedaya. Table des matières trad. en anglais. Bibliogr. p. [299]-324. Index.

Diss.--Dipartimento di studi linguistici e letterari europei e postcoloniali--Università di Venezia Ca'Foscari. / Bibliogr. Index.

Texte remanié de: Ph. D.--Boston, Mass.--University, 1982. / Bibliogr. p. 131-147. Index.

Thèse de doctorat--Eberhard-Karls-Universität Tübingen, 2001. / Notes bibliogr.

Texte remanié de: Doctoral dissertation--University of Notre Dame, 2001. / Bibliogr. p. 277-294.

Inaug.-Diss.--Cologne. / Vita. Bibliography: p. 474-482.

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Since its 1605 quarto publication, Ben Jonson's Sejanus has inspired much critical commentary. Although criticism credits Jonson with a compositorial role in the Quarto's production, critics continue to assess its marginalia as a defense against application or a scholarly pretense. Editors have pared down the marginalia, setting them as footnotes or endnotes; others have relegated them to appendices; still others have abandoned them entirely. Neither critics nor editors have weighed Jonson's marginalia beside the dramatic text they inform. Reading the Quarto Sejanus as a composite of margins and centre, within its bibliographical, theoretical, and literary contexts, shows it to be a learned study in emergent theories of historiography. In its innovations, the composite redresses the inefficacies of contemporary historians and editors. To understand Sejanus's textual interactions. the opening chapter examines tbe quarto itself. In each feature of its composition - from its title page, through its prefatory epistle, laudatory poems, and argument, to its very mise-en-page - the Quarto Sejanus declares itself the learnedly innovative product of long labour, and demands to be read as such. Chapter 2 considers the impact upon Renaissance historiographers of historiographic models, ranging from Gildas Sapiens to North's Plutarch, and theoretic models, from the Florentine to the Polybian. The composite Sejanus is innovatively Polybian in its comprehensive attention to human cause and circumstance. Sejanus' historiographic claims are tested against Shakespeare's Julius Caesar. Chapter 3 begins the process of investigating Sejanus's bibliographical innovations. The investigation begins with the reception of the scholarly text in 1605 through three interdependent early-modern practices - margination. education, and reading - to show that, having no conception of supplemenlarity, the Renaissance reader read the whole page. Chapter 4 produces something afthe Quarto Sejanus's bibliographical context through two contemporary marginated texts - Matthew Gwinne's Latin drama Nero and Sir John Harington's translation of Orlalldo Furioso. Chapter 5 tests my claims to the Quarto Sejanus's bibliographical innovation within the context created in Chapter 4. The Quarto's composite fonn transcends the limits of the text to a degree unmatched by its dramatic or historiographic contemporaries, allowing Jonson to model right and ill-reasoned action through psychologically realized characters within vividly historicized events. / Graduate