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Thesis (Ph.D.) -- McMaster University, 2001. / Includes bibliographical references (leaves 429-460). Also available via World Wide Web.

ABSTRACT Marimba Rossa is a three-movement concert piece for marimba and symphony orchestra. The 14-minute piece is written in the spirit of the Italian Baroque concertos of Antonio Vivaldi (the "Red Priest" for whom the piece is named), using a harmonic and rhythm language that is heavily influenced by the concert and pop music of the late twentieth-century. Marimba Rossa was composed with the concept of Ars Combinatoria in mind. First espoused by George Rochberg in 1973, Ars Combinatoria is concert music that uses musical gestures drawn from any musical tradition. The accompanying monograph provides a detailed history of the modern concert marimba and an account of the evolution of its concert and popular music repertoire. Specific information about the marimba's origins in Asia, its place in the Bible, the development of the European strohfiedel xylophone, the refinement of the instrument in America, and a discussion of the Guatemalan, Mexican, and Japanese / Music Composition / Accompanied by two .pdf scores: 1) Marimba Rossa: for marimba and orchestra. 2) Marimba Rossa I.

The Arbëresh of Italy founded their communities in the 1400s when they were forced to flee their homeland, Albania, as the country was conquered and ruled by the Ottoman Empire. For centuries, they kept a close community in the Italian villages preserving their language, culture, rituals and traditions. These elements have defined them as “others” in the Italian community over the centuries, but today, they are better described as Italians who also embrace the Arbëresh culture. This dissertation explores the narratives of Arbëresh authors such as Carmine Abate, Anna Stratigò, and Pino Cacozza, who have preserved glimpses of their culture in their writings, thus creating an oasis that I call “the Arbëresh Utopia.” I situate them in the larger context of Arbëresh history, and in the environment where their stories are located. A recent research conducted through interviews in the Arbëresh towns of Calabria, will add an important “lived” tassel of information, by exploring the Arbëresh culture today in a state of what Michel Foucault calls heterotopia. After many years of living in a closed community, the Arbëresh have learned to live by addition. / Includes bibliography. / Dissertation (Ph.D.)--Florida Atlantic University, 2017. / FAU Electronic Theses and Dissertations Collection

The aim of this thesis isto investigate the urban structure of two Italian towns based upon physicalstructure and social function. The towns are Bova and Bova Marina in theancient Greek part of Calabria, Area Grecanica. This is done by answering theresearch questions about how the urban structures are and what preconditionsthere are for public life and in extension social capital. This is alsocompared to the discourse in research about Calabria as a region lacking behindas well as the Greek cultural heritage. The thesis was conducted during onesemester spent in the area and based upon qualitative research in form ofobservations of the towns, mapping, textual analysis and interviews. Theresults showed that the urban form of the two towns differ from each otherbecause of their history and their localisation. Bova is an ancient town in themountains that is separated through topography, and therefore conserved withmany old structures but few inhabitants, suffering from out-migration. BovaMarina is placed on the coast of the Ionic Sea, south of Bova and connected tothe region by train and roads, while Bova is mainly connected to Bova Marina.Bova Marina was founded as a town in late 19th century and expanded a lotbecause of the railroad. It is a town with inconsistent walking network, a lotof traffic and houses in bad condition. Due to this the conclusion was that theurban form in both towns are seemingly bad for public life, but theobservations showed that there was intense social activity in public spacesnevertheless which generates social capital. Despite this the social capital isin research presented as bad in the Area Grecanica, something that might haveto do with a history of being neglected as well as lack of control over theirown area / Syftet med denna avhandlingär att undersöka stadsstrukturen i två italienska städer baserat på fysiskstruktur och social funktion. Städerna är Bova och Bova Marina i den antikagrekiska delen av Kalabrien, området Grecanica. Detta görs genom att svara påfrågorna om hur stadsstrukturerna är och vilka förutsättningar det finns fördet offentliga