This thesis demonstrates the significance of Food Vessel pottery and burial in Northern England during the Early Bronze Age (c.2200 to 1800 cal BC). It represents the first original and sustained study of this burial tradition for several decades. It is argued that the interwoven relationships between Food Vessels, other ceramic types, and trade and exchange networks are both a reason why the tradition has posed interpretative problems for prehistorians, and a central component of its significance during the Early Bronze Age. The chronological relationships between British Food Vessels and other ceramic and funerary traditions are reviewed using the first comprehensive and critically assessed dataset of radiocarbon determinations. Previous approaches to Food Vessel typology are critically reviewed and a new approach based on the ‘potter’s perspective’ and contextual studies is proposed. A contextual approach is applied to Food Vessels from three regions of Northern England: the Northern Counties; North-East Yorkshire, the central lowlands and North-West England; and South-East Yorkshire. Each study reveals significant inter- and intra-regional similarities and differences in how Food Vessels were used and understood. The significance of Food Vessel pottery and burial is then discussed at a national scale.

Chlemoutsi was the most important castle of the Principality established in the Peloponnese after the Fourth Crusade. The glazed pottery of the Frankish period (early 13th - early 15th c.) is almost exclusively Italian, reflecting the connections of the Principality of Achaea with Italy and illustrating the tastes of the Latin elite in ceramics. The pottery proves that the castle remained important after the end of the Frankish occupation and indicates its decline in the 18th c. The ceramic material of the Post-Byzantine period reflects the incorporation of the castle into the Ottoman Empire, the relations it developed with the rest of Greece, but, also, the continuation of its close connections with the West. Although a Turkish castle for most of the period between 1460 and the early 19th c., its imported pottery is mainly Italian, while the number of Islamic ceramics is small. The close political and economic relations with Italy developed after the Fourth Crusade, the Venetian interests in the Peloponnese, the constant Venetian occupation of the neighbouring Ionian Islands and the direct access to the Ionian Sea and Italy seem to have made the NW Peloponnese one of the most strongly Western-influenced areas of the Greek mainland.

This dissertation presents a discussion on the Late Antique (fifth to eighth centuries AD) landscapes of Cyprus based on the archaeological, environmental and historical records. This dissertation argues that apart from being an economically well-integrated province, Cyprus was also well-integrated into the large social and strategic trajectories of the Late Antique east Mediterranean. This study also uses archaeological data generated by the Sotira Archaeological Project (SAP) to examine the Late Antique landscapes in the south coast urban settlement of Kouion's hinterland. Interestingly, the majority of the loci recorded by the SAP are interpretable as either estate centres or farmsteads. Analysis of these loci revealed the existence of a comparatively complex Late Antique landscape that embodied aspects of the manifold relationships between the productive, commemorative, and authoritative landscapes of Kourion's hinterland during this period.

This work discusses change and continuities taking place in the transition from the Late Bronze to the Early Iron Ages in Greece. The geographical range will cover the eastern mainland (including Euboea), Naxos and Knossos, in a period starting from the final palatial culture of LH IIIB2/13th century and ending with the Proto-Geometric/10th century burial evidence. In order to collect and observe the archaeological evidence several tombs assemblages have been researched from both original reports and visits to relevant Greek museums. Finds have been tabulated, and continuities, innovations and losses have been identified. The major categories of material evidence analysed included pottery, metalwork and jewellery but also the form of the tombs and the manner of the burials were considered. The final analysis of these categories of evidence refutes theories of major and or abrupt change, whether caused by invasion or natural phenomena. It rather indicates social modifications following the loss of the palatial centres and their administration and culminating in their gradual replacement by new forms of social structure. Although not directly demonstrable from the existing evidence, a possible scenario is proposed to explain the frequent indications of influence from SE and Central Europe during this transition.

