This thesis examines the British monarchy in the eighteenth century and how the philosophy of Frederick, Prince of Wales, helped to shape that monarchy. The early Hanoverians were seen with contempt by many of their subjects, often being ridiculed as ignorant outsiders. They helped matters none by their indifference to Britain, its people, or its culture. Prince Frederick, George II’s eldest son, however, changed all of this. His philosophy on kingship, influenced by Henry, Viscount Bolingbroke’s work, The Patriot King, helped to change the perception of the Hanoverian dynasty. When Prince Frederick died in 1751 before he could take the throne, it was left up to his son, Prince George, to carry out Frederick’s vision. As George III, he fulfilled the philosophy and became the embodiment of the patriot king. This resulted in a surge in popularity for the Hanoverians, solidifying their place on the British throne.

Made available in DSpace on 2016-08-03T12:30:01Z (GMT). No. of bitstreams: 1 RenatoSilva.pdf: 3937691 bytes, checksum: 1162c11b718dde0c1623b2bd227108bf (MD5) Previous issue date: 2014-09-03 / This research seeks to highlight and analyze the construction of symbolic representations, imaginary and media of the British monarchy the narratives in contemporary Brazilian TV journalism, present in their rituals and ceremonial events, making them media events relevant in the programming of the highest-rated stations in the country and recurring theme on the agenda of the media surveyed. Analyses the mythical and symbolic dimension of building their representations, which, to be played and displayed on television, you get greater range and communicational media along the different local cultures, in broad global spectrum. To this end, combines a historical and bibliographical research with an empirical research focused on the analysis of telenews narratives, present in the Globe and Record network between 2010 and 2013. It was defined in the images and telenews narratives corpus of is research, by its scope and distribution, as well as reference / Esta pesquisa busca evidenciar e analisar a construção das representações simbólicas, imaginárias e midiáticas da monarquia britânica contemporânea nas narrativas do telejornalismo brasileiro, presentes na exibição de seus eventos rituais e cerimoniais, tornando-os acontecimentos midiáticos relevantes na programação das emissoras de maior audiência do país e tema recorrente na pauta dos meios de comunicação pesquisados. Analisa a dimensão mítica e simbólica da construção de suas representações, as quais, ao serem reproduzidas e exibidas pela televisão, ganham maior alcance comunicacional e midiático junto às diferentes culturas locais, no amplo espectro global. Para tanto, combina uma pesquisa bibliográfica e histórica com uma pesquisa empírica voltada à análise de narrativas telejornalísticas, presentes nas emissoras Globo e Record entre 2010 e 2013. Definiu-se nas imagens e narrativas telejornalísticas o corpus dessa pesquisa, por seu alcance e distribuição, além de referência, audiência e preferência popular entre os diversos veículos de comunicação no Brasil e no mundo.

This thesis investigates the ceremonial and artistic strategies of the British monarchy in the years following the Glorious Revolution. By adopting a range of methodologies used in the study of visual culture, the thesis considers royal ceremonies as channels for conveying political messages non-verbally. These could affect attitudes to the monarchy, and inform artistic output. By paying particular attention to the way royal participants performed ceremonially in relation to the various formal and informal architectural settings for the court, the thesis highlights the process of seeing as a communicative act. Being alert to the impact of royal ceremonial and artistic activities on contemporary audiences, the thesis also considers the dissemination of royal imagery in England by commercial means. The thesis surveys paintings, prints and medals produced in England, and places the intended audiences at the centre of the analysis. It also pays keen attention to the impact of war on royal image making, and highlights the political context of continental Europe, especially in relation to William’s role as Stadholder-King but also the exiled Stuart court at St Germain near Paris. The evidence presented here supports a number of conclusions. Firstly, war had a profound impact on all aspects of royal image making. Secondly, royal behaviour and involvement in ceremony were vital elements in the visual presentation of monarchy. Kings and queens were of paramount importance, but their consorts were highly significant. Art was also taken seriously by the monarchy and the Crown tightened controls on royal image making during the period in question. The thesis also concludes that the nationalities of the incumbent monarchs and their consorts, along with their previous experiences and personalities, influenced their individual approach to visual representation. These approaches could shift depending on political circumstances and the personal inclinations of the person concerned.