livet och i förlängningen social kapital. Detta jämförs också meddiskursen i forskning om Kalabrien som en region som avbefolkas och riskeraratt förlora det grekiska kulturarvet. Avhandlingen genomfördes under en termini området och är baserad på kvalitativ forskning i form av observationer avstäderna, kartläggning, textanalys och intervjuer. Resultaten visade att de tvåstädernas urbana form skiljer sig från varandra på grund av deras historia ochlokalisering. Bova är en gammal stad i bergen som separeras genom topografi ochkonserveras därför med många gamla strukturer men med få invånare på grund avutvandring. Bova Marina ligger på kusten av Joniska havet, söder om Bova ochansluten till regionen med tåg och vägar, medan Bova är huvudsakligen anslutentill Bova Marina. Bova Marina grundades som en stad i slutet av 1800-talet ochutökades mycket på grund av järnvägen. Det är en stad med inkonsekventgångnätverk, mycket trafik och byggnation i dåligt skick. På grund av detta varslutsatsen att stadsformen i båda städerna ur vissa aspekter är uppenbart dåligför det offentliga livet, men observationerna visade att det fanns intensivsocial aktivitet i offentliga utrymmen som emellertid genererar social kapital.Trots detta är det sociala kapitalet i forskning presenterad som dålig iområdet Grecanica, något som kan ha att göra med en historia av att försummassåväl som bristande kontroll över sitt eget område

La recherche vise à revoir et analyser la situation du site archéologique de San Pasquale de Bova Marina (RC). Le site, découvert en 1983, a fait l'objet de fouilles archéologiques depuis 1985 qui ont révélé des structures légères de grande importance, parmi lesquelles se trouve un bâtiment classé comme une synagogue juive et daté du IVe siècle de notre ère. À côté de la structure juive ont été mis au jour d'autres bâtiments légers et deux zones de sépulture. Jusqu'à présent, la vie de la synagogue avait été datée du quatrième au sixième siècle de notre ère et les zones funéraires ont été mises en phase avec elle. Grâce à cette recherche, menée sur des documents et à travers une série de fouilles archéologiques, nous avons montré que la durée de vie de la synagogue ne va pas au-delà du milieu du Ve siècle et les deux cimetières ne sont pas reliés à elle. Nous reconstituons aussi plus précisément les différentes phases de la vie du bâtiment juif et leur développement. L'accent est mis sur des reconstructions tridimensionnelles de la mosaïque et de la salle de prière. Nous avons également constaté des différences profondes avec l'autre synagogue découverte en Italie, à Ostie, tandis que nous avons trouvé des points de contact avec les synagogues de la terre d'Israël, en particulier celles de la vallée de Beth Shéan. Le site de S. Pasquale di Bova Marina a donc connu une présence juive à partir du quatrième siècle jusqu’au milieu du cinquième lorsque la zone a continué à être utilisée principalement comme zone d'inhumation, puis l’arrêt de tout type de fréquentation au septième siècle, à l’instar d'autres sites sur la côte ionienne de la Calabre. / The research aims to reconsider and analyze the situation of the archaeological site of San Pasquale of Bova Marina (RC). The site, discovered in 1983, was the subject of archaeological investigations since 1985 and brought to light structures of great importance, among which is a building identified as a Jewish synagogue and dated to the fourth century of our era. Along with the Jewish structure, were brought to light other buildings and two burial areas. Until now, the life of the synagogue had been dated from the fourth to the sixth century of our era and burial areas were put in phase with it. Through this research, carried out on documents and through a series of archaeological excavations, we have shown that the life of the synagogue does not go beyond the middle of the fifth century and the two cemeteries are not connected to it. We also reconstruct more accurately the various phases of Jewish building life and their development. Fundamental point were the three-dimensional reconstructions of the mosaic floor of the classroom and of the hall of the prayer. We also found profound differences with the other synagogue discovered in Italy, at Ostia, while we found important points of contact with the synagogues of the Land of Israel, in particular those of the valley of Beth She'an. The site of S. Pasquale of Bova marina, then, saw a Jewish attendance from the fourth century to the middle of the fifth when the area continued to be used primarily as a burial area and then stop any type of attendance in the seventh century, as other sites places on the Ionian coast of Calabria.