This thesis explores the mechanisms of relations between the Aegean (focusing on Crete and Aegean islands such as Thera) and Egypt (including the Hyksos) from 1900 to 1400 BC. A fundamental tool has been the creation of a searchable database of the portable finds (at the moment, a unique resource) classified as Aegean, Egyptian, Aegeanising, Egyptianising, etc. In addition, the Avaris frescoes and the Aegean processional scenes in Thebes were examined in detail. Two approaches were applied to this evidence of Aegean-Egyptian interactions: World Systems Theory, applied here consistently and in depth (as opposed to earlier, broader discussions of Eastern Mediterranean interactions) and, for the first time in this field, Game Theory. The principles of this approach have been tested and found valid for this data. In contrast to World Systems Theory, Game Theory highlights the role of individuals in Aegean-Egyptian interactions, and not solely the roles of states. It has also enabled the exploration of the causes behind historical events and the mutual benefits of contact, as well as emphasising the factors that promoted mutual stability in the Eastern Mediterranean. As a result it has been possible to show that the Aegeans were key players in Eastern Mediterranean relations.

The present study synthesiszes archaeological and historical evidence concerning Attica (Greece), the hinterland of Athens, in the Early and Middle Byzantine periods (4th-12th c.). Although the Byzantine monuments of Attica have been thoroughly studied, no coherent picture of how these relate to broader patterns of occupation and land usage has thus far been presented. In the main, the period under discussion is generally interpreted in three ways: Regarding Late Antiquity, research has often focused on the transition from paganism to Christianity, and to the characterisation of Attica as a ‘stronghold of paganism’. During the so-called ‘Dark-Ages’, Attica is most often presented as being ‘desolate’. Regarding the Middle Byzantine period, archaeological research is dominated by architectural and art-historical study of churches. The present study presents Attica within wider trends which took place in the Byzantine Empire, and which caused its transformation in terms of demography, settlement pattern, administration, road networks, economy, defense and ecclesiastical institutions. After a detailed catalogue and interpretation of all available archaeological material, Attica appears less ‘exceptional’ in Late Antiquity, less ‘desolate’ in the ‘Dark-Ages’, while in the Middle Byzantine period, emergence of a strong local elite matches the erection of monuments of high artistic quality.

My Ph.D. dissertation examines the history and archaeology of the monastic institutions of Thrace between the tenth and the late fourteenth centuries. Primarily concerned with the fundamental aspects of monastic life and its modes of interaction with lay society, I sought to investigate the life-cycle, topography and spatial composition of monastic communities in the western hinterland of the imperial capital of Byzantium, the city of Constantinople. My second objective was the investigation of the cultural, economic, and social aspects of the relationship between Thrace and Constantinople as evidenced in the surviving material culture, which consists mainly of architecture and decorative programmes. I followed an interdisciplinary methodology that brings together the systematic analysis of a large corpus of texts associated with monastic institutions -namely wills, monastic foundation documents, monastic archives, letters and imperial laws- with the results of three seasons of archaeological fieldwork. I conducted extensive surveys and recorded remains of monastic complexes including churches and refectories on Mount Ganos (Turkey), on the southern Rhodope Mountains (Greece) and in the cities of Sozopolis and Mesembria (Bulgaria), and explored the cultural ties with Constantinople and other meaningful centers of the Byzantine world.

This dissertation demonstrates that the presence of Latin basilissai, Catholic wives of the Byzantine despots of Morea, in Mystras between 1349, when the city became the seat of the Despotate, and 1460, when it was surrendered to the Turks, had an impact on the artistic and cultural production at court. These foreign women were agents of the ruling political and economic elites of Italian and Frankish courts, and expressed their agency by mediating their specific cultural and artistic traditions into the production of their adopted city. Art and cultural historical approaches, in which attention is focused on painted and sculpted details, inscriptions, archaeological remains, architectural design, and urban planning, are used to show that the Latin women were historical agents, whose presence can be detected in Mystras. A multidisciplinary analysis of case studies reveals cross-cultural motifs in the artistic production, demonstrating the relationship between pieces of evidence. The production of the workshops of Mystras expressed features that were, in some cases, responses to Constantinopolitan and Byzantine models, while, in others, autonomous and innovative, revealing complex cross-cultural references. Ultimately, this study shows that the particular cultural and artistic landscape of Mystras is indebted to exogenous cultures linked to these women.

