Liang, Yue. / "November 2011." / Thesis (M.Phil.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references. / Abstracts in English and Chinese. / ACKNOWLEDGMENTS --- p.i / INTRODUCTION --- p.1 / Chapter Chapter One: --- "The Appearance of the ""Robust Beauty Girl"" in the late 1920s" --- p.9 / "The Infatuation with the ""Western Beauty""" --- p.10 / "The Western ""Robust Beauty Girl:"" Hollywood Film Stars" --- p.13 / "The Chinese ""Robust Beauty Girl:"" Female Students" --- p.19 / Chapter Chapter Two: --- "The Reconstruction of the western ""Robust Beauty"" in the 1930s-40s" --- p.27 / "The Suspicion on the Western ""Robust Beauty""" --- p.29 / "The Reconstruction of the western ""Robust Beauty"": critique on the ""Modern Girl""" --- p.37 / "The Kuomintang's Response to the western ""Robust Beauty""" --- p.52 / Chapter Chapter Three: --- The Construction of the Chinese Womanhood in the War Period --- p.70 / The Communist Womanhood in the Jiangxi Period --- p.72 / The Women's Steering Committee and the Wartime Womanhood --- p.80 / The New Outlook of the Communist Womanhood in the Yan'an Period --- p.91 / Chapter Chapter Four: --- "The National Communist Womanhood: the ""Iron Maiden"" in the 1960s-70s" --- p.107 / "National Model: Two Categories of the ""Iron Maiden""" --- p.109 / From Person to the Nation: Organization Form and Political Consciousness --- p.114 / CONCLUSION --- p.126 / APPENDIX --- p.132 / BIBLIOGRAPHY --- p.139

In the Maoist era, the quest for beauty was regarded as decadent Western bourgeois culture. However, more and more Chinese women have been shopping for a youthful and beautiful appearance by undergoing cosmetic surgery in recent decades. Based on ethnographic fieldwork conducted in Beijing, China, in 2006--2007, this study examines the phenomenon of the rapidly growing popularity of cosmetic surgery among Chinese women and considers the relationships between the remaking of female body image through cosmetic surgery, the reconstruction of self identity, and the reconfiguration of state power and market forces with the expansion of global consumerism in post-Mao China. The thesis suggests that the alteration of female body features through cosmetic surgery reflects in microcosm the transition of China from a Maoist socialist regime to a post-Maoist consumer society within a few decades, following its own "Chinese characteristics." Therefore, Chinese women's involvement in cosmetic surgery must be understood within the broader historical and socio-political context of China, and also must be seen both as the empowerment of Chinese women and also their ongoing subjugation to men, markets, and the state. / Wen, Hua. / Adviser: Gordon Matthews. / Source: Dissertation Abstracts International, Volume: 72-04, Section: A, page: . / Thesis (Ph.D.)--Chinese University of Hong Kong, 2010. / Includes bibliographical references (leaves 392-421). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstract and glossary also in Chinese.

Submitted in partial fulfillment of the requirements for the Degree Master of Technology: Graphic Design, Durban University of Technology, Durban, South Africa, 2014. / The aim of this study was to investigate how images of women in the media that espouse women’s empowerment can indeed have the opposite effect and may even contribute to lowered self-esteem in women. To this end, this project is intended to explore issues such as body image and image manufacture in order to find a possible answer to the question of what is ‘real beauty’ in the South African context. A semiotic approach seeking to review the ways in which women are seen through visual communicative images was undertaken. This visual research revealed the importance of the ‘gendered gaze’ at the centre of issues that relate to self-esteem. An in-depth analysis of the literature, pertaining to self-esteem, interrogated the works of Naomi Wolf, John Berger and Susie Orbach, amongst others. This was carried out in order to understand more about how the dictates of consumerism pervade the work of the style industries. These sectors are well supported by the diet, food and cosmetic surgery industries who tend to effectively increase and add to a sense of body related insecurities. In addition, content analysis of selected South African editions of Cosmopolitan magazine was conducted. The images described represents a significant development period in the emergence of certain beauty ideals in South Africa. The British Unilever marketing campaign, The Dove Campaign For Real Beauty, was used as a base model for the applied design component of this study. In addition an action research approach was employed through a series of interviews and questionnaires directed at mostly female participants in South Africa. This method revealed that self-esteem issues have far reaching implications, affecting women of all ages. As a response to the perceived need for a South African based campaign, this research project informed the development of The Sisterhood Self-Esteem Crusade. In contrast to The Dove Campaign For Real Beauty which was created to promote increased sales of beauty products, The Sisterhood Self-Esteem Crusade’s focus is to interrogate and raise awareness of self-esteem. Underpinning this was an attempt to build confidence, cascade new ways of understanding and to propagate sense making, informed through action research, amongst South African women.