La tesi esamina il rapporto tra le opportunità di integrazione che gli immigrati hanno in Italia e la possibilità che essi facciano ricorso al crimine. L'analisi della legislazione italiana evidenzia come gli ostacoli, e la discrezionalità delle pratiche, legati al soggiorno regolare sul territorio rendano difficile l'integrazione degli stranieri nella società. Di conseguenza, la capacità degli immigrati di adottare proprie strategie di adattamento (basate sul capitale individuale e sul capitale sociale) alla loro situazione acquista fondamentale importanza. Per verificare empiricamente tali concetti, ho intervistato un campione di stranieri, sia all'interno che all'esterno del carcere, al fine di ricostruire la loro esperienza migratoria e confrontare le "strategie di integrazione" dei detenuti con quelle dei non detenuti. Dalla ricerca è emerso che, a parità di difficoltà incontrate in Italia, e pur essendosi rilevati in entrambi i gruppi periodi di irregolarità (legati alla mancanza del permesso di soggiorno), gli stranieri non detenuti erano riusciti ad adottare più efficaci strategie di integrazione - intese quali fattori protettivi dal coinvolgimento in attività criminali - che non gli stranieri intervistati in carcere. Inoltre, la relazione tra integrazione e criminalità è stata analizzata, in particolare, in Calabria ed Emilia-Romagna attraverso interviste in profondità con un più ristretto campione di stranieri detenuti negli istituti penitenziari delle due regioni. Attraverso interviste con alcuni osservatori privilegiati, infine, sono state esaminate le strutture delle opportunità sia legittime che illegittime presenti in ciascun contesto regionale. / The thesis explores the relationships between the possibilities of integration of migrants in Italy and the eventuality of foreigners' recourse to crime. From the analysis of Italian laws emerges that legal obstacles, and the discretionary nature of practices, linked to a regular sojourn, make integration particularly difficult. Therefore, the ways in which migrants are able to mobilize strategies of adaptation (based on individual and social capital of foreigners) to their situation are crucial to their final success. In order to test these concepts empirically, I collected the stories of a sample of foreigners - interviewed within and out of prisons - and compared "integration strategies" of inmates and non-detainees. From the research resulted that, starting from similar difficulties encountered in Italy, and even if both groups experienced periods of irregularity (due to the lack of residence permits), foreigners out of prison had been able to more effectively mobilize their skills of social integration - meant as a protective factor from involvement in crime - than inmates. Furthermore, the relationship between integration and crime has been explored, in particular, in the two Italian regions of Calabria and Emilia-Romagna through in-depth interviews with a smaller sample of foreigners detained in regional prisons. Also the structure of both legitimate and illegitimate opportunities in each region has been analyzed through interviews with key informants.

The aim of this diploma thesis is to analyze the development of key economic indicators and indicators of tourism and determination of trends of Italian economy and tourism in the last years. The first chapter is about the influence of the global financial crisis on the development of Italian economy and the economic competitiveness. This chapter also analyzes the measures which were approved by Italian government in effort to improve the state of the economy after the crisis. The second chapter defines the tourism in Italy and describes the development of inbound, outbound and domestic tourism, Italian tourism trends and the tourism competitiveness of Italy. The third chapter compares Italy, Portugal, Greece and Spain in terms of economic level and position of these countries in the international tourism market. The last part of this thesis is devoted to the comparison of Italian regions Lombardy and Calabria which are analyzed by chosen indicators for purpose of showing regional differences between both regions.