During approximately twenty-five years of the early to mid-sixteenth century, a hitherto largely unnoticed series of Caen stone tombs were erected in Sussex and Hampshire churches with designs that emphasized religious imagery. These crudelycarved but high-status monuments displayed the piety of those commemorated and included a transitional mixture of Gothic and Renaissance motifs. Strong circumstantial evidence suggests they were carved by masons in Chichester, employed within a cathedral ‘works organisation', who could offer lower transportation costs than those producing Purbeck marble tombs in London and Corfe, Dorset. The tombs satisfied the religiously conservative taste of local patrons with at least 14 tombs being designed as Easter Sepulchres. Later monuments appear incongruous when set against the backdrop of state-inspired change in religious doctrine and were among the last carved in the medieval tradition. As the pace of the Reformation quickened, the iconoclastic policies of the radically Protestant government of Edward VI constricted the masons' operations and probably brought their business to an end around 1550 - despite diversification into secular work. Employing archæological recording techniques and archival research, this project identifies and catalogues, for the first time, the 32 surviving examples of these masons' output, which demonstrate a much greater production rate and wider distribution than previously published. The project also investigates the destruction of the monuments' religious iconography by Protestant reformers, probably in 1548-53, and/or the erasure of devotional motifs by relatives in attempts to protect the tombs from damage. In addition, the project explores issues of patronage, the sources of the masons' designs, their construction methods and places them in the context of tomb production in London and the provinces in the mid-sixteenth century.

This thesis surveys the ninth-century metallic threads decorating silks discovered at Famen temple in Shaanxi province, China. In this research, metallic threads decorating Famen silks have been studied and documented in detail in order to understand how they were produced and how they were applied. Samples of metallic threads were selected and optical microscope and SEM/EDS were used to determine their morphology and composition. Problems regarding the current terminology used to describe metallic threads are briefly considered, and a systematic renaming of different types of metallic threads is suggested. Analysis results show that most Famen metallic threads were made of gold strips without substrate wound around a fibrous core, and that very few are silver strips without substrate wound around a fibrous core. Silver strips with paper substrate wound around a fibrous core are found among Famen silks, providing very early examples of this type of metallic thread in the world. Technical evidence demonstrates that the Famen metallic strips were cut from hammered metallic foil. It was found that metallic threads of different metal composition with different physical characteristics were selected according to the decoration techniques used and the function of the silks. The use of metallic threads with different grades of evenness in dimension and morphology for different decoration techniques was also found. The gold contents of these gold threads are all very high, and the thicknesses of the gold strips are large. All these characteristics are probably related to the function of Famen silks as objects of Buddhist worship that had been donated to the temple by members of the Tang imperial family and other high-ranking people. Technical investigation into the manufacture of modern traditional Chinese metallic threads was carried out in this research. Combined with analysis of the morphological, structural, and material nature of Famen metallic threads, the key technical characteristics of modern traditional metallic threads were found, which provided important evidence for deducing the manufacturing techniques of Famen metallic threads. Successful reconstructive experiments that produced metallic threads similar to Famen metallic threads were carried out in the laboratory by the author. The use of other known related techniques to produce Famen metallic threads was eliminated on technical grounds. With the above evidence, the manufacturing of Famen metallic threads, especially how the metallic strips were wound around the fibrous core, are reasonably deduced here. By investigating a number of currently accessible Chinese historical metallic threads from other periods, the evolutionary principles of Chinese metallic threads are concluded. The special characteristics of Famen metallic threads, the reasons determining these characteristics are better understood, and their role in the development of Chinese metallic threads is assessed.