This research project examines the experiences of women who have undergone elective cosmetic breast surgery. Drawing from qualitative in-depth interviews with twenty four women, this study examines why these women were willing to undergo dangerous and invasive cosmetic surgery procedures to change the appearance of their breasts. It is argued that although the women exercised agency in their decision-making, their choices were severely constrained by a culture that rewards women for conforming to feminine beauty norms, and sanctions those who do not. The women’s experiences further reveal that their decisions often “cut both ways.” These women’s decisions “cut both ways,” because while the women acquired personal benefits, these came with significant physical and emotional costs. Finally, it “cuts both ways,” because while these women personally benefited, their decisions result in the reproduction of the current beauty system and uphold the unjust feminine beauty norms on which it is based. / viii, 228 leaves ; 29 cm.

The current study investigates whether there are there ethnic differences between Caucasian, African American, and Hispanic women in (a) weight bias, (b) body ideals, (c) social awareness and internalization of appearance standards and (d) physical activity in relation to these constructs. Participants included 130 Caucasian, 103 African American, and 52 Hispanic undergraduate female students. Participants completed a demographic survey, the Antifat Attitudes Test, the Figure Rating Scale, the Sociocultural Attitudes toward Appearance Questionnaire, and the Multiethnic Identity Measure questionnaire. No significant ethnic group differences in weight bias emerged. Differences were found for participants' perceptions of the culturally ideal female body shape, as well as awareness and internalization. No relationship was found between physical activity and weight bias, body ideals, and appearance standards. Future researchers should use health weight classifications, in addition to ethnicity, to examine weight bias, body ideals, and physical activity.

This project investigated body image issues of girls aged 13-19 years old. It surveyed a random sample of 100 girls via a self-administered questionnaire. The study found that most teen girls have a celebrity actor idol and that the majority of teen girls are self conscious regarding body shape and weight.

This dissertation layers trauma studies theory with feminist theories of performance and autobiography to investigate how women's autobiographically based performances of illness experience disrupt and/or reinforce master discourses of medicine, identity, and knowledge. Feminist theories of performance and autobiography share with trauma studies the distrust of traditional frames and mechanisms of representation, and seek to discover new methods of interpreting experiences that lie "outside the realm" of normative discourse. These theories are further linked by their shared focus on agency and identity construction and an understanding of autobiography that emphasizes the limitations of language and memory which allows for aporia, contradiction, and dissonance, and the belief that testimony functions as a politicized performative of truth. Employing these theoretical perspectives, Carr investigates how these performances witness to radical reconfigurations of identity through the transference of trauma into conveyable life narrative -- even when those narratives falls outside the paradigm of traditional storytelling structures. Carr questions how the structures and content of these performances reveal what traumas are inflicted not only through illness, but also through treatment and care within the western medical model. Throughout the study Carr examines the moments when the cognitive structures of trauma are transmitted into performance through a variety of feminist and avant-garde performance techniques. Carr investigates the work of specific performers and contextualizes the performances within popular culture and medical discourse. Performances analyzed include; Robbie McCauley's Sugar, Susan Miller's My Left Breast, Brandyn Barbara Artis's Sister Girl, and Deb Margolin's bringing the fishermen home and Three Seconds in the Key. Carr questions how the formerly or currently ill female body performing in public disrupts notions of fixed and stable identity while examining the myriad identity constructions embedded within illness narrative. Rather than simplistic triumphant stories of individual cure and recovery, these complex expressions of traumatic experience reveal patterns of cultural oppression that keep the ill female body isolated and silenced. This study attempts to intervene in that silence by foregrounding these politicized performances.

Ethnic differences in etiological factors linked to body image dissatisfaction and eating disorders were examined. In addition, the interaction of acculturation and body image dissatisfaction in influencing minority women's relationships with their parents was investigated. Participants consisted of 302 undergraduates from three ethnic groups: Caucasian, Hispanic American, and African American women who were administered self-report measures. Differences were not found between the groups in body image dissatisfaction. Low self-esteem, internalization of the thin ideal, and family emphasis on weight and appearance were all related to more body image dissatisfaction for each of these groups; however, differences in degree of endorsement were also noted between the ethnic groups on these factors. Based on the interaction findings (body image x acculturation) separation from one's mother was found in the area of attitudes and emotions for the Hispanic sample but not for the African American sample on any of the parent scales. Areas for future research and implications for diagnosis and treatment of minority populations are also discussed.

Indiana University-Purdue University Indianapolis (IUPUI) / This paper describes the influence of body satisfaction, weight satisfaction, and BMI on sexual behaviors among female college students.