Le bassin Ionien, en Méditerranée centrale, abrite une zone de subduction à vergence Nord-Ouest où la plaque Afrique plonge sous les blocs Calabro-Péloritain au Nord-Est de la Sicile. Cette subduction résulte de la lente convergence entre les plaques tectoniques Afrique et Eurasiatique. Bien que de nombreuses campagnes d’exploration scientifique ont été menées dans cette zone particulière, plusieurs questions géodynamiques restent débattues. Tout d’abord la croûte pavant le bassin Ionien pourrait être soit de nature continentale amincie et représenter une extension de la plaque Afrique, soit océanique (Néo-Téthys) faisant de ce bassin l’un des plus anciens domaines océaniques au monde. L’escarpement de Malte représente un vestige de l’ouverture du bassin, mais les mécanismes de rifting et notamment la géométrie d’ouverture du bassin restent débattus. Cette subduction est en retrait vers le Sud-Est depuis les derniers 35 Ma, mais est aujourd’hui confinée à l’étroit bassin Ionien. Afin d’accommoder ce retrait de la plaque plongeante dans le bassin, une grande faille de déchirure lithosphérique de bord de subduction (STEP fault en anglais pour « subduction Transform Edge Propagator ») doit se propager le long de la marge Est-Sicilienne. Cependant, sa position en surface reste difficile à déterminer dans l’épais prisme d’accrétion recouvrant le bassin. Ces questions ont été explorées par modélisation des données de sismique grand angle de la campagne DIONYSUS (Octobre 2014, R/V Meteor) le long de deux profils perpendiculaires à la marge Est-Sicilienne. Des modélisations gravimétriques en 3D ont aussi été réalisées dans le but de localiser la plaque plongeante en profondeur sous les blocs Calabro-Péloritains. La sismicité des trois structures majeures du bassin : l’escarpement de Malte, l’AFS (Alfeo Fault System), et l’IFS (Ionian Fault System) a permis d’étudier leurs activités à l’actuel. Les résultats obtenus permettent d’observer une croûte océanique au fond du bassin. La structure profonde de l’escarpement de Malte est observée comme une zone d’amincissement crustal abrupt, ce qui est caractéristique des marges transformantes. Un profond bassin sédimentaire asymétrique (11 km) est observé au Sud du détroit de Messine. Il s’est probablement ouvert récemment entre les blocs continentaux Péloritain et Calabre. Dans le lobe Ouest du prisme d’accrétion Calabrais, le modèle de vitesse permet d’observer l’indentation du prisme clastique interne dans le prisme évaporitique externe. Des modélisations analogiques utilisant sable et silicone ont permis de démontrer la récente activité de ce lobe. L’interprétation des modèles de vitesse permet de localiser la faille STEP le long de l’AFS sur les deux profils. / In the Ionian Sea (central Mediterranean) the slow convergence between Africa and Eurasia results in the formation of a narrow subduction zone. The nature of the crust of the subducting plate remains debated and could represent the last remnants of the Neo-Tethys ocean. The origin of the Ionian basin is also under discussion, especially concerning the rifting mechanisms as the Malta Escarpment could represent a remnant of this opening. This subduction retreats toward the south-east (motion occurring since the last 35 Ma) but is confined to the narrow Ionian basin. A major lateral slab tear fault is required to accommodate the slab rollback.This fault is thought to propagate along the eastern Sicily margin but its precise location remains controversial.This PhD project focussed on the deep sedimentary and crustal structures of the eastern Sicily margin and the Malta Escarpment (ME). Two two-dimensional P wave velocity models were modelled by forward Modelling of wide-angle seismic data, acquired onboard the R/V Meteor during the DIONYSUS cruise in 2014.A 3D gravity model of the region was also performed to constrain the depth of the subducting slab bellow the Calabro-Peloritan backstops. The seismicity of the three structures identified in the velocity models (ME, Alfeo fault System, Ionian Fault System) permits to study their recent activity. The results image an oceanic crust within the Ionian basin as well as the deep structure of the Malta Escarpment, which presents characteristics of a transform margin. A deep and asymmetrical sedimentary basin is imaged south of the Messina strait and seems to have opened between the Calabrian and Peloritan continental terranes. In the western lobe of the Calabrian accretionary prism, the southern velocity model allows to observe the indentation of the internal clastic wedge into the external evaporitic wedge, thus showing the recent activity of this lobe. The interpretation of the velocity models suggests that the major STEP fault is located east of the Malta Escarpment, along the Alfeo Fault System.

