The following master’s thesis consists of an analysis of the narrative positions in the novel The Faculty of Dreams of Sara Stridsberg, a literary fantasy written about the life of the writer and radical feminist Valerie Solanas. Through my thesis I argue that the implicit author, the narratological position of the narrator, and the character called “The Narrator”, all three belong to, and constitute, the fictional character Valerie. In order to conduct this analysis I use narratological theory, with Shlomith Rimmon-Kenan and Mieke Bal as primary theorists, along with theory concerning spatiality and temporality. The analysis is backed up with metafictional theory as well as research into physical and mental reactions caused by trauma, conducted by Bessel van der Kolk. The analysis is sectioned into four parts, with every part focusing on a specific topic: “The Narrator’s” dialogues with Valerie, the novels five different sections (“Land of Bambi”, “The Oceans”, “The Laboratory Park”, “The Factory” and “Love Valerie”), the presence of the cursive fragments and finally the alphabetical lists which appear at different occasions in the novel. The novel acts as a reclamation of power as Valerie recovers her stolen voice, giving herself the opportunity of narrating her own life. The fictional character Valerie salvages her autonomy and receives her rectification by rewriting conversations which have taken place in court rooms, psychiatric hospitals and between different people in her life. She is no longer an external spectator of her own life. Instead she is the one in charge. The narratological levels have collapsed. Only Valarie remains.