[IT] L’obiettivo principale di questo studio consiste nel verificare se l’insegnamento musicale, e in particolar modo la pratica musicale d’insieme (dalle piccole formazioni a quelle orchestrali), sia in grado di facilitare i processi di inclusione in alcuni contesti sociali e didattici compromessi per differenti cause. Per dare risposta a questa domanda, la ricerca ha rivolto la sua attenzione sull’insegnamento musicale nelle Scuole Secondarie di Primo Grado italiane con studenti di età compresa tra 11 e 14 anni e, in concreto, in una scuola calabrese che, nell’ambito della sua offerta formativa, propone il corso di Strumento Musicale; tale materia offre ad alunne e alunni la possibilità di frequentare lezioni di strumento sia a livello individuale sia d’insieme. Partendo da questo obiettivo di carattere generale, si è ritenuto utile anche verificare se le Scuole Secondarie di Primo Grado ad indirizzo musicale italiane (e in particolar modo la pratica musicale d’insieme ad esse correlata) stiano svolgendo una funzione didattico-sociale che varca non solo i confini di una semplice materia scolastica, ma anche quelli dello stesso istituto, con ricadute positive per tutta la società e il territorio circostante. Nonostante l’indirizzo musicale sia ormai una materia presente in molte delle Scuole Secondarie di Primo Grado italiane, la scelta dello studio in questione è ricaduta su una realtà musicale che negli ultimi dieci anni si è fatta conoscere su tutto il territorio nazionale per il forte impatto sociale che la pratica musicale d’insieme ha avuto per l’intera comunità circostante. La ricerca, infatti, si è svolta nella scuola “G. B. Marzano” di Laureana di Borrello (Calabria-Italia) dove il corso di Strumento Musicale è riuscito, grazie anche a una sinergia di intenzioni e lungimiranza di impegni con l’altra realtà musicale del paese (orchestra “Ragone”), a esercitare una forte influenza di coesione sociale che ha oltrepassato gli stessi limiti dell’istituto scolastico. L’attenzione dello studio si è focalizzata nel seguimento di sei alunni vincolati con il corso di Strumento Musicale per i quali, in fase di selezione del campione, sono emersi elementi o problemi concreti che hanno fatto sospettare rischi di esclusione o possibili vantaggi derivanti dalla partecipazione all’attività musicale. Allo stesso tempo, si è cercato di verificare l’efficacia dell’insegnamento dello Strumento Musicale dal punto di vista prettamente tecnico e il ruolo che lo stesso iii ricopre all’interno del ciclo di studi musicali nei suoi rapporti di propedeuticità con gli altri ordini di scuola. La raccolta dei dati utili per il seguimento dei casi in questione si è basata sulla combinazione della metodologia quantitativa e qualitativa in modo che la duplice prospettiva potesse fornire basi più solide per la conferma delle ipotesi strutturate in partenza. L’analisi dei risultati osservati ha evidenziato il forte impatto che lo Strumento Musicale ha esercitato (e sta esercitando) per l’intera comunità di Laureana, anche grazie al forte legame tra lo stesso e l’orchestra “Ragone” che offre un percorso di continuità e di crescita sia dal punto di vista musicale, che umano e sociale. Le conclusioni lasciano pensare, senza cadere in facili e fallaci generalizzazioni, che lo Strumento Musicale stia esercitando un ruolo sociale che va oltre a quello degli obblighi di una semplice materia scolastica, sia per la capillarità della sua diffusione su tutto il territorio italiano, sia per le possibilità di aggregazione sociale e crescita integrale proprie della stessa disciplina, soprattutto negli aspetti connessi alla pratica musicale d’insieme. / [ES] El objetivo principal de este estudio radica en verificar si la enseñanza musical y en particular medida la práctica musical de conjunto (desde las formaciones más pequeñas hasta las formaciones orquestales), puede facilitar los procesos de inclusión en contextos sociales y didácticos comprometidos por diferentes razones. Con el fin de contestar a esta pregunta, se ha focalizado la atención en la enseñanza de la práctica musical en el nivel de secundaria con estudiantes de edades comprendidas entre 11 y 14 años y, más concretamente, en una escuela secundaria de primer grado de la región de Calabria (Italia) que cuenta, en su oferta formativa, con la asignatura de instrumento musical; dicha asignatura permite al alumnado del centro recibir clases de instrumento musical tanto de forma individual como de conjunto. A partir de este objetivo general, también ha resultado útil verificar si las escuelas italianas con la enseñanza de instrumento musical (y en particular medida la actividad de música de conjunto del mismo curso) están desarrollando un rol didáctico y social que va más allá no sólo de los límites de una simple asignatura sino también de los límites de la misma escuela, con efectos positivos para la sociedad y el territorio que rodea la escuela. Aunque la asignatura de instrumento musical esté ya radicada en muchas escuelas italianas, se ha elegido para este estudio una realidad musical que desde hace diez años se ha dado a conocer a nivel nacional por las evidentes influencias sociales que la práctica musical de conjunto ha habido para toda la comunidad. La investigación se ha llevado a cabo en el instituto "G. B. Marzano" de Laureana de Borrello (Calabria-Italia) en el cual el curso de instrumento musical ha logrado, también gracias a una estrecha colaboración con otra realidad musical del pueblo (orquesta "Ragone"), ejercer fuertes influencias de cohesión social que ha ido más allá de los espacios escolares. El estudio se ha centrado en el seguimiento de seis alumnos del curso de instrumento musical de los cuales, en la fase de selección del muestreo, habían salido a la luz algunos elementos que dejaban sospechar tantos probables riesgos de exclusión como ventajas conectadas con la participación a las actividades musicales. Al mismo tiempo se ha intentado averiguar la eficacia de la enseñanza de instrumento desde el punto de vista estrictamente técnico y el rol que dicha asignatura desarrolla en el ciclo de estudios musicales en sus relaciones propedéuticas con los otros grados. La recogida de datos relativos a los casos objeto de estudio se ha llevado a cabo a través de la combinación de la metodología cuantitativa y cualitativa para que la doble perspectiva pudiera otorgar bases más sólidas a la hora de confirmar las hipótesis iniciales. El análisis de los datos observados ha evidenciado la fuerte influencia que la asignatura de instrumento musical supuso (y está suponiendo) para toda la comunidad del pueblo de Laureana, también gracias a la conexión entre el mismo curso de instrumento y la orquesta "Ragone" que ofrece una posibilidad de continuación y de crecimiento tanto desde el punto de vista musical como humano y social. Las conclusiones dejan suponer, sin caer en simples y falsas generalizaciones, que el instrumento musical esté desarrollando una labor social que va más allá de sus obligaciones de asignatura escolar, debido a su difusión capilar en todo el territorio nacional y a las posibilidades de cohesión social y desarrollo integral propias de la misma asignatura, en particular medida por los aspectos relacionados a la práctica musical de conjunto. / [CA] L'objectiu principal d'aquest estudi radica en verificar si l'ensenyament musical i en particular mesura la pràctica musical de conjunt (des de les formacions més xicotetes fins a les formacions orquestrals), pot facilitar els processos d'inclusió en contextos socials i didàctics compromesos per diferents raons. Amb la finalitat de contestar a aquesta pregunta, s'ha focalitzat l'atenció en l'ensenyament de la pràctica musical en el nivell de secundària amb alumnes d'edats compreses entre 11 i 14 anys i, més concretament, en una escola secundària de primer grau de la regió de Calàbria (Itàlia) que compta, en la seva oferta formativa, amb l'assignatura d'instrument musical; aquesta assignatura permet al alumnat del centre rebre classes d'instrument musical tant de manera individual com de conjunt. A partir d'aquest objectiu general, també ha resultat útil verificar si les escoles italianes amb l'ensenyança d'instrument musical (i en particular mesura l'activitat de música de conjunt del mateix curs) estiguen desenrotllant un rol didàctic i social que va més enllà no sols dels límits d'una simple assignatura sinó també dels límits de la mateixa escola, amb efectes positius per a la societat i el territori que rodeja l'escola. Encara que l'assignatura d'instrument musical estiga ja radicada en moltes escoles italianes, s'ha triat per a este estudi una realitat musical que des de fa deu anys s'ha donat a conéixer a nivell nacional per les evidents influències socials que la pràctica musical de conjunt hi ha hagut per a tota la comunitat. La investigació s'ha dut a terme en l'institut "G. B. Marzano" de Laureana de Borrello (Calabria-Italia) en el qual el curs d'instrument musical ha aconseguit, també gràcies a una estreta col·laboració amb una altra realitat musical del poble (orquestra "Ragone"), a exercir fortes influències de cohesió social que ha anat més enllà dels espais escolars. L'estudi s'ha centrat en el seguiment de sis alumnes del curs d'instrument musical dels quals, en la fase de selecció del mostratge, havien eixit a la llum alguns elements que deixaven sospitar tants probable riscos d'exclusió com a avantatges connectades amb la participació a les activitats musicals. Al mateix temps s'ha intentat esbrinar l'eficàcia de l'ensenyança d'instrument des del punt de vista estrictament tècnic i el rol que la dita assignatura desenrotlla en el cicle d'estudis musicals en les seues relacions propedèutiques amb els altres graus. La recollida de dades relatives als casos objecte d'estudi s'ha dut a terme a través de la combinació de la metodologia quantitativa i qualitativa perquè la doble perspectiva poguera atorgar bases més sòlides a l'hora de confirmar les hipòtesis inicials. L'anàlisi de les dades observats han evidenciat la forta influència que l'assignatura d'instrument musical va suposar (i està suposant) per a tota la comunitat del poble de Laureana, també gràcies a la connexió entre el mateix curs d'instrument i l'orquestra "Ragone" que oferix una possibilitat de continuació i de creixement tant des del punt de vista musical com a humà i social. Les conclusions deixen suposar, sense caure en simples i falses generalitzacions, que l'instrument musical estiga desenrotllant un rol social que va més enllà de les seues obligacions d'assignatura escolar, a causa de la seua difusió capil·lar en tot el territori nacional i a les possibilitats de cohesió social i desenrotllament integral pròpies de la mateixa assignatura, en particular mesura pels aspectes relacionats a la pràctica musical de conjunt. / [EN] The main objective of this study is to verify whether musical teaching and in particular ensemble musical practice (from smaller formations to orchestral formations) can facilitate inclusion processes in social and didactic contexts, which are compromised for different reasons. In order to find answers to this question, the main focus lies on musical practice teaching at the secondary level with students between the ages of 11 and 14 and, more specifically, at a middle school in the region of Calabria (Italy), that includes, in its formative offer, the subject of musical instrument; this subject allows students of the center to receive musical instrument classes both individually and in groups. Based on this general objective, it has also been useful to check whether Italian schools offering musical instruments teaching (and in particular the activity of ensemble music in the same academic course) are developing a didactic and social role, that goes beyond not only the limits of a simple subject but also the limits of the same school, with positive effects on society and the communities surrounding the school. Although the subject of musical instrument is already rooted in many Italian schools, for this study a specific musical reality has been chosen, which in these last ten years has come to be known nationwide because of the obvious social influences that the ensemble musical practice has had for the whole community. The research has been carried out at the High School "G.B. Marzano" in Laureana de Borrello (Calabria-Italy) in which the class of musical instrument has achieved, partly due to a close collaboration with another musical reality of the town (the "Orchestra Ragone"), to exert a strong influence of social cohesion that has gone beyond the school areas. The study focused on the follow-up of six students of the musical instrument class. Regarding a number of these students some elements had come to light during the sampling selection phase that hinted to likely risks of exclusion as well as to advantages to be gained from the participation in musical activities. At the same time an attempt has been made to evaluate and measure the effectiveness of instrument teaching from a strictly technical point of view, and also the role that this school subject plays in the cycle of musical studies in its propedeutic relationships with the other degrees. The collection of data relating to the cases under study has been carried out through the combination of quantitative and qualitative methodology so that the dual perspective could provide stronger foundations when confirming the initial hypotheses. The analysis of the studied data has shown the strong influence and meaning that the entire community of the people of Laureana attaches to the subject of musical instrument, also thanks to the connection between the same instrument class and the "Orchestra Ragone", that offers a possibility of continuation and growth both from a musical and a human and social point of view. The conclusions suggest, without falling into simple and false generalizations, that the musical instrument teaching is developing a social role that goes beyond its obligations as a school subject. This is so, because of its capillary dissemination throughout the whole of the country and the possibilities of social cohesion and integral development it offers, typical of the same subject, in particular of the specifics related to ensemble musical practice. / Mannis, F. (2022). La música como herramienta inclusiva: el conjunto musical en la Escuela de Laurena di Borrello [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/186009